MovieChat Forums > Låt den rätte komma in (2008) Discussion > Is it just me? (SPOILERS!!/Edited)

Is it just me? (SPOILERS!!/Edited)


Edited. I first posted when in a really bad mood, and feeling angry at those who made this film, as I felt manipulated. I still do, and don't see this as a love story, but my OP was over-the-top snide and sarcastic. Guess maybe this is something of a cop-out - but hopefully just less offensive. I realize I'm definitely in the minority with my take on this movie.
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A sweet story of love between two innocents? Really?

(As I feel the film stands apart from the book, and the "groin glimpse" convinced me of nothing, I realize that Film Eli may be a castrated boy, but believe her to be female. For my take on the story her gender isn't an issue; I'll just go with Eli being female.)

What does Eli growl, snarl at a timid and apologetic Håkan when he doesn't bring her enough blood? "You're supposed to HELP me!! Do I really have to take care of MYSELF?! Say something!!" She's got some kind of hold over that guy; she must. As its nature isn't explained or even hinted at, I felt that viewers were meant to assume it's something dark. Maybe she threatens to kill him; maybe it's sexual.

I think she feels from the onset that this "provider" needs replacing. Even before he attempts suicide for her sake, then gives up his life to her - her "Papa," what an acting job at the hospital. I didn't notice any remorse when she killed him. She seduces a weak, bullied boy. Encourages him to strike back at his tormenter, so successfully encouraging him that the boy is hospitalized. Perhaps a first step in training him to kill for her.

She goes straight from killing Håkan into his bed, oh-so-"innocently" naked? Oskar believes her to be a girl despite her denials, IMO. We glimpse her as an old woman; I don't buy her sexual naïveté.

She seduces him into being her next butcher/caretaker by being the strength he lacks; no huge effort on her part, just slaughtered some kids at a pool. Happy ending? The director concedes (DVD commentary) it could as easily be seen as a tragic one given Oskar's new "role." (He doesn't say as what.) I wonder about how it will change as he matures - she's already there - and, again, about her relationship with the much older Håkan, and likely those who preceded him. She must have provided them something?

Does this remorseless creature have the right to live for hundreds of years - to live at all - at the expense of scores of innocent lives, of the suffering of so many? Not in my opinion. Any tears she sheds are of self-pity.

I would add that I think Eli plans to "turn" Oskar, so as to have a companion in her bizarre life; a selfish act. She'll probably wait until he's 18 or so, and can better provide for her and perhaps pose as her older brother and guardian.

Again, I realize I'm in the (tiny?) minority here. I found the story dark, disturbing, and very sad. And yes, felt I was being manipulated into seeing it in another light.

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"didn't notice any remorse when she killed him, did you?" - SaliceMcD


Yes, I did. It was understated, but it was there.

"Does this remorseless creature..." - SaliceMcD


Eli is remorseful. He cried over the body of Jocke after killing him, he also tells Oskar that he kills because he has to and not because he wants to.

"The director concedes it could as easily be seen as a tragic one given Oskar's new "role." "


Source?

"Puh-leeze." - SaliceMcD


Less condescension, please.

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http://www.youtube.com/watch?v=0e3tGxnFKfE

http://tinyurl.com/LTROI-story

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I watched it twice, the second time looking for remorse; if it was there, I didn't see it. He's cruel to Håkan. Naturally he'd express remorse over killing while trying to win someone over.

His DVD commentary.

To each his own, I just didn't have the reaction of the majority of viewers.

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One last thing that really disgusted me about Eli; her last moment with this man who'd devoted - how many years? - to risking his life/freedom to care for her, and in the end has attempted suicide or at least horrible pain and disfigurement to keep her safe, is spent feeding from/killing him. If she said so much as "Goodbye," I guess I missed it.

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First, I have to say that I love it when people mistake Eli as evil. I love Eli so much, I think the movie is so great that the film could make such a multifaceted character.

That being said, consider the following:
1. Has Eli done anything other than act like a true friend towards Oskar during the movie?

2. Yes, Eli climbed into Oskar's bed naked, but her clothes were bloodied. And isn't that scene super innocent? When Oskar realizes Eli is naked, she says "is that gross?" and Oskar asks "Arent' you cold?" It's not a seductive scene at all.

3. You assume that Hakan devoted years to Eli, but is that really true? And isn't it Hakan's choice for Eli to feed on him?

4. Yes, Eli kills to survive, but wouldn't anyone do the same thing? Or, would you kill a child so that you could live?

And finally, what could Eli have done differently to convince you that she truly loved Oskar? She puts her life in Oskar's hands at the invitation scene, she didn't have to do that, but she wanted to show how much she trusts Oskar.

To me, Eli definitely deserves to live, and doubly deserves to find happiness with Oskar. If she was only looking for a helper, wouldn't another adult be much better? Oskar only makes sense as a friend. And like Eli says, she's only twelve.

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I expressed an opinion, which by definition can't be "mistaken." (Unless you're the creator of the character?) And where did I say she was "evil?"

