MovieChat Forums > Northanger Abbey (2008) Discussion > Does anyone else think this film is awfu...

Does anyone else think this film is awful?


This is some 18th century version of a soap opera, not Jane Austen. And like in some kind of storytelling-at-speed contest. The film is merely a (pretty exaggerated) summary of the book, and not a film in itself. This is ridiculous!!!
They shouldn't try and make a film if there's no concept behind it. And if the concept is meant to be trying to keep to the book (as I get it, this is the case), than they obviously haven't understood it. You should read the book and compare the two. In my opinion, the very essence is missing. And quite annoying, too...

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Have you seen the 1986 BBC version? Now there's an awful film IMO!

You pierce my soul. I am half agony, half hope

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I happen to think the 1986 version is far better than this one!!!!

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Canada

Hey, I recently watched the 1986 Northanger Abbey, and I liked it. In fact, the more I see of Peter Firth (Henry Tilney), the more I like him as an actor. I just borrowed this from a local library-how does Felicity Jones compare with Katharine Schlesinger as Catherine?

PS I could have done without the dream sequence when one of the main characters seemed to sew her fingers together in the 1986 movie though. And I thought the Thorpes were OTT in the movie too-not a bad thing if you didn't try to take the movie too seriously.

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[deleted]

I think that was the point, LeithNZ - though probably not to the level of sexual release :).

Catherine pours *way* too much "sensibility" (as the word was defined at the time) into fanciful situations.

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Have you seen the 1986 BBC version? Now there's an awful film IMO!

I re-watched the 1987 adaptation of Northanger Abbey last night, and it was about as bad as I remember from my first viewsing. Of course, the first time I'd seen it was right after I'd watched P&P 95 - so I'm sure others can understand my disappointment with the markedly lower quality of Northanger Abbey's 87 production.

The music is fairly bad, and is so loud at times it detracts from the scenes rather than enhancing them. Which, is unfortunately, often done in 80's productions.

I had a difficult time viewing Robert Hardy as scary and intimidating, in his role as the mysterious General Tilney - not because he didn't do a brilliant job, he did! - but because I so completely associate him with kindly Sir John in S&S 95.

I also have a difficult time getting past the hair/makeup, and some of the costumes - especially the over-sized, gaudy hats - that are unmistakeably "80's".

I think everyone did their best in their roles, but the 1987 adaptation did not appeal to me much at all.

Comparatively, I love the 2007 adaptation of Northanger Abbey. The production is of a much better quality, IMO. The makeup/hair/costumes were lovely, and completely fit my expectations of the period. The music is also perfect.

I found Jones' Catherine to be believably naive, and very sweet, so it was easier for me to understand, and forgive, her fanciful silliness. Not to knock Schlesinger who is lovely, but Jones was much more prettily girlish, which I found more appropriate for the part. I also found her imagined Gothic vignettes hilarious, with the right touch of dramatically swooning humor. The vignettes in the 87 version were pretty cringe-worthy IMO. Jones' Catherine did a much better job of winning me over, and amusing me, than Schlesinger's portrayal.

JJ Feild did a wonderful job with Henry Tilney. He was attractive, warm, charming, and kind. I liked him very much, and I could see why Catherine was drawn to him. I did not find Peter Firth's Henry as physically attractive, and I had a harder time warming up to his character. I eventually did, but not as quickly as Catherine did. I also preferred how Feild handled the scene where he confronts Catherine in his mother's room. He does such a wonderful job of conveying his initial anger at her assumptions, which then turns to more of a disappointment in Catherine allowing herself to be so caught up in her silly delusions. Firth's handling of the scene, where he advances on her during the confrontation - appears that he's trying to intimidate her and it distracted me from what he was actually saying to her.

I've already touched on why I had difficulty believing Hardy as being intimidating. Bless him, all I can see is Sir John from S&S 95 - whom I adore. On the other hand, Liam Cunningham's portrayal gave me chills. He was perfect for this role. Very intimidating, and cold. No wonder Catherine thought him capable of all sorts of villainy!

