MovieChat Forums > Frozen River (2008) Discussion > You all are crazy...this was not a good ...

You all are crazy...this was not a good film (SPOILERS)...


Some thoughts and questions:

What was the point of two scenes worth of Ray changing her voicemail message on her cell phone? What prompted her to change it in the first place? What was the message she had on it before? Did I miss a scene?

Why does she have a cell phone and a landline phone? She can’t afford to feed her family or pay her TV rental bill but she has two phone lines?! Why does this character need a cell phone she knows three people at the start of the film (husband and two sons...and I guess her boss and co-worker she hates but would they ever call her?)...since there was no character development to show otherwise it seems that she is only ever in two locations...work and home...she has no reason to own a cell phone. She has no friends, no hobbies, and no interests.

The acting is rubbish to average. Melissa Leo being average...the rest being rubbish. It feels like every scene was shot in one take...very Ed Wood Jr...

Did I miss some closure on the husband story? What happens if he comes back and sees a Mohawk woman living in his home?

What was the point of the “say sorry to the old lady you screwed” scene? I didn’t see anything that proves that he’s changed...what happened to him hating Mohawks? His hatred ran too deep to be fixed by seeing some old lady. Was there a scene I missed of him learning that Lila and the Mohawks are just like everyone else and that there is no reason to hate?

Did Ray change by the end of the film? Her son kept bugging her that she’s the reason his dad keeps running off...that she doesn’t treat him well. I didn’t notice anything that showed that if they were together again that she wouldn’t try to shoot his foot again.

Why did the guy from Memento only shoot once at the two women getting away? Seems to me that he would have at least shot out the back window...they didn’t seem like they were in much of a hurry to get away from someone shooting at them…was there a scene I missed that showed that the two women knew that he only had one bullet in the gun?

How did the trooper know that the fire damage was recent? It wasn’t enough damage to normally catch someone’s eye.

Why was there no struggle between the mother and the sister-in-law when she went to get the kid? Not even a tear shed (I'm pretty sure American Indians shed tears over other things besides seeing someone litter). You would think the sister-in-law would have had some attachment to the kid after a full year and cried or showed some emotion and not just stand there like an actress who doesn't know what do because she isn't being directed.

Why did the dialog make it seem that Lila had been smuggling for a long while but the action showed otherwise? She was only doing it to give the money to her kid. But when we see her give money to the kid (one smuggles worth of money) it seems like it’s the first time she has given any of the money away since the sister-in-law gives the money right back shortly after. If she’s done this before then the sister-in-law must have kept the money she has given previously...if this is the case, what causes the sister-in-law to suddenly decide to stop taking the money?

Say hello to the director in the scene where the older son carries his brother to bed...you can easily see a person’s shadow moving on the wall...hello Ed Wood Jr...

What was the point of Lila needing glasses? She was against wearing glasses and then suddenly she decides to get a pair. Her being blind and needing glasses was brought up numerous times but there was nothing about it that helped move the plot along...it was pointless.

Where was the character development? Ray works two years at a store, lies about how well she does there, has two kids and a husband who leaves her all the time. She once shot him. She buys from a rent to own. She ordered a new double-wide. She's been to a tattoo parlor. That is all the back-story on Ray and it's all crap. She has no other friends or family...she has no hobbies or interests...she doesn’t drink or do drugs that we know of.

I like how she serves breakfast to her kids a minute before they have to leave for school...even if they had more to eat then popcorn they wouldn’t have had enough time to eat it.

The hand held is so bad it makes The Blair Witch Project look like an Ozu film. Was the camera man an 80 year old woman?

Why isn’t Lila scared of the crazy white woman shooting at her home? She seems pretty calm for a woman who was being shot at. Besides having read the script, how could Lila know that Ray wasn’t going to shoot some more when she pops out of the home? Did I miss a scene that shows the characters being given copies of the screenplay?

Does her son have superpower sight? How did he see that his mother had blood in her dark hair?

What was the point of the scene where the Trooper buys things at her store?

Did we really need to see that chick’s tramp stamp tattoo?

Did we really need two scenes of Ray in her bra?

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Tjahh.

This movie is certaintly no oscar material. Too many plotholes as you stated

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May I suggest Pink Panther 2?

