An open request to any who may wish to copy this films methods
This is an open request and warning to these or any director/screenwriter/cinematographer who may study and resort to the use of certain techniques used in this film in their future projects.
First, I must apologize to Ms. Berry and Mr Hanks (Ladies first and not a reflection of "Star Billing") Whom I believe will sometimes read IMDB comments of what people are saying about your work as I adore the both of you and greatly admire your talents and don't hold either of you accountable for my following annoyance.
Two weeks ago, in May 2016, I discovered this film by seeing a trailer for it on the Chinese movie "Coming Home." Being a fan of many of the notable stars in this movie, and being that I have been disabled and homebound, since 2001 and will screen approximately 10 movies per week, I was very surprised that I have never heard of it before, and that it premiered 4 years prior to my discovery of it so arranged to have it sent to me in my next Netflix DVD shipment. Now having watched Cloud Atlas several times, I am left with nothing more than confusion and annoyance at this film and "Hollywood" in general. And an understanding why this film has been more or less apparently disavowed as a vehicle for the careers of some otherwise highly notable actors.
Please Please PLEASE... Stop telling stories by way of flashbacks! The use of flashbacks or multiple flashbacks to tell a story has absolutely gotten so old, overused and out of hand, (even in many recent foreign movies I have seen although their names presently escape me,) that I am sure that when future movie historians look back on the early 21st century it will be a very bad reflection of our times that those who were responsible, could not find another way to drive a story without reducing themselves to such an unoriginal overused vehicle. Just because it worked for Forrest Gump and Pvt. Ryan (sorry Mr. Hanks, first movies that came to mind) doesn't mean that we want all our films to follow this path! PLEASE STOP AND DEFINE YOUR CAREER WITH YOUR OWN ORIGINAL WAY TO TELL YOUR STORY!
Second, Almost exactly half way through this film, you had a character (Ms. Berry) say: "You have to do what you can't not do.". Really???? On top of leaving the viewer visually confused from trying to follow along with which time period you are presenting now and trying to remember what you last presented about that time period while you are stitching together your "masterpiece" of utter confusion, now you want to further aurally confuse us and drive our brains into total mental overload??? WTH Dude! I can't deal with double negatives on top of following along with several time periods tossed around like playing cards on the floor! I can understand why.. regardless of the assemblage of such a well-known cast of international screen notables... this movie has been so quietly hidden away, and you blame the length?? Hell, this movie could have been 2 hours shorter or 4 hours longer and still would be a pile of confusion if only because you drive viewers into having to overthink every scene.. From the modified languages, to the flashbacks and the poor lines such as described above that you must have only written in hopes of it becoming a new catchphrase, you overworked the viewer into "switching off" early so as to endure the torture of this movie. Hell, I would almost rather have been the slave tied to the whipping post then to have to sit through this lumpy oatmeal of a waste of terrific talent that this movie became. And don't get me wrong... I adore movies with a message, but not one that makes you work so hard for it or tries to beat you over the head with a "bad poem" instead of just coming out with a clear concise message!
Please Hollywood, stop with the overuse of flashbacks to tell your stories. Wouldn't you rather be known for developing new styles and techniques or are you going to settle for being known as a follower and mediocre mill of tired rehashed and overused style?
Respectfully submitted,