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well you're mistaken in that she seduces Oskar and seducing a 12 year old kid to be a next caretaker is by definition evil so...

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It's a necessity that Eli do so, I get that. Calculating, selfish even, evil, no. A sentence/statement isn't subject to definition.

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(Finally have a reply for you.)

treejam555; a sentence can't be defined. In addition, I don't feel that seduction is in and of itself an evil act, even if it's for the purpose you mention, believe it or not. Acting on the instinct to survive, as "premeditated" as it might be in Eli's case - i.e., not a heat-of-the-moment decision - does not equate to evil, as far as I'm concerned. I may not like Eli - I dislike him intensely for his manipulative nature - and I see tragedy where others see romance and love, but I don't see his relationship with Oskar as being evil, or motivated by evil. Selfish and uncaring - this is how I see Eli.

1. The key word is "act." As in putting on an. I realize that virtually everyone but me sees Eli encouraging a timid boy to stand up to his tormenter and at long last exact his revenge. I see him as someone with many more years of life experience encouraging a boy to act on his feelings of rage and put a kid in the hospital - likely as a first step toward getting him to kill for him.

2. Innocent on Oskar's part, not so on Eli's; again, he has lived much longer, not even recalling how long he's "been twelve." I believe that Oskar perceives Eli to be a girl, his denials aside. He may think Eli's statements in this regard are a test of some sort: "Would you still like me if sex or its possibility were removed from the picture?" It's a test Oskar wants very much to pass, so naturally he says Yes. I doubt that many 12 year old boys would tell a 12 year old (perceived to be) girl that he found her nude body next to his in bed to be "gross," and kick her out. Alternatively, he may have a homosexual attraction to Eli, or at least a "questioning" one. Sexuality comes in many forms, of course, with some people fantasizing relations with supernatural beings, or actually having them with inanimate objects. Perhaps the fact that we're shown that Eli has been castrated is meant to be a signal that no sexual relationship can exist, but it only really means that Eli can't enjoy one, not that Oskar couldn't, with Eli as a partner. Eli has leverage, if not all his parts, and, again, many years of life experience which has likely taught him how to use it. I see quite a few posts here referring to Håkan as a pedophile. If this fact was conveyed in the movie, I completely missed it, but I think it's natural to wonder why he serves as Eli's caretaker; I don't see any fondness between them.

3. I don't think we know from the movie how long Håkan has been Eli's caretaker; in retrospect, he did seem to be pretty bad at the job so is probably not experienced. With that said, even if he had committed only one murder to "serve" him, that earns him more, in my book, than he ends up getting from his "master": death, without so much as a parting word.

After pouring acid over his face either to kill himself or obliterate his features so that it would take longer to ID him, giving Eli time to relocate, hide, whatever, yes, Håkan does offer his life to Eli. I don't know how much of a "choice" he had at that point. Was Jim Jones not culpable in the deaths of hundreds of his followers who literally drank the Kool-Aid (Flavor Aid) because they "chose" to do so? Including the children? In any case, during this scene I saw Eli play the role of a sad child looking for her "Papa," then going to his window. For what purpose? To offer him comfort? Say a tearful thank you? No, he waits outside the window for his meal to offer himself up, and takes Håkan's life without a word, a touch on the shoulder - not even a grudging "Goodbye."

Toward the beginning of the movie, Eli had pretty viciously berated Håkan for being a poor provider, for which he ashamedly, and it seemed with fright, apologized. Maybe we're meant to perceive Håkan as a pedophile abusing Eli, or to suspect him of this, and to feel sympathy for Eli as a result, but if so I missed any hints at this. Given Eli strength and abilities, I don't believe it's possible.

4. Part I: My problem here is not with Eli; the survival instinct is strong; we don't know why he became what he is, whether or not he chose this existence. I'll assume he did not, in which case he has the right to do what he must to survive - drink human blood. Does this mean he must kill, or have others kill for him, to obtain it? For dramatic purposes, I suppose the answer is obviously Yes. But why not have Oskar ask what seems to me to be a reasonable 12 year old's question: "Do people have to die so that you can get blood?" (If in fact we're to believe he cares?) It's possible for someone to lose a lot of blood - almost certainly enough to sustain Eli - and still live. A line or two of well-written dialogue dismissing this - and blood banks and hospitals, for example - as possible options would have gone a long way with me. A frustrated/pained "They must die, there is no life for me without death, Oskar!" from Eli would have worked, without dragging the story into the harsh light of reality - so to speak! It could even have added much-needed pathos.

Part II: I think that this is a question that's irrelevant; in any event, it will go unanswered. The various scenarios that come to mind just off the top of my head (well *that* was redundant) would crash this site were I to write them all out. Then I'd start on the "finer" moral dilemmas that might arise, and possible extenuating circumstances.

