MovieChat Forums > I Come with the Rain (2011) Discussion > Am I Crazy? I thought it was terrible!!

Am I Crazy? I thought it was terrible!!


I was hoping someone here could shed some light on the movie and why it was so fantastic. I found the acting to be unbearable. The asian actors speaking english wasnt very good, maybe that was the point. There seemed to be parts of the story that were in there that made no sense. I guess im the minority but i have no idea what all the fuss is about. Hartnets acting wasnt great either and found the story ridiculous. Someone tell me why i need to watch it again and what i should be looking for next time. Not here to slam thie i just didnt find it appealing. Help!!

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You aren't alone.

I saw this movie in Korea last week, and this is the first movie I ever walked out on. It's just a movie where you have to think too much. I found myself dozing off several times throughout the show. About 3/4's into the show, I didn't know what was going on, and didn't care to find out, so I just walked out.

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Thank you sir, i have to also admit i walked out as well. And was the first time. I found myself thinking i dont care what heppens end, ive wasted an hour of my life, i dont care to waste 2.

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Another ridiculous, extremely violent and full of uneccessary sexual scenes rubbish movie, no you are not alone! I walked out after less than an hour. And my first thought was "if people really enjoy that kind of movie, it really tells me how much the society is sick these days".

Honestly, this is one of the worst movies ever. What's the point of everything? Story is ridiculous and actually looks like a pretext to make a stupid movie full of violence and sex scenes. Seriously, I hope that director fails in life!

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There are three reviews in the Comments section - two positive ones, and mine.

The two positive ones are written by people who have not reviewed any other movie. So, they are probably connected with the production of I Come With The Rain. The fact that the English is clearly machine-translated would tend to confirm that.

In short - awful film.

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It is really amazing that people who bash the film on here are the lucky ones who got to see it?? I am really anxious to see this film, I'm all for peoples opinions but some people in other topics also say they didnt like it and walked out?? Send this film to america there are people here who appreciate foreign cinema that is probably awesome..

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lawl
"I didn't see it but it's a great movie"

The girl who recommended this piece of crap to me said the exact same thing.
After seeing it I grounded her like I was her dad and asked her to think about what she's done.

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i know some scenes are quite disgusting and its hard for viewers 2 understand
why that kind of weird and abnormal scenes are needed in the plot.

however if u focus on the flow for getting what the message being conveyed is,
u will definitely get the idea and just ignore the other disgusting parts like
too much vulgur gay girls or other things..

its just talking about the jejus'agony that we just think of as a abstract concept and never realize its virtual pain ..
and we never feel like our sin is such dirty as the disgusting disease that the homeless guys have had and try to heal by transferring it to the *beep* guy.


i think the director;s intention in this flim was good.

now i think i should feel my sin is so dirty and feel shameful that
i ignore how awful my sin was .. and how admirable and touchy hardship the fact that christ take our sin instead of us suffering from that dirty sins.

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I didn't think it was terrible, exactly, but it's certainly bonkers, completely unhinged, with horribly disturbing elements, and a plot that has no discernible structure or comprehensible intent, but...the photography is stunning, the soundtrack haunting, and Hartnett and Koteas are very good. It's not a movie that is easily forgotten. Points, though, for Roody31 for posting what may be the most pig-ignorant comment in the chequered history of imdb comments: "It's just a movie where you have to think too much".

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[deleted]

Is Shawn Yue's English THAT bad? I thought he spoke English quite well (I don't know how he is in the film, haven't seen it yet)!

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To twguzzi: I understand your sense of anticipation - I was really looking forward to this, liked the trailer, thought the posters looked very atmospheric. It was such a shame it turned out to be not just bad, but a screaming turkey of a film. Distributors tend to be fairly audience savvy - I doubt you'll see this on an American screen any time soon.

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[deleted]

Here's my 2 cents, and I rarely log in to IMDB to actually write anything, I usually just read the threads. I saw this film at the Pusan International Film Festival, and while I feel lucky to have seen it debut there, walked away with mixed feelings. "Rain" is a thoroughly unconventional film, which is fine. Unconventional is not for everyone, so that is not where the film falls short. Where it fails is in the lack of cohesiveness and not feeling like a finished product.

To answer one of the thread questions - yes, Shawn Yue's English is absolutely horrible. He just felt very uncomfortable and awkward. The rest of the cast was not bad, it's clear that English is not their first language, but it's bearable. Lee Byung Hun's is very good actually, and he's able to emote and act very well despite his lack of fluency.

