MovieChat Forums > Lost in Austen (2009) Discussion > Amanda is an annoying protagonist

Amanda is an annoying protagonist


As others have said, she's running around match-making haphazardly and creating more problems. Also, if she's read Pride and prejudice so many times, surely the logical thing for her to do would be to assume Lizzie's character as it was in the book? She could have pretended to be a visiting cousin instead of their sister. Her expressions are annoying- why does she keep talking like a modern person instead of adopting the phrases that Austen uses, and that lipgloss?!
Others have mentioned the hair, so there's no need for me to broach that topic again. She's also really tactless- when she meets Georgiana, she doesn't even subtly allude to Wickham; instead she just brings up their chequered past...even in modern times we tend not to bring up past embarrassments or grievances with someone we barely know.

Sorry for the little rant. I think the idea was good, but I wasn't fond of the main character and I feel she ruined everything. I wish we had seen more of Elizabeth Bennett in present day London...

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I didn't like her either. So many things I would've changed about her and the series. Amanda should've been a fan of ALL Austen works but P&P is her favorite, thereby giving her a means to be able to speak the language of the times, tone down her modern manners, and wear her hair properly.

I hated that the writers had every character fall for Amanda. Mr. Bingley, Mr. Collins, every Caroline! Absurd!

Amanda kept saying "the world will hate me if Elizabeth doesn't end up with Darcy!" You got that right!

I wish this series was about Amanda being able to go back and forth through the portal, more about getting Lizzie back in her world to marry Darcy.

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Probably, all the characters could have been attracted to Amanda, because she is witty and different. Brits tend to get bored.

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by AryaHotPie » Wed Dec 18 2013 18:42:53
IMDb member since June 2006
As others have said, she's running around match-making haphazardly and creating more problems. Also, if she's read Pride and prejudice so many times, surely the logical thing for her to do would be to assume Lizzie's character as it was in the book? She could have pretended to be a visiting cousin instead of their sister. Her expressions are annoying- why does she keep talking like a modern person instead of adopting the phrases that Austen uses, and that lipgloss?!
Others have mentioned the hair, so there's no need for me to broach that topic again. She's also really tactless- when she meets Georgiana, she doesn't even subtly allude to Wickham; instead she just brings up their chequered past...even in modern times we tend not to bring up past embarrassments or grievances with someone we barely know.

Sorry for the little rant. I think the idea was good, but I wasn't fond of the main character and I feel she ruined everything. I wish we had seen more of Elizabeth Bennett in present day London...

You don't like her hair, you don't like how she dresses, you don't like how she talks, you don't like how she interacts, and you don't like her....lipgloss? Huh?

Her "mucking up things" is kind of the whole point of the show, and how she straightens things out.

Otherwise why are you watching the show?

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I wasn't a fan of Amanda's character upon first viewing either, but she grew on me, for certain, after several [many] more times watching LiA.

I loved her explanation to her mother in the beginning, when she described how she felt about P&P: the love story, about Elizabeth & Darcy, about the language, the manners...all of with which I think many of us can identify. In some ways, I think Amanda represents us, we who are also bewitched by Austen's story. Her yearning after a time gone by opened the door to it. As Elizabeth said to her, 'You are the key, Miss Price!'

Amanda was not an expert on all things period, just an observer from afar who was thrown into the story, helter-skelter, and who struggled to keep her head above water when it became clear she could not go home and had to adapt as quickly as she could. She made mistakes, glaring, some of them. She was a creature of the twenty-first century, after all, and it showed; but her heart and good intentions forced her to get involved when she saw things going off track story-wise, due to Lizzy's absence.

Consequently, she tried to help, but found herself the unwitting center of the drama, her bizarre presence causing a ripple effect in the story she loved, none of which she desired. All in all, I think she had a positive effect on everyone in the story...even Mrs. Bennett!...despite her occasional vulgarities and modern haircut (I even grew to like her hair)!