I believe that Eli knows Oskar well enough at that point not to be concerned that he'd stand there and watch Eli bleed to death (or explode into flames; whatever.) A calculated risk which gave Oskar a false sense of control. Eli is nothing if not calculating (as I know I've said, perhaps ad nauseum.) I didn't believe for an instant that he didn't have a back-up plan, just in case Oskar had denied him entry. I'm not terribly creative, but can think of several ways by which he could have made a dramatic exit - by which to ensure that a remorseful, guilt-stricken Oskar, contrite to the point of desperation regarding his brief, childish temper-tantrum, would be so overwhelmingly stricken at the thought that he'd nearly killed his belovèd that he would, on their next meeting, pledge his undying - literally - love, and beg either to serve Eli for the rest of his life or be turned so that they could be together forever. This, or Eli would shrug and move on to his next victim. (And I would still not consider him to be "evil!")

To be honest, there's nothing that Eli could say, and little he could do, to convince me he loved Oskar, given that I view him as a shrewd and manipulative actor. Unfair to the character? Maybe, but there it is. Run out into the sunlight to save him from danger? *That* isn't fair; I shouldn't expect a suicidal act. I've tried to think of something, but when I think I might "have it," my mindset vis à vis Eli kicks in and tells me it would just be a further, stronger seduction of Oskar for his own needs and desires.

What might he do or say that would convince *you* that Eli is as I see him, at least to some degree?

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I don't actually mind people who see the manipulative angle. To me it comes to this: if there is nothing Eli could do to make you believe that she was sincere, if anything could be just another layer of manipulation, then I prefer to think of her feelings towards Oskar as true.

It's either believe in Eli or be so cynical as to say that it's impossible for Eli to love someone else.

I see Eli as a sympathetic character who finds loves, but I also enjoy the interpretation that she's a true step up from the humans on the food chain, able to prey on humans not because of increased strength, but because she's so much smarter. I don't think that this is supported by the movie at all, but if Eli were this master schemer, she would deserve her human servant. Then again, the best counter I can offer to this POV is that if Eli were so smart, she could do a lot better than having a pedo or a 12 year old kid as her guardian.

Anyways I find it interesting that some people are just determined to see Eli as manipulative, and I see the appeal: it's quite a bleak ending if it's really just two 12 year olds running away together with no real plan for the future. One would almost prefer that Oskar left with a schemer who knows how to keep them both alive, rather than Oskar leaving with a fellow child vampire who now has no adult to take care of her and must now keep Oskar alive.

I do prefer that she turn him and they live happily ever after together. I think they both deserve that bit of happiness, even if they have to kill to survive, because they are children who have suffered so much before finding each other.

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I dont understand your thinking at all. Why wish wellness on a person who manipulates? A person who manipulates is not a sympathetic character, it is an evil character. By saying Eli is "deserving" of her slave merely because she is smart enough to achieve it makes no sense to me. Why does she deserve it?

Also I dont think you understand, at least, my POV when it comes to the manipulative angle. Its nothing I want, its something I saw. Its something I think the filmakers put into the movie for me to see. Theres nothing appealing about it either. Oskar will be Hakan. He will waste his life in complete stress and die alone, jilted for another twelve year old because hes lost his usefulness.

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I admire Eli's will to survive, if nothing else. And she's doing what she has to do to survive, so even if it were evil from a human POV, it's understandable.

Mostly I just love Eli.

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"It's nothing I want, it's something I saw" perfectly describes my take on Eli, as well. After first watching the movie and reading many comments here, I watched it again, with, I truly believe, an open mind; trying to see, to feel, the love seen by so many. It just didn't happen.

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"Naturally he'd express remorse over killing while trying to win someone over." - SaliceMcD


Also when it's the truth. Being cynical is not proof that you are right.

Well that particular scene is not about remorse, per se. I should have expressed myself better. That scene involves Eli telling Oskar that he kills out of necessity, what Eli is really saying is that killing isn't cool, exciting, or fun. Eli kills because he has to, whereas Oskar wishes he could kill out of revenge. Eli is trying to convince Oskar that killing is not a good thing to do, kind of a strange thing to say for a "creature" that is trying to get someone to kill for them.

Where Eli expresses remorse is when he is crying over the body of Jocke, whom he has just killed and drained. There is no-one around to witness this, so the question you should ask is "Who was Eli trying to manipulate then? Or was it genuine?"

The two scenes tie in together. We see Eli crying over Jocke's body and then later we get an explanation for why he cries.

"His DVD commentary." - SaliceMcD


I have just scanned over a transcript of the DVD commentary, performed a word search (ctrl-f) for "tragedy", "tragic", "future", and "role" with no results in context, and consulted my memory. I cannot come up with any reference to Oskar's "new role". Could you be more precise and point out when in the commentary this appears?

I have found the following though...

01:49:14,118 --> 01:49:17,570 JAL: I see this as a very happy ending, a very positive ending.
TA: Me too.


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http://www.youtube.com/watch?v=0e3tGxnFKfE

http://tinyurl.com/LTROI-story

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So sorry, not ignoring you. Had eye procedure, painful to see/write at the moment.

The comment was on the Magnolia DVD I bought. The director said the ending could be seen (perceived? I'll check) as happy or tragic, he goes with happy.

I should edit my OP; too harsh, was still angry! But will acknowledge any edits, in all fairness.

