Did anyone else _notice_ the digital effects of "old" San Francisco?
One thing I thought I noticed that I imagine nobody else did was the way the digital effects—to make outdoor scenes look like the 1960s—were a little off and kind of intrusive. This was specifically obvious to me when Margaret is leaving San Francisco: San Francisco in the distance looked to have some digital jittery edges, scenes on the open road (presumably to remove cell towers and add old-style telephone poles) made the road look sort-of flat and animated, and the teal 1950's car (a Mercury Montclair, maybe?) sometimes looked like its color was out-of-gamut—an unnatural teal that would have been impossible for the camera to capture (but that a computer could generate).
Did anyone else see this?