In keeping with the premise that fate is not necessarily firm and can be altered by intervening events and shifts 'in the time-space continuum' , I loved the ending, that Darcy came to know himself because of the ruthless way Amanda held up a mirror for him to see himself...just as Lizzy would have done. But Lizzy was not there and Amanda was. So it was she who captured Darcy's heart, something he did not give away lightly. In this story, he was hers and she was his and I loved it.

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@ heartfelt4-1 : Well said ! I fully agree with your assessment.

Website: http://www.elliotcowanchat.org/

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I think Amanda represents us, we who are also bewitched by Austen's story.


I think that is the crux of why some people find Amanda annoying. A lot of Austen fans probably feel like that they would have made a better effort to fit into the period than Amanda did. If we found her awkward, it really stretches the imagination that actual Georgians/Victorians would not be incredibly suspicious of her. Connections and manners were very important to them. In fact, that is the only way Officer Wickham was able to get as close to the Bennetts as he had (a random enlisted man would not have gotten within 10m of those girls).

Moreover, I was shocked that Amanda thought it was even remotely a good idea to falsely claim to someone that she is a lesbian, given that homosexuality was a criminal offense punishable by death back then. It's like the only thing she knows about the period is what is in the book...not even her own country's history!

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A lot of Austen fans probably feel like that they would have made a better effort to fit into the period than Amanda did.
One would hope so, but, like it or not, she's the one who went through the doorway and not any of us. Amanda was not sophisticated or polished, just an average modern young woman who happened to love the world Austen portrayed in her books. This didn't make her an expert on the decorum and proper language of that period, merely an admirer of what she saw in Austen's story. She had heart enough to long for it, which says something about her character, even if she couldn't exactly pull off becoming an nineteenth century woman when given the chance. And no one was more aware of her shortcomings than she was herself. And, yes, almost everyone was suspicious of her, that's what created the anxiety in her (and us) that she was going to be tossed out on her ear and end up a beggar on the streets- which is what happened to her, more or less.

A tale of an Amanda who fit in perfectly and who didn't rock the boat would have made a less interesting story, imo, lacking the comedy and tension created by the ridiculous premise of a well intentioned, yet somewhat coarse person, being trapped inside a classic story! 

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Moreover, I was shocked that Amanda thought it was even remotely a good idea to falsely claim to someone that she is a lesbian, given that homosexuality was a criminal offense punishable by death back then.


Actually, I believe that was only the case for men and the related buggery laws. Lesbian and queer women were generally safe as the punishable offense was not the affection itself, but the sexual act and since the sexual act was then still defined by penetration only, women -- in their limited view -- could not have sex with one another. And thus, it was usually a non-issue from a legal standpoint.

Now, obviously, it was generally not something that you spoke of from what I understand, but it certainly wasn't unheard of. I mean, take the case of Anne Lister (https://en.wikipedia.org/wiki/Anne_Lister) from around roughly the same period, who was landed gentry and even took a wife and was just fine for doing so. I think the gentry often turned a blind eye to that sort of thing because of money -- or at least, as I said, did not even have a conception that women could be lovers in the first place, so again, a non-issue. *shrug*

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Still, your example is of a woman with confirmed money and connections, not a suspicious stranger with the potential to "corrupt" others.

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One might watch the series because they like the concept, even if the execution is flawed. At 3 hrs, one can afford to finish it, in hopes that the story somehow redeems everything else.

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The writers were very clever. They deliberately made Amanda a slightly annoying, in-your-face modern Londoner who could not quite shed her boorish habits and adapt to Georgian English society literally overnight. Just because she was a huge fan of the novel didn't actually make her some kind of method actor who could fit in. To Amanda's credit, she began to fit in after a bit of instruction from Wickham; she rose to the occasion.

If she had smoothly fit in from the get-go, and been a perfect substitute for Elizabeth, where would any of the tension and humor come from? Things would have gone like clockwork. The purpose of telling a compelling story is to set up a conflict, build up tension, then resolve the conflict somehow. This story had conflict and tension a-plenty!

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