Don't think Eli is "evil," but has an agenda, is manipulative.

More when I can!

All respect.

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"More when I can!" - SaliceMcD


Don't worry, your health is far more important than discussing a film with strangers.

Come back when your eye is well again. 

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http://www.youtube.com/watch?v=0e3tGxnFKfE

http://tinyurl.com/LTROI-story

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Thanks, Jameron; I'm improving. (Never, ever dismiss a small, round white spot on your iris, btw.)

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Jameron; IOU a re-watch and verbatim report on the commentary I referred to. I finally have the DVD back in my possession; stay tuned.

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Look, Salice, she's screeching at Håkan because she's on the verge of hysteria. She knows what comes next, and the next victim may be Oskar!

Granted that everyone sees remorse when she kills Jocke, but I prefer to see it as deep unhappiness that she has to live this way; that is, she's feeling self-pity. Who wouldn't? She has no life, really, and it was not her choice to be a prepubescent vampire.

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I'm not sure if you saw my comment on that killing of Eli's, but I saw the same; self-pity, not remorse.

Are you saying Eli wasn't angry with, disgusted by, Håkan in that scene?

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Might have been all of the above, but given the shrill tone of her voice, I think panic or near hysteria is the dominant tone. After all, she has a range of ways of expressing her feelings to Håkan, ranging from a cold silence to caressing his cheek.

During the extreme dressing down, I note that Håkan never takes his eyes off her. If you imagine it's because he feels like he's in mortal peril, it adds a creepy dimension to the scene.

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O but YES I believe Håkan fears his imminent demise!!

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(Apologies for my condescension, since edited.)

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Comments on the edits to your OP. I didn't copy your OP, so I'm relying on my memory of what wasn't there the first time.

"I didn't notice any remorse when she killed him" - SaliceMcD

"Any tears she sheds are of self-pity" - SaliceMcD


Why does Eli have self pity if he has no remorse for killing people? We don't see him crying over not living in a nice place, or not having nice clothes. The only time he cries is directly following on from killing Jocke, the implication is clear.

" The director concedes (DVD commentary) it could as easily be seen as a tragic one given Oskar's new "role." (He doesn't say as what.)" - SaliceMcD


If you could timestamp that so that I could listen to the actual words Alfredson uses as "tragic" and "role" do not appear in the transcript in any context that matches your claim. I notice you added "(He doesn't say as what.)" and yet you assume he means as a caretaker and blood collector. Would you concede that Oskar becoming a vampire could also be seen as a negative, as tragic? Especially when we consider the way Eli is forced to live his life, as full of "self pity" as it is?

"I would add that I think Eli plans to "turn" Oskar, so as to have a companion in her bizarre life; a selfish act. She'll probably wait until he's 18 or so, and can better provide for her and perhaps pose as her older brother and guardian." - SaliceMcD


Not so one sided or selfish an act as it might initially appear. Oskar had already proposed a "joining" of their lives when he wanted to "mix blood", in the basement. Of course Oskar didn't know that Eli was a vampire then, and that he too would have to become a vampire in order to share properly in Eli's life. Nevertheless, he chose to maintain his friendship with Eli even when he knew what Eli was.

How would an eighteen year old vampire better provide for Eli than a twelve year old vampire? Sure, he might be able to rent a flat whereas a twelve year old couldn't, but that is true of a human as well as a vampire. Twelve year old Oskar couldn't rent a flat any more than twelve year old vampire Oskar, so what do they do in the mean time before Oskar reaches eighteen? Plus, a vampire Oskar, eighteen or not, couldn't conduct any business in daylight which would seriously hamper meeting with letting agents during business hours.

Not to mention how Oskar would explain not being in school while clearly being twelve years old. He wouldn't be in school because he is a "missing child" (they didn't find his body because he wasn't killed at the bath house) and would need paperwork he didn't have. Eli and Oskar would also need to move towns on a regular basis as there are only so many "missing people" or "drained corpses" a town can amass before there is major police intervention.

An adult vampire would also need to provide for themselves, as well as his "younger sister", this would mean that there would be double the murders, and double the "missing people". How would this be better for Eli than turning Oskar now? For all we know, two child vampires could feed enough from one person whereas an adult vampire might need a whole victim to themselves.

"I found the story dark, disturbing, and very sad." - SaliceMcD


The story is dark, disturbing, and very sad, but out of it comes an endearing message of acceptance. The two leads accept each other for what they are, everyone else in the film is trying to change them, or seeing them only as they want to see them not as they are.

"And yes, felt I was being manipulated into seeing it in another light." - SaliceMcD


Just like real life, and every film ever?

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http://www.youtube.com/watch?v=0e3tGxnFKfE

http://tinyurl.com/LTROI-story

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Yes, good movies "manipulate" us into feeling a certain way, having a certain reaction; liking the villain of the piece, overlooking character faults, dismissing their worst actions even, at times. But this had me react to it in one way before seeing it for what it was after some thought. I did say my initial take was the same as that of the majority of viewers.

