Too self-consciously 'cute';I Just Didn't Care about any of them
I am a fan of all three of the leads in this film, and the director's previous work, Brick, is on my favs list for greatness. But this film just did NOT work for me. I've tried to figure out why, and I guess it comes down to a director unwisely toying with too many genres. I'm thinking that maybe if he had just left out all the cute- Wes Anderson-like quirkiness, and focussed on a serious story,maybe I would have cared about the trio. I like quirky when it's a director's authentic,consistent personal style.In Anderson's exposition of his quirky-to-the-max sensibilities, The Royal Tennenbaums, I DID care about the characters.
But not in The Bros. Bloom. Did anyone else sense that the actors were not comfortable w/ this screenplay? Adrien Brody was the best at keeping a persona; in his case, the most consistent persona of the three, one who was serious and melancholy and grounded in reality. But Ruffalo and Weisz just seemed to feel conflicted about whether they were supposedd to play kooky or serious.
Bummer. I was hoping this would be better than Ebert's final summary.
So many good films about cons: The Grifters, Confidence, Snatch, Sneakers, House of Games, Spanish Prisoner,9 Queens, etc. etc. etc.; don't waste your time w/ this one.
Ad hoc, Ad loc, Quid pro queeee,
So little time and so much to see