Both John Thorpe's were appropriately wolfish. Each reminded me a little of Jekyll's Mr. Hyde. Creepy! I think everyone but Catherine could see it. I found William Beck's Thorpe in 2007 more sinisterly sly than Jonathan Coy's Thorpe. Coy was off-putting right away, and a bit goofy IMO. It didn't make sense that he wouldn't set off red flags for even Catherine. Beck's Thorpe had thin veneer of charm concealing his scheming character, and he was much smoother. So I could understand why Catherine was taken in.

I enjoy the 2007 adaption so much, that I finally purchased the blu-ray the other evening. I'm looking forward to re-watching it again! I also own the 1987 adaptation on DVD, but I don't think I'll re-watch it again anytime soon.

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It was the best of the three that ITV did this year. . . that may not be saying too much, but I still liked it just fine.

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I love the book and I loved this adaptation. IMHO it DID capture the essence of the book. The only slight difference in the book is that Henry doesn't appear to be totally smitten by Catherine, it's more a 'like you very much' relationship. But in this adaptation I liked the way they portrayed the romance as a friendship as that's more real, I think.

Oh and I'm sorry to say it but I like the 1986 version too but that's something to do with being a heady teenager when I first saw it!

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Actually, I watched the 1986 version for the second time recently, and I think it has grown on me a little. I liked John and Isabella Thorpe (just as shallow, pushy and vulgar as I'd imagined) and that version has a major advantage in that it was actually filmed in Bath, but I don't think anything could reconcile me to liking Henry or the General as portrayed by Peter Firth and Robert Hardy even though I usually really like these actors.

You pierce my soul. I am half agony, half hope

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I'll admit that having watched this version and the 1986 version, Peter Firth does look a little wishy washy now, not as sincere as JJ and that's despite my liking Peter Firth as an actor too. However, I thought Robert Hardy the best General as he was scary and slightly on the mad side which made you believe he could have murdered his wife.

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I own this version but I've never watched it. I really should now.

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I totally agree with you weaselfrance this version was better then the 1986 version...I couldn't get by Catherine or Henry in the older version.

Plus anyone that quotes Captain Wentworth (sigh) has got to have a good opinion!

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[deleted]

I think Henry scolded Catherine much too severely, when he found her in his mother's old room. I have no idea how young Miss Morland is on the page; and if Henry is older than she, how much older he is. But if there is something of an age difference, I'm of the opinion he went too far in berating her. He might have exercised some restraint in dealing with a girl that young, one so immersed in books and given to flights of fancy. Did he really hope that she might cry her eyes out?


Henry is 25 and Catherine is 18. In the book, when Henry finds her in his late mother's room, he's naturally shocked by what she says to him but gently points out the foolishness of her suspicions. He quickly realises how mortified she is at her mistake, and goes out of his way to be really nice to her afterwards. Henry's reaction is unexpected, since most people would react angrily to someone suspecting that their father treated their mother with cruelty before murdering her. There's certainly no storming off in a huff after yelling at her and reducing her to tears in the book.

Also, Henry wasn't initially smitten with Catherine in the book. In fact he only began thinking of her as a romantic prospect when he realised she'd fallen for him:

She was assured of his affection; and that heart in return was solicited, which, perhaps, they pretty equally knew was already entirely his own; for, though Henry was now sincerely attached to her, though he felt and delighted in all the excellencies of her character and truly loved her society, I must confess that his affection originated in nothing better than gratitude, or, in other words, that a persuasion of her partiality for him had been the only cause of giving her a serious thought. It is a new circumstance in romance, I acknowledge, and dreadfully derogatory of an heroine’s dignity; but if it be as new in common life, the credit of a wild imagination will at least be all my own.



He looks like what happens when you punch a cow!

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[deleted]

You should read the book though. It's not my favorite Austen, but it's still better than any adaptation.

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[deleted]

You're welcome

He looks like what happens when you punch a cow!

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I agree with you uzkata that this version was terrible. Too hurried. I did like JJ Field though. The girl that played Catherine, not so much. Also, all the sexual allusions and talk. Jane Austen must be rolling over in her grave. Andrew Davis is a pervert. Terrible man. Just my opinion.