Perhaps kudos are owed and not anger, which should likely be directed at myself for being duped, but it's hard not to resent being played for a fool - IMHO, of course.

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I feel only kudos should be given but I dont want to talk you out of your take. A movie like this is all about the viewers POV. The director has said so.

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I need to go back and re-watch the first scene you reference - Eli talking about killing. I can't remember it at the moment - you'll likely need to remind me! No, cynicism doesn't make me right; we have different interpretations, and as I've probably said, only the character's creator could tell us who's right and who's wrong - or if neither of us is. Eli might never, sometimes, often, or always be sincere in word and deed. Just as anyone, he could have his light and dark moments.

(I've obviously come to think of Eli as male.)

Eli is angry at Håkan - he addresses him pretty nastily - early on for not getting him blood because he just doesn't like doing it himself. As I quoted him originally: "You're supposed to HELP me! Do I really have to take care of MYSELF?" *Isn't* he saying that he doesn't want to provide for himself? Doesn't this show that he resents, dislikes, hates doing the job - killing and feeding? What else could it mean? He isn't saying, or certainly implying, given his angry tone and demeanor, that he wishes not to have to kill or harm anyone. He doesn't want to worry about being seen, followed, discovered, doesn't want to have to stalk, wait until no one's around, jump on an ugly old man and bite into his wrinkled neck and suck out his blood when he's probably weak, maybe feeling sick, tired - he shouldn't have to, somebody should just *bring* him blood, it's hard work, it's messy, and maybe he'll have to do it the next night too, and forever, and he feels sorry for himself and he cries. And I don't blame him!

The implication is clear to me, too, I just infer something else. I don't know that many guys in his situation would care about clothes, or decor. Or maybe he does, I don't recall it being addressed; just not something the director felt a need to include?

The DVD stuff you posted - hieroglyphics, is it? Seriously, my player was probably one of the first on the market - my brother tends to buy such things for me as gifts - and I have no means by which to give you a reply in your language! I will watch it again and write his comments down verbatim and can only hope you trust me. (He's speaking English, so no issue with translation.) Or, I could play it over the phone into an answering machine for you! or when I can see well enough to make out the teeny tiny notations and numbers on the case, try to find a transcript online corresponding to the DVD version I have. (I lent it to someone; just remember "Magnolia," I think? but there are other co's names on it, too.)

Just about every kid has done the "blood brother/sister" intermingling of blood ritual, no? I remember doing it with a knife on a sleepover with two friends when I was eight or nine. We didn't go all Angelina Jolie, but we did overdo it - I guess as we were tomboys, we cut our palms "like the boys did" and the friend whose house we were at had to wake up her older brother - a teenager - for help in the middle of the night (pretty exciting, now that I'm remembering it!) and he started to get scared because the other girl's hand wouldn't stop bleeding and their parents were out of town. (He was our "baby-sitter."). He had to tear up a t-shirt when he ran out of gauze. BUT she didn't turn out to be a hemophiliac and bleed to death, he calmed down and didn't call an ambulance, didn't tell their parents or ours, and we all got away with it! (What was the question??)

"Would (I) "concede" that Oskar becoming a vampire could also be seen as a negative, as tragic?" Concede? Seen as? I stated this originally, no "concession" is needed. He'll either fill the role which was thankless for Håkan, I say, or he'll be turned, but Eli will probably wait, as I said here. This is what my angry, vituperative OP is all about; the sadness and tragedy of a situation seen by others as a sweet romance with a happy ending. There's no such thing for these two; Eli's running things. If Oskar is turned at 12, misery will have company, and they'll need to find another Håkan to fill the guardian role, as they hide from people who'd wonder why they never come outside during the day/go to school.

The story is tragic because Oskar will be either a struggling young caretaker - with Eli waiting to turn him until he's bigger and can better kill/provide *and* pass as his guardian older brother, renting apartments and working, or join Eli in his sad existence. I think Oskar might be more into killing, though, as he does have violent tendencies.

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I always got mad when people would give such short shrift to Hakan. I felt sorry for him. He was obviously heart broken when seeing Eli with Oskar and was being thrown away like the trash. After falling off the ledge to his death, Eli gave a look like, "ok whats next". Then off to Oskars for cuddle time.

As for the future of E&O, its better not to think about the future. And thats the point. Im sure if they thought about the future before they met they werent thinking, "Im about to fall in love". No its, "I hope the bullies are going to leave me alone tommorow" for Oskar or "will I ever be happy again" for Eli. But they would have been wrong wouldnt they? Of course your scenario is there to be imagined without too much effort even if Eli's heart is true but the challenge is to believe that the beautiful moment when Eli rescues Oskar is the moment that will last, that being together will overcome all obstacles.

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A sweet story of love between two innocents? Really?

Yes, really. Not for everyone. I think if you don't like a film, there's not much chance that you'll evaluate it effectively or present it accurately. Does that make sense? I move on fairly quickly from films that don't suit me.

Or is there just something about it keeps you coming back to it?

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I love this movie; I gave it a 9.

