The character of Death definitely appears to be more from an atheistic perspective. And in this film only Jewish aiding, generally sympathetic, German people, are seen to die. The blonde head boy had his days numbered when he's seen to walk under a ladder in one scene. This film points out that Death itself takes no sides and nor can an entire people, whether Germans in general or German Jewish / Jewish people, be stereotyped. But, if there is a God , God also takes no sides in terms of when to take you. The physical world , of people and things, seems to make that decision or accidentally, or be more likely to, cause that result. Words are seen as, or used as, weapons but a word itself doesn't kill you. Very individual decisions do and when national socialism invites individuals to love this and hate that, people get painfully killed on the hinge of a stereotype. And that happens to civilians or groups in many wars. But hate , strangely, also breeds internal, if not extermal, love just like the human body naturally concerns itself to try to heal a wound. Love, and God, are not made impossible by what life is sometimes like.
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