MovieChat Forums > Taiyô no kizu (2006) Discussion > Should stick to what he knows best

Should stick to what he knows best


T. Miike doesn’t print his trademark in this one, being considered as a great director for the kind of movies he usually makes (which I consider to be really good, particularly IZO and Ichi) in my opinion, Sun Scarred, to a certain extent disappointed his fans.

It is not a bad movie, but it felt empty to me and mainly unoriginal and clichéd (which is contrary to what is expected from Miike).
IMO the movie presents the characters only on the surface; the only character that I felt sympathy for is the 13 year-old rich kid who is obsessed with violence (knives and guns) and he remains being only just a misguided and easily influenced kid. Besides him, the portray of feelings and motives of the rest of the characters were not satisfactorily analyzed, by the end we don’t even remember why the lead wanted revenge.

My point is that Miike should stick to what he knows best. I repeat, is not a bad movie it just didn’t work for me.
I know that Miike can perfectly analyze aberrant and extreme behaviors in an impressive way (IZO and Ichi); but to me, he might not be able as of yet to adequately undertake a serious topic with deep emotions and feelings.

Anybody out there that agrees or disagrees?

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I would suggest you watch 'Bird People In China', this film shows that Miike is able to make films with a 'serious topic with deep emotions and feelings'.

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I agree, i like that he can do so mny differnt types of movies.
The Bird people In China was a movie i could watch with my mom and dad. Infact a few christmas's again when i was visiting them, we sat down and watched it.

Miike can make all kinds of movies, thats why i enjoy him so much, as i have a very open mind for movies.

Bird people in china has some great cinematography and atmosphere

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I havnt seen the movie yet, but saying that miike should stick to what he knows best is a little much in my opinion.
I love that Miike does all differnt kinds of genres and doesnt just stick to Yakuza or Horror flicks all the time.

Sabu, The Bird Peopl Of China and Rainy Dog where all good movies with deep emotions and feelings imo.

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Quote:
IMO the movie presents the characters only on the surface; the only character that I felt sympathy for is the 13 year-old rich kid who is obsessed with violence (knives and guns) and he remains being only just a misguided and easily influenced kid.

I think the relevance of this particular character was that often times violent adults display early "warning signs" of animal abuse as children. The scene where the boy was stabbing the cat and enjoying it was a sign of the path the kid would take, if there weren't some kind of intervention.

When I look back at the movie, I see a very deep look at teens, at leaders and followers. Kamiki was a leader, the Alpha male, as it were. In the first violent scene, Kamiki was in the background, and the other kids were doing his work. When Katayama-san intervened, and beat them all up, the result was that the "followers" quit. Kihara told Kamiki right away that he was out - he got thrown off the bridge. Sudou found a new life after his time im juvie, but Kamiki remained unchanged. Years later, Kamiki was a legend among the 3 "gang" teens. The one revealed that they had never seen him, so via IMs and txts he was able to bring these kids to do his bidding.

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[deleted]

Stick to what he knows best? You must mean the "Make 3-5 movies a year in between other projects including at least one mainstream, one arthouse and one straight-to-video gangster flik with Aikawa Sho" routine.

As far as I can tell he's sticking to it here (although I guess he's famous enough to get cinema runs and international film festival slots with his straight-to-video movies nowadays.)

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What he knows best? Considering more than half of his films are lousy, overlong yakuza films...

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