They both needed each other. He needed her artistic talents, she needed his salesmanship. Together they were a great team who could make a ton of money. Who cares if it was technically "fraud"? No one was getting hurt. Everyone loved the paintings. Who cares if the daughter did or didn't know?
Of course in the end he flipped out and ruined everything. All he had to do was act like a decent human being and they could have kept making tons of $$$, she could have done her own personal paintings alongside the big-eyes ones, and everyone would have been happy.
If he wasn't such a narcissistic pathological fraud, he would have supported her talent and managed her business. Instead he preyed on her weaknesses, bullied her and brainwashed her into thinking that the artwork would never sell unless it was created by a man. He wanted all the credit for doing nothing. Look at what he'd been doing before he met her. So, yes, he could have acted like a decent human being. But he didn't. He used her, was opportunistic, a liar, a fraud, violent, abusive, etc.
He wasn't "doing nothing". He was out there hustling, talking up the paintings, getting them seen, meeting with celebrities, strategizing business plans, making posters, etc All that is very important.
He had the more outgoing personality that people liked. It is very possible that the belief that HE created the artwork helped sell it to people. It was the 50s after all and society was still very sexist. It's hard to say whether the artwork would have been so commercially successful if he said it was his wife doing the painting.
It was the 1950s/1960s, not the 1700s. During that time women were making strides in many areas of pop culture and business. Georgia O'Keefe, Gloria Steinem, Rosa Parks, Betty Frieden, Harper Lee, etc. You catch my drift. She was timid and shy and he used that.
It's like you're buying into his excuses why he "stole" her talent. And, no, it's not HARD to say...I'm sure had he promoted the artwork as his wife's art - it would have been just as successful. After all - they were in Beatnik San Francisco where it was so liberal and free.
Yes but I think that there was a lot of appeal in the thought of a grown man painting these tender haunting images of the children, along with his (fake) stories about being inspired about what he saw in Europe.
Also, since he was the one making the sales pitches, it helped to say that he himself did the paintings rather than someone else, because then he could make up the stories about what inspired him and further engage the prospective buyers.
Margaret had the talent but she didn't have the story or the magnetism to draw people in like he did. She just didn't come across as a very interesting person. When people buy art, they also are buying the story that comes with it.
Dolemite has a point. Tigerlily, your thought is a guess, not a sure thing.
The truth is we'll never know if her art would have been a commercial success without her husband. But what we DO know is that she was successful because of her husband promoting her work.
_______________________________________ It's ENTERTAINMENT. If you want truth, watch a documentary.
The point is they were her paintings and he claimed they were his! That's wrong!! He could have just helped her sell them. Of course she wants to be acknowledged for her own work!