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Yes, the sexual stuff, too. Ridiculous! Cathrine should be, -according to her mother in the film- a "scatter-brained little creature". Well, Cathrine didn't seem naive and pure enough, she sometimes even looked reproachful, as if the director simply decided that such a foolish person couldn't have possibly existed.
I think the whole point of the story is making compromises, living a down to earth life somewhat respecting the routines of society. Catherine growing up. A world of nice but either comfortable, calm, or a bit simple people, or people who are (just becoming) able to give up their unrealistic dreams. Some kind of anti-romanticism.
I agree with you that JJ Feild was wonderful! And the girl wasn't too bad, either, in my opinion. They both were sympathetic , I have objections to the film only.

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I agree. I think most of the actors were quite good, it's just all the sexual stuff that annoys me. I have no issue with Andrew Davies sticking all the inunendo he wants in other movies, but why Jane Austen? If you're going to make a Jane Austen adaption, why not make it the way she wrote it? It doesn't need to be sexed up and made more 'relevant'. She is one of the most popular writers of all time! Why does Andrew Davies think he needs to improve her work?! It's fine the way it is!

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I objected strenuously to the sex he added to Trollope's The Way We Live Now. He loves to add sex, but he downplays an attempted rape.

Disgusting.

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I don't know, I think that this version was much better than the 1986 version. I've seen that version a few times and still cannot attach myself to it. I know this book is a mock attempt at a gothic novel because during Jane Austen's time, Wuthering Heights and Jane Eyre were becoming popular. The whole Gothic scene was approaching and Jane Austen thought it would be amusing to write a Gothic type of story. She was using irony to show the silliness of reading too many of those Gothic novels as was becoming popular in those times. So, I think the new ITV version with Felicity Jones as Catherine shows the silliness of a girl who reads to many of those novels as was popular and the dangers of believing such nonsense. Austen showed how reading those novels could put you in danger, especially when coming into womanhood and the marrying age. There were so many misundertandings in this book. I wouldn't say it's completely true to the novel, but I think that that main point was well done. This is my least favorite of JA novels, but at least this ITV attempt gave me better characters to like and dislike.

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Actually no, Wuthering Heights and Jane Eyre were not during Austen's time.

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I don't think the poster was saying that Wuthering Heights or Jane Eyre were in Jane Austen's time. I think the poster was just mentioning 'gothic novels' that people would know to illustrate what a gothic novel was. Gothic novels did exist during Jane Austen's time. I think they started becoming really popular around the later part of 18th century.

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I'm afraid you are mistaken, chalice. When she wrote this novel, Gothic horror novels had been around for over a century and were pretty much on the way out.

And yes, Austen does mock the conventions of Gothic novels, but I don't think she seriously thought that they were dangerous at all. Indeed, she (the narrator) praises novels in general and her characters argue in favour of the Gothic novels they read. At no point is Gothic horror dismissed (except by John Thorpe) or Gothic novels burned (as portrayed in the movie). I think Austen's point was that Gothic novels are amusing enough, but social realism is the superior art form.

Btw, Wuthering Heights, Frankestein and Dracula were part of a second wave of Gothic literature that took place in the Victorian era long after Miss Austen's death.

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I agree completely. The first dream sequence where Catherine appears to be having an orgasm really turned me off.

Davies has said in print that he thinks sex is a very important ingredient in Austen's works and that he likes to bring out the sex in every work he adapts.

He is an overrated dirty old man and I loathe him and what he's done to some of my favorite books.

Persuasion 07 is IMO pretty awful, but it would have been even worse if Davies got his grimy little paws on it.

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My thoughts exactly. Davis completely ruined it and will probably ruin Sense and Sensibility. I shudder at the thought.

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From everything he's said so far, he most certainly will ruin S&S.

Of course, I'll watch it anyway, but I don't expect to like it.

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He is an overrated dirty old man and I loathe him and what he's done to some of my favorite books.
___________________________________________

Wait, aren't your books still intact? *Rolls eyes*

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He is an overrated dirty old man and I loathe him and what he's done to some of my favorite books.