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[deleted]

I agree, there are lots of loose ends in this movie. For me the biggest one was why does Lila just go and take her son when before that it seemed like there was some big secret reason why she didn't have him?
Also the movie was a little too unrealistic when it came to the kids just having to apologize to the old woman and to the state trooper telling Ray she won't have it too bad, just four months in prison.
I too thought the guy who shot at Ray wouldn't have stopped after one shot. After all, the car didn't even seem to be moving.
But all in all I think it was a good movie, not great, but pretty good in that it was original. We're so conditioned to having horrible things happen in movies, that I was sure some horrific thing would happen, ie. they'd crash through the ice in the car and all die. But luckily it all worked out. Maybe the theme is that life is better, more forgiving and less vicious than we think.
Or maybe the director just dropped the ball.
There was some character development, when Melissa Leo goes back and takes the rap and lets Lila go free, that showed that she had evolved emotionally.

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I think Lila took her son because she was leaving tribal lands and tribal jurisdiction. But I agree, this movie was not great, although it was good.

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I would say Lila took her finally because was able to get a pair of glasses and she would not mistake her son for being someone else.

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This wasnt a flawless film by a long shot, but you are being overly harsh.

Head wounds bleed a lot and leave hair matted - cmon, he noticed. big deal.

I agree I had no idea what the cel phone scene was about, except maybe to show her trying to deal with her runaway husband.

Lila was young and without guidance. She didnt want to deal with glasses.
She grabbed her kid when she didnt feel like avoiding the topic anymore.
The kid was associated with the death of her husband, so it was unresolved.
She resolved it.

I didnt notice the director on the wall.

The shooting at the club was the most glaringly unrealistic. He was three feet
away from her and nicked her ear? I dont think so. She took a bullet in the
torso at best, and would've dropped and or died right there. A guy like that firing would have fired more times and killed her. He wouldn't have let any of the people in the car live, but whatever. It was a feel good picture, something hollywood has forgotten how to make.

This takes me to the ultimate value of the movie. It was about triumph over adversity, not jolly cruelty, as a reviewer described Shoot Em Up. It prob was shot in 24p video, that's why it looks kid of mushy. I had zero problem with the camera movement, and I notice shake. It wasnt glossy cinematography. That's what lent it an air of authenticity, like a documentary.

A couple of the natives weren't the greatest actors, but they played their parts, and Lila was good. Leo as Ray was totally convincing. They showed her in a bra on occasion to stress that this woman was once attractive and young, and now she's struggling as a mom. This movie didn't claim to be the SI swimsuit edition.

The 15-year-old son was good as well. Natives MIGHT deal out this kind of justice, although I agree that a credit agency might've thrown him in juvie for this, DEPENDING on whether the woman pressed charges. His racism was clearly not as deeply held as some people's, therefore it was a not a big deal for him to give it up.

This movie had some holes, but the lead performance was great, not average, and
it was far more interesting than MaxBatPayneMan - I cant keep these yawn-inducing action pictures straight anymore. This film had suspense and surprises, and a good resolution, and it did it at a fraction of the cost of a spectacular.
At no point was I gagging at the dialogue like in Australia...

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This might be why a squid should swim in the opposite direction when he/she feels the water warming up substantially as he/she gets too near the reactor.

Yeah, we are all crazy and Melissa Leo was nominated for an Academy Award.






...........Hate is the essence of weakness in the human mind...........

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Yes this was not even close to a good movie!

I laughed my ass off when she tried to drive home with two cars...

LOL at the rating, you sure got me fooled!

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Wow, I agree with the other poster than you need too much spelled out for you. I'll address some of them.

Why does she have a cell phone and a landline phone? She can’t afford to feed her family or pay her TV rental bill but she has two phone lines?! Why does this character need a cell phone

So you don't approve of Ray's spending decisions, and this is a criticism of the movie? What, it's not a good movie unless you approve of everything the characters say and do? Like people you meet in real life, Ray does things I don't agree with. Movies like this don't present an idealized version of life.

And I'm betting you're a male to have to ask why a woman needs a cell phone. Basic safety in case we break down, at the very least.

Did I miss some closure on the husband story? What happens if he comes back and sees a Mohawk woman living in his home?

