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Shyamalan's Most Mature Work to Date [mild spoilers]


Had this been made by anyone other than M. Night Shyamalan, the conversation around the film would be very different than what it is. He's become pigeonholed as the "twist ending director," and now everyone approaches his works waiting to see "what really happened" after some final denouement. However, Shyamalan's greatest strength has almost never been the endings of his films. Where he excels is at building, and maintaining, moments of suspense, and creating visceral dread in his audience, and that is so often forgotten as viewers attempt to guess how the film will end.

"Old" doesn't have any sort of twist at the end, and I fear this leads many viewers to judge the film solely by how surprised they were after the film was over. There is a sort of reveal, where we learn why something we already know about was done, but there is nothing shocking about it, and we aren't forced to reevaluate any notions we'd already formed.

The power of this film is in its unrelenting tragedy. I think it will be especially disturbing to any parents of young children, but everyone can relate to its themes of mortality, and what, if anything, is the point to a life. Once the characters hit the beach, "Old" never lets up for even a brief moment, and we're forced to watch lives disintegrate and dreams die at breakneck pace. It's disturbing, it's poignant, but most of all, it is profoundly, and unabashedly, sad. This is not only Shyamalan's most mature work, it is also his most heartbreaking.

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I agree with everything you said except that I think Old is a bad movie. There are a few moments of quality characterization as MNS is so skilled at but even that is at a watered down level for him. I am a huge MNS fan but I rank this one among his worst 3. the only thing I really liked was the reveal at the end. I thought that was interesting.

The logic flaws (which are huge) could be excused away by establishing that the effect is magic. A few less scenes with the hard to understand characters at the start and a handful of scenes establishing a mystical element could have gone a long way toward excusing the lack of digestibility of this flick.

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I think its flaws are also its strength. The relentless pace never lets the audience catch a breath, and the sorrow never stops building. No one has a happy ending, everyone loses, and lives were shattered. As an experience, it's horrifying, but as art it is powerful. I'd never want to watch it again, but it left me thinking a lot about the point to life, and what it means to cherish a moment.

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It did have an impact on me in that way as well. Makes one want to carpe some diem.

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I saw a preview of this in the theater. Had no idea it was a Shyamalan film. I don't remember them mentioning his name at all.

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