He's done nothing to your favourite books. They remain in your shelf exactly as you like them. A filmed adaptation is not the same thing as a printed book. It suceeds only if it suceeds in its own terms.






If we are to be brothers, let us be brothers for life, die together.

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having never read the book, i really enjoyed it, the romance b/t catherine and henry was beautiful, but it did seem like it was all rushed, when all of a sudden shes out of northanger abbey, and hes proposing. the object of the title was in the movie for 10 minutes! i was expecting her to find secrets and discover passages or something. it was too short with the ending abrupt. otherwise i liked it, but that john thorpe guy was creepy!!

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[deleted]

The endings in Jane Austen's early work are often rushed, (Mansfield Park, Sense and Sensibility and Northanger Abbey).

I thought that the chemistry between Tilney and Moreland drove the narrative; and the sexual scenes weren't as explicit as the film version of Mansfield Park. Do you all think that people didn't think about sex?
As Foucault says, just because people didn't talk explicitly about sex doesn't mean that they didn't talk or think about it at all.

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Re-reading the book, and I can see where the changes were made. I still find it very true to the spirit of the novel. I know that's often the excuse for film-makers to do whatever they darn well please with an author's work (hello, Mansfield Park) but this one held up.

I found it very young and fresh. I hope it gets more people interested in reading some of Austen's lesser known works.

__________
We cannot direct the wind, but we can adjust the sails. - Bertha Calloway

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I did enjoy this drama the acting wasn't bad but I felt it was rushed especially the ending.Henry proposed to Catherine she accepted they kissed .Next thing a narrator is speaking saying they married and had a child and we see Henry and Catherine walking with their baby a wedding scene would have been nice and no mention is made of Eleanor Henry's sister who ended up marrying quite a bit was left out.
I realise when books are adapted for T.v or the big screen parts are often left out or rewritten but in this case the ending was I felt completely messed up.

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no mention is made of Eleanor Henry's sister who ended up marrying

When Henry and Catherine are walking out of the church at their baby's christening, I believe that's Eleanor and her husband who are walking behind them, and the voice-over says that Eleanor got her father's permission to marry her man when he inherited a title and fortune.

Under capitalism, man exploits man. Under communism, it's just the opposite.

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I would have blown off the heartless bas#$^% regardless of any change in her lover's fortune. What a monster of a man.

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Actually, the narration at the end did say that the object of Eleanor's affection was elevated and they were able to marry. I enjoyed the movie but I did find myself thinking "already?!" when it ended. Perhaps I'm used to my 5 hour version of Pride & Prejudice.

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One thing I'd forgotten about is that, in the book, Catherine reads The Mysteries of Udolpho. In this adaptation, she reads The Monk. Granted, most people don't know anything about either book, but I don't see what was the point of changing the book Catherine reads. Udolpho's plot is very similar to NA's. There are parallels between all the major characters of each book. But The Monk is about sado-masochism, incest, Satanism, etc. Why in the world would Davies choose this?

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Actually in the movie, Catherine and Isabella do talk about Udolpho. This would be the scene discussing the "Black Veil". In the actual novel, John Thorpe did say that he did not normally read novels, but enjoyed the Monk. Perhaps this is why Davies chose to bring this book out more.

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Not only do they talk about "Udolpho" - you can read the title in several scenes, where it is lying opened across Catherine's bed. ** Edit: now that I have seen the expurgated scene with the bath, I see where AD has her reading "the Monk". however - I love the way she goes from imagining the racy scene to her actual reaction when she sees Henry - then her perception of his actions :). ***

I thought references to "the Monk" a most fitting way to display the Thorpe family's "talents".

I much enjoyed this version (less the bath scene, whatever it was - not on my version). For those complaining about the "sexing up" of this story, of all Jane Austen's books, this is probably the truly darkest one, and is filled with *real* examples of all that overblown stuff found in Gothic novels (including lust, certainly)- after all, it's the entire point of the novel (I will grant that the deleted scene might be over the top, though). I absolutely love how well the director lets the audience see where the actual parallels between Gothic romances and the real world occur, and where they do not.

