Esther Speaks (spoiler)


I really enjoyed the movie but briefly dozed off near the end when Esther is lying in state and suddenly begins talking. Does anyone besides the kids witness this? And was this meant to be imagined or real?

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Its supposed to be real. I saw the director talk about it at the New York Film festival. He said that she brought her back to life through a miracle.

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It is a beautiful scene, and it demands a second viewing. Yes, a poetic miracle indeed. The movie itself is a masterpiece.

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He copied this idea from Carl T. Dreyer's Ordet (1955) As many of his scenes in other films they are base in stuff that has been done.

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It is a beautiful scene, and it demands a second viewing. Yes, a poetic miracle indeed. The movie itself is a masterpiece.


Indeed! one of the finest movies I've ever seen.

To the OP: About the ending... Regardless what the director could have said about it, once the movie is released AND watched by an audience, it doesn't belongs ONLY to him anymore. Now it belongs to each member of the audience as well. Just like the novels belongs both to the readers and writers.
So it's up to you to decide what did happen. Was a real miracle? or was everything imagined?

I want to believe that she was only sleeping; having a long, deep, silent dream.
Paraphrasing one of Johan's daughters: "Dad, to die is like dreaming for a very long time, isn't?"


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Someone else commented saying Marianne (or what ever the mistress name was) brought her back to life thru a miracle so I guess that was the writers intent. I can appreciate that cuz it is different than what I was expecting so I was happy that she was alive but also at the same time I can't help but think of how Marianne is so far from saintly and yet performing miracles. - Just a thought.

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It's been done before...I should say...Only those with great love partake in the resurrection. Marianne has great love for Esther; by Marianne kissing Esther's lips as she lies dead in her coffin, Marianne expresses this love and asks for forgiveness. In this way Marianne and Esther are reconciled. It is not Marianne but Love that brings about the miracle. Only Marianne and the young girls are shown to recognise that Esther is not dead but has been sleeping; we do not see anybody else partaking in the miracle of Esther's resurrection. The ending is subtle and beautiful and I think in keeping with traditional Mennonite thought although I am not a Mennonite.

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Peace is stronger than love is essentially what's the takeaway from the film. So, it's not love but peace that brings the miracle (if at all it was a miracle that is). Esther used unkind words to describe Marianne previously, so they were obviously at odds with the situation, but the end says they'd gotten at peace with each other to give peace to Johan.

I'd say the film is also open to suggest Esther and Marianne had been in on it along with the community to help Johan attain peace and find what he had really wanted - he wanted everything as it was before, before the affair I'd assume.

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Johan was overwhelmed with sorrow when Esther dies, and wishes he could turn back the time. I think the end was not real and the imagination of Johan. (From the moment that Marianne entered a complete white room with the coffin). Marianne kissed Esther back to life (a long sensual kiss on the mouth!) and disappeared quiet out of the house and out of the life of this familie.

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Think of the leaf, and who other than Johan speaks to Mariane? Billy? The guy with the van who says he has to close the doors separating her from the family... This does deserve a second viewing!

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Although another poster said that Mr. Reygadas has revealed that Esther's revival was intended to be real, in otherwords a miracle, I'm trying to understand the significance of Johan stopping the clock at the beginning of the film when Marianne has left him to reflect on the "situation," then the frame of the stopped clock half-way through the film just as Johan and Marianne are going away for the day (to reinforce whatever was taking place was not taking place in time), and then the clock being started once again by his father at the end of the film after Marianne is back amongst the living. I am inclined to believe all that happened between the clock stopping and starting again was inner reflection of real and imagined events intertwined with surrealistic elements/metaphors which one oftentimes experiences in deep inner struggle. To me the bottom line of whether events were transpiring in the outer world or inner world, or whether we're asked to believe in a miraculous ending, is secondary to the power and beauty of this production. It really doesn't matter. Acting, cinematography, writing, directing - everything was superb. All in all a wonderfully inspired antidote to the superficial, mind-numbing stuff we have to wade through to find gems like this.

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Food for thought! Thanks.

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See a list of my favourite films here: http://www.flickchart.com/slackerinc

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Oooohh...you're saying she's a sort of "Sixth Sense" figure? Interesting.

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See a list of my favourite films here: http://www.flickchart.com/slackerinc

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