MovieChat Forums > The Little Matchgirl (2006) Discussion > am i the only one who didn't like this??...

am i the only one who didn't like this???


the animation was terribly floaty, the soft blended shadows made everything look dumpy, and it was so overacted.

as an animation film maker i was so disappointed with The Little Matchgirl. I first thought it was wonderful that Disney went and made a 2D animated short off of a wonderful short story, especially during all their CG hype. But when I finally got to see it on the Little Mermaid dvd....i was SHOCKED as how...well...NOT good it was.

i didn't even feel sorry for the little girl. it was too cute. the man lifting her off the lamp post was a pointless bit of story that distracted me. her "suffering" was such cliche acting it hurt.

i think most people are watching this on youtube. even if it's "high quality" on there, you can't see the actual quality of the animation like you can watching the dvd. it hurt my eyes.


if this was, say, a student film, or even a small independent group, i would have been very impressed with Little Matchgirl and given it a lot more credit.

but it was disney; and if they are going to go around boasting about being an animation giant, they need to do better than this next time.

reply

Well I personally liked it. To each their own I suppose. You do make a pretty good point about the man who lifted her off the lamp post. That did seem pretty pointless. It was like someone showing her a bit of kindness, she says "Will you buy a match please?" and what happens? He refuses. Seems a little odd to me. Like I said I respect your opinon and I agree with you on that one bit. I loved the animation and I liked the soft blended shadows. It kind of added to the gloomy atmosphere of the story and I wish this film the best of luck at the Oscars.

"HOPSCOTCH!"

reply

Gotta disagree as well. I thought the animation was quite beautiful (and I saw it on the Little Mermaid DVD). And the movie did a terrific job of making the girl's plight quite sad without being too cute... I'm not sure how it could be "cliche acting".

I thought this was a wonderful movie.

reply

I agree! Boo Disney... with all that money and talent you should be doing better. If this wins the Oscar I'll puke. I'd nominate "The Christies" over this. ;)

reply

Attention blueraptor77 and grograman,

You guys are such utterly dumb, moronic, sad and strange men, who seem to have my pity...

OH, WHAT AM I SAYING, BOTH OF YOU GO TO HELL!!!

This was a beautiful piece of animation, one that is definitely for the books.
Those who don't like it,

too bad,so sad.

reply

sorry jovine...grograman and i wern't out on a plight to offend anyone, much less call names. if positive critique can be offered so can negative. i was critiquing little matchgirl from an animator's perspective as well.

but just a quick correction, we're actually both very bright, quite happy, and girls.


and very talented to boot.

reply

i think the point of the man, a policeman, lifting her down so to give a glimpse of hope, the possibility of a rescue, but he doesnt see... and so the tragedy continues...

i thought it was a beautifully moving faithful version of a classic story...

reply

I'm surprised that this scene is not completely clear, since I believe the purpose of the police man was simple: She was standing on some barrels (or something like that) which she was not allowed to. So he lifted her down.

Perhaps I'm wrong, but that's the impression I got. I didn't see a "possibility of a rescue" or anything in it.

reply

midknight-4 gets it. The whole point of the story is to show how heartless the world was to this little girl, and how invisible she was to everyone who was too busy with their own lives to notice her plight and suffering. The police officer who picks her up off the barrel did appear to be the first to notice her at all, but it was just to take her off the barrel (which is almost worse than not noticing her).

In the original story, she is forced to sell matches in the cold lest her father beat her when she gets home if she doesn't sell enough. While that was not shown here, you can see she is clearly cold and might have noticed she has no shoes, but something wrapped around her feet that still appears to leave her feet exposed. Despite suffering from the cold, she stays out to try to sell the matches for some reason.

I'm not sure what the haters are saying is needed here, and I had never actually watched or read the story before, so was truly a blank slate for expectations, with no biases either way. It moved me to tears (full disclosure: I have a low tolerance for watching children suffer). I didn't realize she simply died at the end, even if it's meant to connotate she's with her grandmother in heaven and no longer suffering.

