I thought I did here:
That's it right there. That, in essence, is the double edged sword of living in a free society. Where do you draw the line? And who draws it? That is what it all comes down to. One man's horror is another man's pleasure. I think that's just the risk we take when we choose free speech over the alternative. Yes, we have the executive, legislative, and judiciary, but ultimately the lines are blurred. Especially when it comes to the creative realm (art, films, books, music) the line is always moving. But that's the deal we bought into.
Obviously, if I thought "anything goes," I wouldn't have made that statement in the first place because it would have been moot. I would simply have said that there is no line. But I specifically said that there IS a line. By definition, that means I'm agreeing with you. I am saying the same thing. I am saying that there is a line that must be drawn between what is exploitative for the sake of "art" and what is not.
We are both saying the same thing, bigglebop. Of course I feel VERY strongly that if the telling of a story of exploitation uses exploitation to tell the point that something smells rotten there. I do not in any way, shape, or form condone the use of child actors in an exploitative fashion. Ever. That would be equally as sick and perverted as the act(s) which supposedly prompted the film to be made in the first place.
That is my stand on that. Now, to the question of the possibility of those films being made "which are not written and directed by people who were abused as children," well, that is a dangerous area to get into. How do we know? Do we administer a test? Are we saying that only people who were abused themselves have the right to tell their stories? And if so, if we are forcing them to say whether or not they were, isn't that an invasion of privacy? Isn't that a form of abuse in itself? If someone wants to admit that, it's their choice. But nobody should be forced to admit such a thing. Maybe they are still in denial and aren't even aware of it. Maybe they blocked it out. Maybe they have a compulsion to make a film about it but don't even know why. It's happened before. So that's the grey area I was talking about.
The other point, about it not being true, is also a grey area. Again, how do we know? How can we sanction films made by people who suffered from abuse based on whether or not we believe that person and not sanction films made by people who we don't believe really did? Isn't that like a witch hunt?
That's what I meant about the grey area. Because, as I said, where do we draw the line and who draws it? That's the dilemma here.
So we are in agreement, as I've been trying to say. Certainly, if it walks like a duck...etc. Most of us know exploitation when we see it. But there are instances where people disagree. And THAT was my point before. Some people think certain works of art are "trash." Others call it "genius." That's how it works in a free society.
So, again, I am agreeing with you. I'm just wondering who is going to make that decision that one is okay and another is not.
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