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I mean it's not hard to see Eli as manipulative. For example, you could argue that Eli got in Oskar's bed naked and told him not to look just to test if Oskar is predisposed to obeying arbitrary orders. She could have just as easily wiped the blood from her mouth before climbing into bed. That's one view.

Or she could have just needed a friend at that time. WHy would you choose to see Eli in the worst light possible?

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When a person kills in the thousands, theres room for doubt. And when the story offers a myriad of clues to support that doubt, its not a choice as much as it seems thats what the story is saying.

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Eli may have killed thousands, but she does it to survive. She's a child, she has no duty to sacrifice herself to save strangers.

And the story really shows Eli's kindness, even alone: her sob over Jocke's body, her looking over Oskar outside the bathhouse, her timid decision not to talk with Oskar as Hakan goes out to get her food because she promised him not to. So it's not correct to say that the movie gives clues that Eli is manipulative, she's really honest with Oskar actually.

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If its ok to kill thousands to survive, why isnt it ok to manipulate one gullible, low self esteem boy? Its done for survival too and its only one vs the thousands who die. Sure the thousand dead are faceless and therefore soulless to the viewer but Im sure there are quite a few tender souls who had everything to gain but lost the ability.

And why do the examples you bring up about Eli being supposedly kind mean that there arent clues of her manipulation? I agree that crying over Jocke shows that Eli has feelings, which frankly goes against your point of excusing Elis murdering as merely a mountain lion killing a deer, but that doesnt mean she cant still manipulate. If she can kill, she can manipulate.

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it's ok to be manipulative, but that it's better to find someone who naturally loves you for what you are. It would be tragic for Eli to survive on maniuplation, it's a happy story if she gets to make a real friend.

The kindness examples are there to show that Eli acts kind even when no one else is watching. THere is no point in faking it when no is there to see. Eli is truly kind.

Sure, Eli can manipulate and does manipulate Hakan, but my point is that her feelings for Oskar are the real deal.

And Eli doesn't see her victims as deer, she has every right to, but she still doesn't. She is remorseful in killing. That's just how kind and innocent she still is.

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Yes, even taking the more positive perspective, the movie wants Eli to find happiness because they believe that in her heart of hearts shes good...but its despite the obvious evil she chooses to take part in week in and week out and if you dont think that then anything under the sun (or moon) is ok. Dahmer had a right to do what he did. Hitler had a right to do what he did. No what they did wasnt for food but what does that matter to the victims, it doesnt and its the victims whose most important in this equasion by simple math. Eli's weeping shows that she knows she's living a lie.

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I only said that Eli had a right to survive, not everyone has a right to kill. To blame Eli for the evil that she does is like blaming a child soldier for killing people in a war. Is killing wrong? Sure, but is the child who pulls the trigger in that situation morally responsible? I would say no.

Eli's weeping only shows that she retains enough humanity to feel empathy for her victims. I don't think Eli is under any delusions about what her life is. THe reason that the story is happy is because Eli's life gets better because she found Oskar and Oskar's life is better because of Eli.

THe story makes no judgments about the characters' actions. It's not a morality tale. IT's just about finding a kindred soul in a lonely world.

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I only said that Eli had a right to survive, not everyone has a right to kill. To blame Eli for the evil that she does is like blaming a child soldier for killing people in a war. Is killing wrong? Sure, but is the child who pulls the trigger in that situation morally responsible? I would say no.

Eli's weeping only shows that she retains enough humanity to feel empathy for her victims. I don't think Eli is under any delusions about what her life is. THe reason that the story is happy is because Eli's life gets better because she found Oskar and Oskar's life is better because of Eli.

THe story makes no judgments about the characters' actions. It's not a morality tale. IT's just about finding a kindred soul in a lonely world.

Would that everyone shared your clear vision of what LTROI is about. :)

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THe story makes no judgments about the characters' actions. It's not a morality tale. IT's just about finding a kindred soul in a lonely world.
I think it IS a morality tale but without judgement. Obviously the movie wants us to care for Eli and the only way to do that is to show that in her heart of hearts she's good. But covering her heart of hearts is a whole lot of bad, many lifetimes worth. I understand that its not her fault that she got turned and if it had been me or maybe you, we would do the same but I would hope to feel like a hypocrite knowing that I could end it like Virginia.

I think the movie is about light inside the darkness, that love is for everyone and you dont have to do good deeds all your life to deserve it. That its just there waiting for you. But if you stick up for what Eli does as something she has a right to do you diminish that message I feel. You take away the darkness.

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I do agree that the movie is about light in darkness, or even darkness in light, as it is love that drives Oskakr to care for Eli more than he does for her victims, but I think the darkness comes from Eli's circumstances, not from Eli herself. She kills to survive but isn't bad.

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Close enough Tree. Cheers

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We're shown a glimpse - two? - of Eli's real face, which is that of someone very old. It must have been for a reason, no? She is not a child, her physical appearance notwithstanding. I believe she cries over Jocke because she doesn't like killing - it's messy, "gross," and might get her caught or revealed - and resents not having it done for her ("Do I have to do it myself??" she angrily asks Håkan.) Do we have the right to prolong our lives at any cost?