Much of the acting is good - it's not excellent, but it is good. The cinematography is effective, and there's a lot of atmosphere as well as camera work that lends itself to the characters well. The POV is always very interesting and begs something of the viewer, whether it's a desire to see what is just off screen, or how the environment connects with the characters, or even how the lines running on screen draw comparisons to both themes occurring and characters state of mind. Particularly, there is something very interesting the vertical nature of HK, and the way it is captured on camera, and the more natural environment where *beep* is residing in a tent... if you watch carefully there's some visual comparisons drawn that show well thought out cinematography.

As for comparisons, there's also a lot of comparing and contrasting of the films main cast, as they deal with very similar questions of morality but deal with it very differently. This is perhaps the most interesting points of the film.

That much being said, I did not actually enjoy the film. It had its well made aspects, and was very intriguing, but never produces enough substance to turn the intriguing thematic material into anything more solid than mere intrigue. You'll walk out wondering - what the hell was all that about anyway? And you'll have ideas, especially about the messianic and religious symbolism the film draws upon, but there's just not enough substance to call it anything but flimsy at best. It's not even on the level of being ambiguous.

The soundtrack may work for some, and I even enjoy Radiohead, but it was overwhelming for me. Yes, it fits the atmosphere, but it was overused, it felt like the soundtrack equivalent of "Speed Racer's" cartoony VFX. It fit, but was just too much.

Finally, there was perhaps a bit too much unnecessary gruesome imagery that could have been more subtly shown or even implied. I'm not against violence in film, but "rain" took it beyond what was necessary, the audience simply did not need to see everything that was shown. I felt like this was enforced by the maggots in *beep* eye, which was not violent, but simply felt like it was put in for the explicit shock factor. Some may disagree with me on this point, fine, but I felt like it was a bit much.

I really wanted to like this film, and feel it could have been a very good movie. I don't think it could be a masterpiece of cinema, but could have been very solid, but in the end "Rain" felt like a film that had it been a bit more thought out, and about 30% more well executed, could have been a truly solid art house thriller, but ultimately falls short of not what we want, but rather what we need in order to actually comprehend the film as a whole.

I hope while this clears up some of the major disagreement on the film, that it helps put a perspective as well for those who are highly looking forward to seeing it. I suppose that I might post this as a review as well, as I digressed from the original thread topic perhaps.

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thanks for taking the time to expand on your thoughts about the movie. I´m still intrigued enough to want to at least see it myself. If such a chance came my way, at least I´d be mentally prepared for the gruesomeness...XD

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Finally someone who cares to actually point out the shortcomings and thoroughly explain their view on the film. Thank you.

I must ask, have you seen Cyclo or Scent of a Green Papaya, and how does this film compare to those in terms of substance and déroulement ?

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NO,YOU ARE NOT CRAZY AT ALL.
I THINK THIS IS THE WORST MOVIE OF THIS YEAR, AND I'VE SEEN NEARLY 300 FILMS
IN THE PAST 11 MONTHES.
THE ACTING OF ALL ACORS ARE NOT BAD, IT'S THE DIRECTOR WHO SIMPLY DOES NOT KNOW WHAT HE'S DOING.
I DIDN'T WALK OUT DURING THE SCREENING, BUT I AM SO GLAD THAT I DIDN'T PAY FOR IT, EVEN THOUGH IT'S A SHAME THAT I WASTE TWO HOURS OF MY TIME.

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OUR MOMENTS CAN SEEM FLEETING.

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I'm sorry, but I have to say that everyone who thinks this movie was crap obviously don't know anything about cinema as a form of art. This is probably one of the best films of the year and I really don't understand all the bad comments. Just because it doesn't agree with the mechanical dramaturgy of an ordinary Hollywood thriller doesn't mean it's a bad movie. I feel sorry for everyone who had to walk out on this movie. You missed out on a great experience. I feel sorry that your brains just coundn't digest it.

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I absoFREAKINlutely agree with tomaslofdahl. Nice post.

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Tomaslofdahl,

I don't really care for the condescending tone of your post. I have a masters degree in film/television and work in the industry. I am not exactly the average plebeian here. Film is as you say, an art form but a very audience-based one.

A great film should not only provoke emotion and thought but also tell story and hopefully entertain as well. This film was not structured very well. It was utterly muddled and incomprehensible at times and really didn't succeed in any of the aforementioned goals. That is with the notable exception of provoking emotion. It obviously did that in spades, judging by the tenor of the responses here. However, I doubt the filmmakers intended to instill disdain in the audience. This was, after all a commercial venture.

