The American's older, smarter brother.
Both are films about men who have been numbed by societal banality; each man has a specialty crime; both have have romances which aren't really explained whatsoever (female characters with no development); similar directorial decisions (the cinematography is very similar between the two - Corbjin has the red room, though); both end with the lead character being fatally wounded and driving until their demise.
But where I like The American, I loved The Robber. At first, I was feeling out of tune with what this Austrian flick was talking about. Some guy committing robberies for no explicable reason, running and winning races, dealing with a parole officer and shagging some mystery lady. But then it gets much more interesting -- we surmise that he robs banks because nothing else in life stimulates him -- and of course, that final 45 minutes where he's simply trying to evade captivity. What an exhilarating second half; it's some of the best cinema of recent memory.
http://forizzer69.wordpress.com/ (Youth, Boxing & Independence)