S/he's circumspect in her actions with and regarding Oskar, as she has plans for him. I never said the movie gives us clues re her being manipulative; this is how I interpret her character, my reaction to it.

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"We're shown a glimpse - two? - of Eli's real face, which is that of someone very old. It must have been for a reason, no? She is not a child, her physical appearance notwithstanding." - SaliceMcD


The DVD commentary describes what we see on screen in those shots...
01:07:59,089 --> 01:08:11,209
TA: Here you see Eli for a short glimpse how she maybe would have looked if she had been her proper age.

467
01:08:11,730 --> 01:08:22,162
TA: I think she's... Well the timelessness shows when she's in between human and in between being this monster.

468
01:08:23,203 --> 01:08:29,153
TA: So there is this critical line where maybe you could see a mixture.


...maybe would have looked if she had been her proper age ergo, Eli is not over two hundred years old.

"I believe she cries over Jocke because she doesn't like killing - it's messy, "gross," and might get her caught or revealed" - SaliceMcD


Eli does not like killing, that's for sure. If his main concern was avoiding getting caught why would he make that more likely to happen by staying with the body after killing Jocke? That's not to dismiss this idea out of hand, I'm sure Eli doesn't want to get caught, hence, Håkan is supposed to do the killings.


I think the idea that Eli is bothered by "messy", and "gross", ignores the reality that Oskar pointed out that he smelled. If someone is bothered by "messy", and "gross", they wouldn't need to be reminded that they should bathe. Plus, that is nothing to cry over.

"S/he's circumspect in her actions with and regarding Oskar, as she has plans for him" - SaliceMcD


That is an unsupported claim on your part that cannot then be used to throw doubt on Eli's actions. If you have proof that Eli has nefarious plans for Oskar then that would shed a different light on his actions, without that proof you are engaged in biased speculation.

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http://www.youtube.com/watch?v=0e3tGxnFKfE

http://tinyurl.com/LTROI-story

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The manipulative take is coming up with logical conclusions to unanswered questions. Questions that seem important enough to warrant an answer, like why does this old guy go through such lengths to protect Eli, like pour acid on his face, when he seems so miserable doing it? The nearest answer is what the screen is showing us with Oskars new found happiness. It holds the strongest reason to explain such unbelievable sacrifice. Its such a tidy answer because its self contained within the movie, it comes full circle and can go on forever...and who knows how long it has been going on before this. Now all of Elis supposed kindness can be seen as infinitely practiced deceit that no mortal could understand never mind catch.

Sure there seem to be exceptions like Eli crying over the body when no one can see or Oskar throwing down the knife, symbolically distancing himself from Hakan and violence in general, and more, but are those things enough to overthrow the newly realized, more negative take?

Having said that, if you didnt make this connection, I guess you can look at Hakans sacrifice as the pinnacle of the morbid, strange, sick world they come from. They go all the freakin way. Which explains the depths of depravity Eli needs rescuing from.

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Wow, you're really parsing not just my sentences, but my phrasing! I'll try again, and be more succinct this time. Eli finds killing and feeding to be physically repulsive, or at least distasteful, all other adjectives aside. (I was taught long ago that to begin a statement with "I believe" or "It's my opinion" is a cop-out, and pointless; if I didn't believe it, I wouldn't be saying it. I've been trying to stick with this practice of late.)

As for Eli's plans for Oskar, my belief that he had such plans is borne out by two things: his successfully coaching him to be physically violent toward another person, and Oskar's joining with him; leaving with him. Do you have "proof" that he loves Oskar?

This reminds me that I haven't seen much written about Eli having killed at least one boy at the pool. This was not done to prolong his life, and it wasn't necessary to save Oskar. What was your reaction to this?

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"Wow, you're really parsing not just my sentences, but my phrasing!" - SaliceMcD


I'm not parsing anything. I assume that you mean every word you write, that every word is chosen deliberately, and that your entire post is to further your point. Certain words carry more weight when emphasised by placing them inside inverted commas ie. "gross". I certainly felt that this word was part of your main argument supporting the premise that Eli doesn't like killing ... because it's "gross". That emphasised word could also be seen to have extra meaning when one considers its use at another point in the film. Eli uses this word when Oskar complains about him not wearing any clothes in his bed, and being as cold as ice ... "Sorry. Is that gross?"

"As for Eli's plans for Oskar, my belief that he had such plans is borne out by two things: his successfully coaching him to be physically violent toward another person, and Oskar's joining with him; leaving with him." - SaliceMcD


I hate to use this phrase, it seems so smug, but correlation is not causation. You see Eli coaching Oskar (a heavily weighted word) whereas I see someone giving much needed advice and support to a friend. It's not like Eli was encouraging Oskar to assault an innocent stranger, rather to stand up for himself, to protect himself. Oskar's actions weren't unprovoked, it was defence.