I would humbly suggest you consider that for all your implied knowledge of film and natural intelligence, you are still only one member of a reasonably large audience. If this film was judged by Hollywood distributors as not commercial enough for a wide domestic release, that is not the be all and end all judgment on the film's quality. However, it gives us an inkling of what its problems may be. Since this film is most likely not commercial enough for the average cineplex, perhaps it will be released in art houses. I doubt this will happen either.

Rather than being a true art film, crafted with both originality and aptitude for storytelling, this film tries to be an action film, a thriller and an art house picture. The auteur touches that you feel this film possesses are simply clumsy attempts to rip off better filmmakers who truly possess their own distinct vision. At best ICWTR is pretentious and geared to make pretentious (but not terribly learned) people think they have seen something of substance or well crafted. These are the same twenty-somethings who sit in bars and blather on with their misinterpretations of Nietzsche or Blake as if having read "Beyond Good and Evil" makes them intelligent.

In summation, I would beg to disagree with your opinion. However, I cannot question your intelligence for having it but perhaps question your character for the rude and condescending way in which you expressed it (i.e., Don't be a such a douchebag.)

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Crankyerma,

Your condescending and pretentious post make me want to puke. So you have a master degree in Film/television. Congratulations. I understand much much better the reasons why cineplex nowadays only release craps that people like you, ie. above the average plebeian and working in The Industry, dare call "audience-based art forms". Indeed you are not the average plebeian, you are far worst."Film is an art form but a very audience-based one." NO my dear, Art is Art. And Industry is Industry. Films like Marcel Carne's Le Jour Se Lève, Georg Wilhelm Pabst's Tagebuch einer Verlorenen, Jean Renoir's La Règle Du Jeu or La Grande Illusion, Fritz Lang's Metropolis, Ridley Scott's Bladerunner, Henri-Georges Clouzot's Le Corbeau, and so on and so on would have never been made if their creators have confused Art with pure marketing.The same can be said for music or painting. "A great film should not only provoke emotion and thought but also tell story and hopefully entertain as well." Tell me what is your definition of "storytelling" and "entertainment". Personnaly, I enjoy films that let me be part of the creative process, let me create my own story out of it. Personnaly, dark movies, dystopian movies are the ones which truly entertain me. I do understand that most people do not share my tastes but it is tragic that thanks to pretentious people like you who work in The Industry, people like me can only watch films which fit their tastes on DVD.

So tell me Crankyerma, what great contributions have you made so far to the film industry as a very audience-based art form. C'mon, tell the world.

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Darkteeth,

I'm sorry if you found my post condescending. It was merely a reaction to someone who felt that they were above the rest of us. You attacked and flamed me. I felt this unnecessary as I didn't do that to anyone else other than hypothetical barroom blowhards. Did you find that offensive? Are you personally identifying with them?

You criticize me for calling film an "audience based" art form. Then you go on to say how you, as an audience member, enjoy being part of the creative process. How does this make it other than an audience dependent piece of art?

Did I give the impression that the only measure of a film is whether it is commercially successful? I think that I actually stated quite clearly that this was not the case. Where, in what I said did you get the impression that I believed the successful marketing of a film makes it good or that a film that goes undistributed is undoubtedly bad? I think that you are too quick to attack before really thinking about what other people wrote.

My idea of "storytelling," (I guess that was in quotes to show contempt?) is when a writer and director take the characters from one place in the beginning of a film to somewhere different entirely by the end. This may be a metaphorical journey or a physical one as well but there usually needs to be a dramatic arc in which the lead characters (whom we hopefully come to care for) grow or change somehow. This is the basic idea of story structure and it is taught in one form or another in every writing class I've ever heard of.

Storytelling is a craft. To each medium, (Film, TV sitcom, Hour long drama, etc.) there are structural rules and conventions to which writers and directors are expected to adhere. In this sense, it is like a Haiku. You can do anything you want as long as it is done within the 5-7-5 structure. If it is not, then it is not a Haiku. Now, many great artists break the conventions of their medium from time to time but few do so before mastering them in the first place. I did not get the impression that the director of ICWTR has really mastered the basics of storytelling within his medium yet.

You criticize my assertion that one of the goals (I don't think I said the "only") is to entertain. Then you go on to say that certain films which are outside of the mainstream entertain you. Well, they did their job then, didn't they? You also criticize films that play at the local cineplex as "craps" (did you mean to use the plural there?). How does the way they entertain or the people that they entertain make them worse than the films you like? Does liking art house pictures make you better than folks who buy tickets to "Avatar?"

