Was better than the slanted view of Smash His Camera.
I was really impressed by Grenier balanced perspective and reference to the book Mediated. It was much less campy and slanted into the cheesy use of the amendment right to freedom of press to exploit privacy that was use in Smash His Camera.
It's my view that an entertain doesn't maintain as a public figure, due to his disunity between himself and the public. It tends to deter from the actual product of performance. The public claims that status it imposes upon them, not the other way around.
With all the money alloted by patrons, you'd think that these senseless voyeurs would realize the manufacturing of personas they erect.