I thought the 2d, black and white, and simple musical score made the point beautifully. I don't know what else was expected from the detractor here that wasn't already included, or what they're comparing it to as an example of "doing it right"?

reply

Very well, I apologize for acting very harsh on my behalf, I agree with what you said on the duality of both positive and negative critique. I'm happy to know that you did not respond to what I said in the same matter as I have, and pointed out that you and grograman are actually both very bright,quite happy, and very talented to boot girls(sorry for using the word guys).

The fact that you responded in such a calm and understanding way is prove of that. Bless you two.

reply

jovine76, holy ----, overreact much? I hope I never accidentally bump into you in a shopping aisle. You seem to have a major lack of ability to handle things not going your way.
http://news.bostonherald.com/localRegional/view.bg?articleid=182452

___ __ _
Math problems? Call 1-800-[(10x)(13i)2]-[sin(xy)/2.362x].

reply

You know, I've just watched this film and I agree with most of your points (though I liked the soft shadows). The over-acting bit is definitely true in some parts.

I should also mention that they drew the cross on the churches wrong (the short plank at the bottom should be diagonal, not horizontal), that it would've been very unlikely for someone (even someone very poor) to be almost barefoot in Russia in winter, and that the girl looked Asian while her mother looked Russian.

But you know, despite all of it, I still think that it was a great film. I loved the choice of music by Borodin, the main idea of the film, and some of the great animation (for example, the horses at the end). And at least they got most of the details about St. Petersburg right.

It could definitely be better, but I think it's still pretty great as it is.

___ __ _
Math problems? Call 1-800-[(10x)(13i)2]-[sin(xy)/2.362x].

reply

It was her grandmother. According to the original story, her mother died and her father was abusive. Since the cartoon is silent, we can assume that she is an orphan.

"HOPSCOTCH!"

reply

Ha, I didn't even realize the cross problem, and I just went back to watch it and you're totally right. For all the details in those beautiful backgrounds I'm surprised they got that wrong. I'm more surprised I didn't notice tho...I've made ornaments at home for Christmas with those crosses quite a few times and I didn't even recognize the problem, lol.

I was also wondering, if it's another mistake as to accuracy of architecture, but the use of onion dome roofs. I was under the impression that they were actually only used in a few places in Russia and for specific buildings, and when the grandmother's house is shown built with them I was a little confused.

Others also mentioned the whole ethnicity problem behind the little girl, and since Russia is, in fact, part of Asia, then it's very likely that lots of people have the tendency to look slightly more asian rather than european.

I will argue one point behind the problem with gradient shadows like the ones in Little Matchgirl. I didn't originally go into depth with all my complaints (which too many people on here find tedious and annoying, but I hope prospective artists and appreciators take the time to read), but I get pretty keen on critiquing visual aspects of animation art (since a lot seems to go awry now a days).

Especially in Matchgirl, the contrasts of blend shadows vs. the crisp, well-rendered watercolor(?) backgrounds is too stark and takes away from the solidity of the piece. When you have soft blends on objects and characters closer to the viewer than the backgrounds are, it creates perspective issues that clash and can really take away from visual beauty...or at the very least visual solidity. It goes against even general understanding of perspective to the eye, where normally things at a distance are more out of focus than things in the foreground...or from another approach, when the eye or camera focuses back and fourth between important objects.

----------
In short, it's backwards perspective, and it really takes away from something that should otherwise look really solid. Nothing looks grounded, and everything is the same fuzziness which blend all the characters together TOO much.
----------

It can't really be argued either that maybe this was an artistic intention, since Disney tries really hard to replicate normalcy (however stylized) in their animations. Artistic intentions for Disney are, say, the colors chosen for this film, or the style in which it's drawn in.

Blend shadows also read too much like 3D animators trying to replicate 2D animation, or as if they're under the notion that the general audience expects 2D animation to be as "profound" and "exciting" as 3D. I believe it's just an unfortunate misguidance in the studio's judgment.

reply

I don't have your eye for shadows but they didn't bug me; I was too busy drooling over the palette. I doubt "3D animators trying to replicate 2D" was the problem here, as I read an interview with the... director? producer? who said he used to draw boards for Disney back in the day and it was great to get back to that. I do note that part of the theme of the story is that she isn't particularly visible to the people around her, so perhaps the shadows were a thematic choice rather than a graphic one per se. I'm not looking for an argument, though, I accept your artistic judgement on the matter. Just something that occurred to me.