As far as my personal accomplishments, they are to date few and largely uncredited. I work mostly as a ghost writer of sorts doing comedic "punch jobs" on client's scripts. I take what is somewhat funny and try to make it funnier. To what degree do I succeed? I can only go by the general satisfaction of my clients and their respective managers and/or agents.

Though, as I said I work primarily with comedy scripts, I do on occasion work in other genres. I recently completed work on a reboot of a popular 80's horror franchise which will go into production hopefully later this year.

No, I did not mean to imply that I am Francis Ford Coppola or something. Hell, I am not even up there with the guy who wrote "Ski School" (a great movie to be drunk in front of). I just personally can't stand films that try to be seven things at once and fail at all of them.

I did not mean to offend anyone but hypothetical pretentious jerks who make sure everyone knows what literature they have read or art films they have seen. I'm sorry if you feel that you are one of those guys. However, I do not feel that I deserved a personal attack.



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Hmm.... I liked it. I guess I'm in the camp that when someone produces something, (directors, actors, producers, writers, production companies) I think there's always something good there, whether everyone gets it or not. I'm mainly just glad that I saw it; obviously there were parts that were neat and parts I didn't care as much for, but I mean, everything can't be all things to all people.

As an atheist who cares very little for christianity or religion as a whole, and someone who has very little patience for almost anything religious, this film didn't bother me at all. I'm surprised that it didn't. I imagine that most christians that see it won't get it and a lot will probably out right hate it (American christians at least). Although, I couldn't possibly be an expert on the thought processes of christians as I think they're all either under the influence of mass delusion or lying about what they really believe.

So yeah, I liked it and didn't feel in any way that I had wasted my time. It's an interesting film to say the least whatever you end up thinking about it. I mean, it's not a life or death decision on whether you watch this movie or not, or even whether you liked it.

Oh well, there's my spiel. Laters.

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[deleted]

And what exactly is an "audience based art form"? Is it not art, if the majority of the audience doesn't approve? That same thing can be said about anything: films, books, music, sculptures (no pun intended), and hell, even art.

Your idea of "storytelling" as you put it, is very sound but it's only one way to tell a story. It seems like people who feel they are interested in cinema want every character of every film to be a completely different person by the end of a 90 minute film, regardless of what happens during those 90 minutes. If something happens that's supposed to change these characters, then typically I would agree. But what if the film is set during 10 hours and nothing extreme happens. Look at Blue Valentine as an example. I wouldn't say the characters change at all, yet they're some of the most well fleshed-out characters of the past decade. All movies aren't necessarily built upon character-development or necessarily plot.

I can't say I agree with your assertions on filmic structural rules and conventions. Who makes those rules and conventions? Most people will say Hollywood. That magical place that's putting out a third Transformers film and still celebrates Avatar as the world's greatest achievement, both of which adhere to those structural rules and conventions. I disdain Hollywood's conventional form of storytelling. Why? Because it's been done several thousand times a year for the past 80 years. Look at Memento (almost Christopher Nolan's debut) and Moon (Duncan Jones' debut) and why those two directors are some of most sought after right now. Because they showed the world they can make something OUT OF THE ORDINARY with a fraction of the money that even the rendering of Avatar cost. We need films like I Come With The Rain to push the boundaries, or else we'll eventually be a mindless mob, being spoonfed the same $hit over and over but in a shiny new carton every time.

I enjoyed I come With the Rain quite a lot. I thought it was suspenseful and an interesting neo-noir film. It was definitely not your typical storytelling, but I liked the asymmetrical story arc, and I didn't feel it was incoherent or overly violent. Where was all the violence people speak of. The sculptures were pretty disturbing and what little violence there was, was raw. It doesn't even approach the violence of films like Fight Club, Se7en, Silene of The Lambs, or even The Departed. And where is all the sex that people keep talking about? There are two very brief scenes in the entire film that are sexually charged. To each his own, but I don't see where people base their critique of this film. I understand that it may be a difficult film to like if you only like Hollywood or storytelling within the conventions of what's "normal" but a lot of it I feel is based on nothing. It wasn't incoherent, if one watches the film it's easy to follow. There wasn't a whole lot of nudity or violence. I can understand though why people didn't like the pacing, and I didn't like how the director beat his audience over the head with the whole Second Coming theme towards the end.