"This reminds me that I haven't seen much written about Eli having killed at least one boy at the pool. This was not done to prolong his life, and it wasn't necessary to save Oskar. What was your reaction to this?" - SaliceMcD


Eli killed three boys at the pool. As you point out, it was not done to prolong his own life. It was, however, to save Oskar. One can argue over how much killing was necessary at a minimum in order to save Oskar, if any, but this ignores the truth of the situation though. Eli is a twelve year old vampire, not a trained adult government operative à la Jason Bourne. Eli also never claims to be an angel, he is as susceptible to fits of rage as anyone else is.

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http://www.youtube.com/watch?v=0e3tGxnFKfE

http://tinyurl.com/LTROI-story

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it's fine to Eli as manipulative, but it's a bit unfair to her, isn't it?

Is there anything she could have done differently in the movie to convince you that her intentions were pure? If not, I think you just can't see past her as a vampire.

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I put the word "gross" in quotation marks not to emphasize it, but to convey that it was how Eli likely felt about killing and feeding - a term that *he* would use, that is, and in fact does, as you point out.

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Actually, having given it some thought, I've come up with something Eli could have done to convince me that he cared for Oskar. He could have told him what his life would be like if he left with him - as a human caretaker, and/or a fellow vampire. The cold, hard, unpleasant facts, so that he could make an informed decision. Hearing Eli describe his life would have been very interesting.

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"Actually, having given it some thought, I've come up with something Eli could have done to convince me that he cared for Oskar. He could have told him what his life would be like if he left with him - as a human caretaker, and/or a fellow vampire. The cold, hard, unpleasant facts, so that he could make an informed decision. Hearing Eli describe his life would have been very interesting." - aliceMcD


I have a terrible head cold, so I am going to keep this short while I have a spell of lucidity.

The "Be me a little" scene was where Eli gave Oskar insight into his life.

Of course, Tomas' main staple in film making is show, don't tell. Rather than have Eli tell Oskar (and the audience) it is done symbolically. If you can come up with an interpretation of the phrase "Be me a little" other than "this is my life and what I have to do", I'd like to hear it.

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- - - - - - - - - - -
http://www.youtube.com/watch?v=0e3tGxnFKfE

http://tinyurl.com/LTROI-story

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Jameron; I'll watch the "Be me a little" scene - actually, the entire movie - again. Perhaps my being in a different mood this time around will result in my having a different response to it. Believe it or not, I'd like to see what you and so many others do.

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Exactly, jidici; not my "choice," as I say elsewhere, but my reaction.

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I can't choose my reactions; wish I could, it would have spared me some not-so-great relationships with men.

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(Book and movie spoilers herein:)

You do raise some of the issues I dealt with in viewing this movie. After reading the book, and the sort of postscript that the author wrote in "Let the Old Dreams Die", I know that Eli did not intend for Oskar to be another Hakan. And the only thing in the movie that lead to believe this was her morse coding "little kiss" to him in the train. The book makes it very clear that she rescued Hakan as an adult after he'd been fired from his job for molesting young boys, and was basically a park bench wino. Nothing like the relationship she has with the book Oskar.

I think the movie really wanted to go soft on the whole gender thing. Which was probably wise. There is so much in the book they just couldn't have done in the movie, and I'm glad they didn't, like the strong pedophile element, Hakan becoming a living monster, Eli flying all over the place.

I do disagree in your judgment of Eli, though. She did not choose to be a vampire, and does not relish the role. She kills to stay alive, much as we do (with animals.) She realizes she is an abomination, but were you in her place, would you have walked into the sun? I don't think I could have. On all other points, I agree. I think the movie and book were supposed to be dark, disturbing, and sad. It is a very typical Scandinavian film in that regard. We have a different notion of what movies should be in the states (assuming your in the states.)

banjoist123

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I want to point out that I did *not* feel that Eli should walk out into the sun (commit suicide.) I stated this when responding to a question about what I thought he should do to prove his love for Oskar, I think. This is an act reserved for martyrs I can't understand; I suppose because I'm a lesser person.

Yes, I'm in the U.S., and generally avoid Swedish films as I find them bleak and depressing. This one is, as well, but I found it to be wonderfully thought-provoking and am very glad I watched it. It's finally been returned to me, and I'll soon watch it again, and with my mind open to the takes and opinions of others which I've learned of here. (And I'll provide detail on the commentary.)

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This is the only Swedish film I have ever seen and I found it quite depressing. Watched it again last night to see if I'd missed something and I still felt depressed. Also think I must be the only person who had no sympathy for Eli - I'd have walked into the sun.

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Silly sillyspaghetti!! If you think you're the only viewer to have had these reactions to the movie and to Eli, you must not have read my posts - even just my OP!

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I did read it but I must've missed the bit about Eli. I know I'm silly, lol. And I apologise - shouldn't come on here in the early hours of the morning!!!

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No apology necessary. However, as most don't agree with us, and do feel (much!) sympathy for Eli, you might want to read through the negative stuff I wrote about him - I was corrected re his gender - and the responses to it, before taking on his defenders!



I'm gonna need more Stevia.

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