I too went, "onion domes? on residential architecture? seems odd". But as to the girl's ethnicity, my first thought was "Mulan??" and my second was, "wait a minute, was the LMG Kazakh?" The only thing I remembered about the Andersen story was how it ended. I guess she was Dutch originally. But the girl as drawn strikes me as a very plausible Kazakh child: (vis ref: http://www.kazakh.ru/photo/faces/) On the plausibility of a Kazakh child in St. Petersburg in the 19th c., or for that matter whether St. Petersburg is even the setting... I have no qualified opinion.

But the cop lifting her off the streetlamp -- that wasn't random, that was totally to the point of the story. He isn't there to help her, he's there to nudge her back in line.

EDIT: It's "Andersen", you oaf.

reply

Hans Chritian Andersen was Danish, not Dutch.

reply

Well, the girl doesn't look ethnically Russian, that's all there is to it. I guess it might've been a kind of political-correctness decision, or it was meant to suggest that the reason that nobody's paying attention to her is because she's "ethnic". I do think that making her non-Russian was an unneeded element and that the story might've been stronger without it, but I guess they made that choice...

You're completely right about the onion domes on a residential house - that's kinda like having a church tower with a bell on some peasant's house in Western Europe.

___ __ _
Math problems? Call 1-800-[(10x)(13i)2]-[sin(xy)/2.362x].

reply

[deleted]

Don't flame. If what you said was true, the job of "wine taster" wouldn't exist. And by your own logic, you have no right to praise the film because you can't do any better either - so what makes you qualified to say whether it's good or not?

Perhaps you simply don't understand his critiques because you haven't seen better animation yourself and he has, so to you this looks excellent while his expectations were higher.

Personally speaking, I thought that if the character animation of the little girl had been done with more subtlety, the film would've been better - I say this because I've seen the difference that it has made in other films and I can imagine what it would've done in this one. For me, at least, the little girl's emotions were too exaggerated; it was being hammered into your head what she's feeling, and I thought that this story would've been more effective if it had been allowed to stand on its own, with less extreme emotions on her part.

___ __ _
Math problems? Call 1-800-[(10x)(13i)2]-[sin(xy)/2.362x].

reply

Um, she's not reading things into it, she's perceiving things you don't perceive because she's a professional and you're just some cheeto-stained clown on a message board and when she watches something like this she sees about 2000x more than you do. (I think I remember from another thread that blueraptor is a chix0r.)

I don't even agree with her but I have to scoff at counterarguments that go "UM UR RONG IT WUNDRFL"

reply

I thought it was good, and a big improvement over Disney's usual over-santized version of stories it adapts. I thought the animation was wonderful, in spite of the mistakes in the details. I saw it on the big screen, as part of the Oscar nominated shorts series.

However, it doesn't deserve to win the Oscar, because some of the other nominees are simply better.

- The best nominee is The Danish Poet.
- Second best is Maestro.
- The third best animated short circulating in the Oscar shorts series made the nomination short-list, but didn't score an actual nomination. It's Guide Dog.

I'd rate this one roughly a tie with the short-listed but not nominated One Rat Short and the nominated No Time for Nuts.

For some reason, the Oscar shorts series didn't include one of the nominees, Lifted, so I have no idea where it ranks.

reply

i didn't know Guide Dog landed on the short-list. I got to see that in NYC here along with Guard Dog and Hair High. That's too bad it didn't go any farther in the nominations, it was a great short!

that's also really neat that you got to see a theatrical showing of the nominees...i didn't know they were doing that either (what the heck...i feel out of the loop all of a sudden, ha). sucks that they didn't show Lifted tho, it looks really promising.

reply

[deleted]

Didn't like = no heart

reply