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very well said.
films like silence of the lamb (psychotic killer), the green mile (miracle healer), etc. are films. this is not.
piece of crap.
some people just like to be "different" or "sophisticated", or try to be so.

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I just finished watching this and I thought it was pretty bad. Actually I'd have to say it's probably my least favorite of all the films I've seen in recent memory (and I watch a lot of them). As I was watching, I had the overwhelming impression that this director was trying to make an "arty" film in the style of Wong Kar Wai and just failed miserably (an earlier poster said pretty much the same thing, I believe). In my opinion, the acting was mediocre, the background music was completely distracting and the story was both poorly executed and boring. I agree with b245... the serial killer shown in flashbacks was pretty creepy and intriguing, and pretty much the only interesting part of the film (for me, at least). The majority of the action tacking place in the 'present' seemed utterly pointless--at least all the scenes concerning the detective's search for the wealthy man's son which, despite the fact that it was ostensibly the central plot, was ineffectual, uninteresting, and ultimately nothing more than a vehicle for the character's flash backs. For all of it's incoherence, this film was entirely lacking in subtlety--the director didn't just make a point, he beat the audience over the head with it. And then there's the matter of the film veering off into nutty evangelism-land which in and of itself would not be so terrible if it weren't so heavy-handed and unoriginal.

I do have to admit that the parallel drawn between the christ-figure and the serial killer was very interesting, but the film's thematic aspirations were so bogged down by all its shortcomings that the theme of suffering seemed more like an afterthought than a central point. Overall, despite the elements that might have made this an interesting film, I found it to be a poorly made waste of time.


One other thing... everyone on this board seems to think this film was exceptionally violent, but I didn't notice it at all. Was it really that violent or am I just crazy and/or disturbingly desensitized? Maybe I saw an edited version (or maybe I started watching Tarantino films way too young!)

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I just found the pacing to be so far off as to make the film hard to watch. Now I'm not a huge action flick type of guy and I'm fine with slow paced films in general, but the pacing in this one was just downright bad.

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I'm sometimes known to be rather scathing in my reviews. I had absolutely no idea what this was about since I hadn't heard of the movie prior to my wife bringing it back for a mid-week viewing. She is Japanese, and the Christian allegories were lost on her, but half way through she apologized for renting a turkey (that is usually my line as I tend to make a beeline for the B movies and junk).

There are some good parts; Kimura Takaya is convincing as the healer/Christ figure, and the fact that he has few lines means his very limited English is not usually a problem. Tran Nu Yên-Khê is convincing as the mobster's girl, and looks pretty damned good for her age! But the movie drags on with very little idea of what is happening much of the time. I also found the flashback scenes really confusing until near the end when they begin to make sense.

Overall, though, I was somewhat dissappointed. The movie seems to fall between two or three stools. Does the director want to make a violent cop action flick, a religious allegorical statement, a stand against extreme poverty in the midst of all that wealth? To me, it is hard to tell, and ultimately I found myself glancing at the clock and hoping the film would end so I could go to bed without needing to finish it off the next morning.

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the general idea might have worked, but the execution was extremely bad.

The scenes weren't put together in a coherent sense. Those flashbacks were an annoyance, didnt make any sense and did not add any constructive suspense to the film.

The director needs an english coach. Most dialogues were dry and didn't flow at all. Even Josh's dialogue sounded robotic and mechanical and I don't think it was his fault either. It was just a case of bad lines he had to spill out.

A lot of details were also missed. For example why would anyone expect beggars to know English is beyond me.

All in all a horrible film even with such an impressive cast. The director should stick to directing movies in his/her native tongue.

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I made sense of all the flashbacks. Maybe you weren't looking at the screen.

Also, Hong Kong was a British colony until 1997 and English is one of the two languages spoken there. Does it really require such an effort to look something so simple, up.

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I made sense of all the flashbacks.


Same here. The movie does have messy parts, and it is quite vague in symbolism, but the flashbacks make sense. It doesn't have to be dumbed down for the audience to understand.

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When I watched the first 15 minutes of the film, I was amazed by the bad score and reviews. Then Josh got in to Hong Kong and the movie turned in to a mess.

Top that with the horrible engRish that the actors are spewing because of some retard who thought it would be better than having subtitles.

What clichés? Thats a word the wannabe critics use when they want to whinge.

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I think it is fantastic. All around fantastic film, very Neo-noir. The Religious themes were a bit heavy-handed, but I thoroughly enjoyed it.

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