In addition, Sophia had been the one who ran the affairs of the house and the land during their marriage; trying to find ways to keep them afloat when Tolstoy's idealistic schemes didn't work out. Tolstoy's disciples overran their house, staying for weeks or months, and she had to find the means to feed and provide space for all of them, and then be criticized by them and him for being too materialistic or selfish with their resources--in addition to being criticized by them for just about everything else she did (another big sin of hers was "seducing" Tolstoy by letting him sleep with her even after he was preaching celibacy). For the first few decades of their marriage, Tolstoy and Sophia had always been completely open with each other, and would read each other's diaries almost daily. When Tolstoy began to shut her out and would no longer let her read his diaries, even though the whole process had been his idea in the first place, it was a great blow to her. In the last several years of his life, Tolstoy had been giving away money and land and they had never been very prosperous anyway; so Sophia's worries about how the family would survive if they lost the rights to Leo's works were very real. And finally as the last insult (as if trying to take away the copyrights wasn't enough), after Leo's death, the only version of the Tolstoy's marriage and life together was the one put out by Chertkov, painting Sophia as an extremely unstable jealous woman that didn't understand her husband's genius or his sainthood. It's only been fairly recently that her diaries have been made available so her side of the story is heard.
Come, we must press against the tide of naughtiness. Mind your step.
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