Did you miss Ray tell her son that she doesn't think he's coming back? You really think a man who has run off with all the family savings is going to come back? The situation is resolved for both women at this point in time. Ray made a decision based on a realistic assessment of the situation, not based on a very unlikely scenario that he comes back. If he were to come back, that would be some point in the future, out of the scope of this movie. You need everything tied up in a bow, apparently.

Did Ray change by the end of the film? Her son kept bugging her that she’s the reason his dad keeps running off...that she doesn’t treat him well. I didn’t notice anything that showed that if they were together again that she wouldn’t try to shoot his foot again.

Well, since he's likely not coming back, that's not an issue. And certainly her character went through an arc during this movie. You think at the beginning of the movie, she would have turned herself in so Lila could stay out of jail and get her son back? You're right, she may not have changed in terms of how she relates to men, or her husband in particular, but so what? If she didn't change in this particular way, you think that's a weakness of the film? That's just silly. Depicting someone realistically is not a film weakness; it is a strength.

How did the trooper know that the fire damage was recent? It wasn’t enough damage to normally catch someone’s eye.

Yes, it was enough damage to catch someone's eye. As Ray yells at her son, they can't live there any more, that's how extensive it was. The trooper doesn't know it was recent (unless he smelled the burn smell as Ray did), but the movie just shows him noticing it, not whether he knows that it's recent.

Why was there no struggle between the mother and the sister-in-law when she went to get the kid?

I thought it was mother-in-law, by the way. She blames Lila for her son's death, so she stole her grandson from the hospital. I think it can be explained that Lila is going straight, and will be living in a real home with Ray's sons, so now she feels she has a valid claim on her son. It could be the MIL sensed that determination, and she knows the Lila legally is in the right. Lila just never really tried before.

Where was the character development? Ray works two years at a store, lies about how well she does there, has two kids and a husband who leaves her all the time. She once shot him. She buys from a rent to own. She ordered a new double-wide. She's been to a tattoo parlor. That is all the back-story on Ray and it's all crap. She has no other friends or family...she has no hobbies or interests...she doesn’t drink or do drugs that we know of.

That wasn't enough character development for you? I felt I had a pretty detailed feel for her character and her environment. So we had to see friends or family, or her doing drugs in order for you to feel there was character development? And LOL at the complaint that she has no interests or hobbies -- you really think that a woman who is so desperately scraping by she has to feed her kids Tang and popcorn, has the time or money to spend on interests or hobbies? For people like this, it's all about just surviving. That was one of the points of this movie, to show a slice of society most of us never see, and you totally didn't get it.

Why isn’t Lila scared of the crazy white woman shooting at her home? She seems pretty calm for a woman who was being shot at.

Lila was acting tough. It's part of surviving in a tough world, to not show you're scared.

What was the point of the scene where the Trooper buys things at her store?

Wow, you really do need everything spelled out. Didn't you notice how nervous Ray was at seeing him? Most people involved in illegal activities tend to be nervous when in the presence of a police officer. It showed the toll the smuggling was taking on her.


You must be the change you seek in the world. -- Gandhi

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"So you don't approve of Ray's spending decisions, and this is a criticism of the movie? What, it's not a good movie unless you approve of everything the characters say and do? Like people you meet in real life, Ray does things I don't agree with. Movies like this don't present an idealized version of life."

I see this kind of thinking with more and more people on IMDB. Because a character does or says something that does not fit their view of the world or their own narrow experiences, they reject a film for being implausible or claim it to be a plot hole. Also just because a character acts in a fashion that you disapprove of, should not effect the quality of the film itself.

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Ray works two years at a store, lies about how well she does there

Another thing you misunderstood. Ray lied about nothing. She said that when she was hired at the Yankee Dollar the manager told her she could get full-time in 2 years, so it was time. That's no lie (on her part); that was what she was told. The manager has been stringing her along and we see he has no intention of promoting her. HE is the one who lied. He knows Ray has no alternatives in this small town, so he has no incentive to make her full-time.

You must be the change you seek in the world. -- Gandhi

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I think he told her she'd be Full Time in 6 months, IIRC. Not sure why she would stay there two years then, but....

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Wow. I would point out the OP's obvious mental instabilities, but... anyone who made this far is obviously well aware of them by now.

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