NA turns the exciting into the tawdry, the thrilling into the tragic - and the movie captures this very well.

For those complaining about the relationship between Henry and Catherine - I am sure that was the precise idea. Contrast their relationship (and that between Eleanor and Henry) with those in the novels this story lampoons (not the best word choice - perhaps "chides" :) ) - and between the avowed love that Isabella Thorpe holds for James.

Frankly, the similarity between the Gothic novel and much of modern TV is hard not to draw. Both are over-sexed, over-stimulated, hyperventilating exaggerations of reality - and too much of either is probably not good for anyone :).

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That makes it even worse. If John Thorpe likes something, there's an almost 100% chance that Catherine wouldn't like it either. But here, she does. It makes no sense at all, and is a very stupid change to make. As I said before, Udolpho's plot is almost identical to NA's, which is why Austen used Udolpho in the novel.

There really is no reason at all to make the change. Zero. Unless, of course, you're Andrew Davies and you like being perverse.

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Puzzling, but consistent.

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I can't say that I thought this version was awful, but it definitely had it's problems. It moved way too quickly and I was surprised to learn at the end of the movie that Catherine was supposed to be 18 years old! The actress looked like she was 14 or 15! It kind of creeped me out when General Tilney expressed interest in Catherine, because it wasn't made clear if he thought Catherine would make a good match for his Frederick, or if he was thinking of marrying her himself.

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As someone else noted, Catherine (in this film) reads both of the books. I do not think that in the novel, Catherine ever reads "The Monk." She, as a young girl, would not have been allowed to read so depraved a book. Does anyone else remember the passage in "Middlemarch" when, following Dorothea's marriage to Casaubon, her uncle remarks that now she can read racy (not his word) material?

I completely agree with all the other posters who decry Mr. Davies' despicable injections of sexual scenes into his Dickens and Austen adaptations. Sex was neither absent nor ignored in society of the [novel's] time. It just was not plastered in public, as in Mr. Davies' tawdry scenes. Why else was Lydia Bennett's "loss of virtue" genuinely lamented as such by the honorable characters in "Pride and Prejudice"? (I'm omitting the hypocritical Mr. Collins.)

The "made for Mr. Davies" sex scene between Isabella and Captain Tilney is precisely that. In the novel, nothing beyond a conjecture of behaviour bordering (key point) on the scandalous is cited.

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I was really surprised by how short this adaptation was! I am so used to nice lengthy productions. I am big fan of Andrew Davies, so when I saw his name I thought it would be good regardless of the time. However, it felt very choppy and rushed. I didn't care so much for the actress playing Catherine- I did enjoy JJ Field. The guy that played John Thorpe was really creepy with REALLY bad teeth. I would have liked to have seen more scenes of Northanger Abbey but that all went so quickly. I was disappointed for sure!

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I wouldn't say tragic, but definitely not my most satisfying Austin story. It seemed a bit silly. The girl playing Catherine, was a little over the top with the nativity. The story was just too short for character development and interest. Oh, and Henry, played by JJ Fields, was not attractive enough to be leading man. His big ears distracted me throughout. But great accent, from a guy from Colorado.

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I do not believe that Henry is supposed to be handsome in the book. Its been awhile since I read it but I distinctly remember that he is not supposed to be a Wentworth or Darcy in the looks department. And in my opinion JJ. Fields is a good looking guy. I guess its the whole eye of the beholder thing.

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Some of the dialog went by so fast, both of us watching couldn't catch it, especially about Eleanor marrying at the end. It seemed it could have been longer. but I thought the leads were appealing and Catherine was really cute and her hair wasn't appalling like Anne Elliot's in Persuasion.

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I'm just not enjoying this film at all. I taped it and I'm up to the part where she finally gets to the Abbey. I find the main character Catherine annoying and silly and so for me the whole story is too. Now I'm not too anxious to read the book either.

To err is human; to forgive is divine.
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I think it is good to remember that NA is one of Austen's early works. So it might be silly compared to her more mature writing style adopted later in her life.

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