Auteur or ordure?
The "auteur" fetish has haunted world cinema for over fifty years, and an awful lot of film has been wasted as a result. This is a classic example of why directors shouldn't be allowed to write their own films. Could someone out there please write a big fat book with lots of footnotes calling time on the whole nonsense, so that films only get made if they are properly scripted?
No man will marry a bilakoro