Why Ballet??


Aside from the occasional lost-in-translation 'Chinglish' joke, I thoroughly enjoyed the movie - the dancing was particularly good.

However, there was one integral part of the story that I didn't understand. If anybody could enlighten me then it would be greatly appreciated:

Why ballet?

Why did the Chinese Government pick a handful of seemingly random children and force them into studying ballet? I could understand if they were picked to serve in the armed forces or something similar, but not dancing.

I was hoping this would be explained at some point in the movie, but if it was, then I must have missed it.

Any ideas?

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This from The Age newspaper might be useful:

"Into the classroom came a group of Beijing bureaucrats, sent by the Chairman's wife, Madame Mao (Jiang Qing), to find boys and girls who could be turned into dancers. She had decided it was time to embark on a long-term plan to revive Chinese productions of Swan Lake and other favourites of the Western-Russian classical tradition that had been banned during the Cultural Revolution.

Li's lean, flexible body and his devotion to Mao's teaching measured up to the required standard. So did his parents' class background (father a labourer, mother a worker in the fields, when she could spare time from looking after Li and his six brothers)."

http://www.theage.com.au/articles/2003/08/29/1062050656525.html

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It's not just Ballet, China was and will continue to be fixated with beating other countries at their own game. We see it in the Olympics now where children have been taught certain sports for 10 years and are ready to perform. Also remember that Ballet began in Russia and the Bolshoi ballet continued to flourish under communist rule. (If I was selling it to the China heads of state that is what I would argue.)

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Ballet did not originate in Russia. It originated in Italy during the 15th century. The Italian princess Catherine de Medici brought the art with her to France when she married King Henry II. King Louis IV went on to promote it with the help of Moliere. Many of the motions are as a result of the fashions of that time: bending low to the ground was a royal curtsy & when a ballerina has her arms curving downward, they seldom touch her body but a few inches away from it - this is the distance from the body where her hands would rest on a wide skirted gown. Ballet did not begin to flourish in Russia until the 1800s.

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In the book Li was recommended by his teacher, she thought he had the best body type for dance, very lithe and agile.

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In a country like China, the people are like the toys of the leaders. They can have them do whatever they please, including dance.

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Communist China was heavily influenced by USSR in the 50s and 60s. The classic ballet was an import from that golden era of sino-soviet relations.



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Communist China was very heavily influenced by the Soviet system, and they had been building a strong, unique ballet tradition beginning around 1954. Like the magnificent National Ballet of Cuba, a lot of the foundation of the training for it came from Russia.

As someone else here noted, ballet had long been one of the most celebrated arts in the Soviet Union (as well as other Eastern European communist countries). Having been one of the glories of the Russian arts world before the revolution, ballet fortunately was deemed worth preserving and supporting by the powers that led after the revolution (they might just as easily have condemned it as one of those aristocratic toys, not suitable to the revolution). They saw it as particularly useful as a tool for propaganda, and a prestige-builder for the USSR. It was already loved by the general population, and the government saw that they could nurture and tweak it, to better use it for their purposes (thus, many older ballets fell out of favor, or were reworked to fit the ideals of the Soviet system).

Later on in China, the same kind of thing happened, with big, epic ballets glorifying the officially sanctioned version of the 'brave and noble Chinese peasants' or the 'heroes of the red army.' So ballet was being used to further the government's agenda and help spiff up its image worldwide, and they needed the best dancers possible. Therefore, they sought out children with the physical and temperamental attributes and qualities most likely to make them good dancers. Experts can examine a child (particularly x-raying certain joints), his parents and other members of his family, and have a good idea of how he will develop physically. Apparently, Li and the others were judged to fit the bill. So off they went to study dance, and potentially to be lifted into a much more privileged life path than they would have had otherwise.

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Yes, everyone's equal, but some are more equal than others :)

It was a feature of a number of Communist countries around that time, but particularly the USSR, that they wanted to get prestige and admiration from the West, and they put a lot of effort (and government money) into spotting suitable children and training them to be future stars. I mean, we may not have agreed with them politically, but we certainly admired Russian ballet, say. And not only ballet, but a certain number of sports: gymnastics, skating and so on. It may not be happening in the former Soviet Union now, but you can still see it in China to this day, with the advances they're making in e.g. tennis, diving, gymnastics, athletics and so on, less so with ballet, I think.

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Screenplay failed to deliver raison d'etre. I was totally confused about the visit to the school, too. This confusion made it difficult to engage with the principal character's dilemma.

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I did not get to see the film yet, but it says in the book that Ben Stevenson saw a lot of athletes in Madame Mao's company, but only one real dancer (Li). Thus it seems to me they used this Chinese troupe to promulgate propaganda, which Stevenson must have seen right through. That is the reason I see the Chinese Government of 40 years past picking a handful of seemingly random children and forcing them into studying ballet, to promote the lie of communism. It would be sorta like serving in the armed forces, an army of propaganda...

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I did not get to see the film yet, but it says in the book that Ben Stevenson saw a lot of atheletes in Madame Mao's company, and one real dancer (Li). Thus it seems to me they used this Chinese troupe to promulgate propaganda, which Stevenson must have seen right through. That is the reason I see the Chinese Government picking a handful of seemingly random children and forcing them into studying ballet, to promote the lie of communism. It would be sorta like serving in the armed forces, an army of propaganda...

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Yes, China wanted to prove to the world they were just as good - and better. It seemed their methodology was pretty crude, as they didn't have a 'farm' system, like in western countries, where kids play sports, music, dance... in their towns, and work their way up. They did a massive roundup of kids, and weeded out the lesser performers - until only the very best remained. And they had so many kids to choose from. Plus, they had so many different programs going, in sports and such.
And they still do it today, taking kids from their parents, making them live a military existence - even lying about their ages, if needed. that's why I never see a real connection between eastern and western performers. It's like watching a soldier compete against a civilian. That is their only job in life, from a very young age. Kinda creepy!

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I've seen the movie and not read the book. The movie also has Ben Stevenson seeing a bunch of athletes and only one dancer. I do not think this is to say that the other dancers had a lesser ability. In fact, the movie has Chinese officials debating which dancer to send and noting that others are stronger dancers. Stevenson's comment about athletes and only one dancer is referring to the fact that the majority of the Chinese troupe have the physical ability of dance but lack the emotional connection. Li however, felt an emotional need to connect to dance and that is what made him a good dancer. Earlier in the movie Li makes a comment that he doesn't understand ballet, in other words he doesn't feel that connection. I got the impression that it was only after dancing in the US where he was allowed to have that emotional connection to dance (rather than just dance propaganda) that he was able to truly grow and shine as a dancer.

As to the original poster who wondered why ballet. Someone mentioned that in the US we have a farm system where everyone pursues their own interests and then works their way up through local, state, national leagues. However, other countries (Russia, East Germany, North Korea, Cuba, and China) the arts were run by the government. Individuals who showed promise were trained through the government so that they could shine. These children showed promise at an early age and were thoroughly trained to succeed. You will see this with gymnasts, ice skaters (such as Katerina Witt), dancers (Li), and a variety of other sports.

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