A very pragmatic response demon7411.
There is usually a certain degree of subjectively when it comes to stories whether it be novel, stage or film.
Traditionally, children embody innocence, simplicity, inexperience, heritage, hope and the future.
In the context of "House" young Susan could easily fit into these categories along with the deeper spiritual themes as well.
A concept not yet brought up is the idea of children being before the "age of accountability". In essence, a young child like Susan (although not perfect) is still so young and lacking in life experience that she is considered completely innocent in the spiritual sense.
Unlike adults who tend to over-complicate spiritual matters, a child tends to see the spiritual realm with much more simplicity. Hence, a child may have more spiritual "light" than an adult, because of their natural curiosity and sense of childlike wonder coupled with being more insulated from some life's corrupting influences.
In contrast to the adults, Susan sees the house and Tin Man for what they truly are underneath and risks herself to help the others escape. Her "weapons" were not fists, guns or knives, but simple profound truth. This is why Tin Man recognizes the dainty and innocuous looking Susan as a threat.
Basically, simple child-like faith is the key in having one's spiritual eyes opened and escaping the nefarious influences of the House. This idea fits well within the Christian themes mentioned before:
“Assuredly, I say to you, unless you are converted and become as little children, you will by no means enter the kingdom of heaven."
"Whoever receives one little child like this in My name receives Me."
-Matthew 18:3 & 5.
The character of Susan and her role in the story, bears much resemblance to that of Katie Harwood in Ghost Ship (2002), especially before the story morphed from thriller/mystery to more mindless blood and gore horror.
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