Sequel, or prequel?


Is there anyone who would like to see a sequel (or a prequel, why not?), of this movie?
I'm interested to know the opinion of others who saw this movie, because "Liceenii" had so many sequels ("Liceenii rock-and-roll" etc) and it also had a prequel, called "Declaratie de dragoste".
Do you think this idea is viable? Do you think it is profitable (for us, for the producers, for the actors etc)...? I mean, if it's not bringing them money, of course they will never think of doing a second movie with the same topic, this is what I want to say...
What do you think?

P.S.: I didn't know about the mistakes with the "GSM antennae on the roofs of the communistic buildings", "frame-less glasses", or "microphones on top of their heads" until I read about them, here.

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Ya they can do a sequel to this. To see what Eva had become nowadays, whoever she got married to... how much money did she gain on that cruise ship...maybe she opened a bussines when she came back loaded....:)

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If there is going to be a sequel of this movie, most likely it would turn into a "Liceenii Rock'N'Roll" sort of film, or "Asphalt Tango", which we've already seen. Thank you very much, but better no.

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I don't think dramas should have sequels or prequels. They're just that.
Liceeni was a movie hit about teenagers, copied after American productions.

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God, I hated "Liceenii".I don't understnad all this hype around it, because I still see people of my age, who have never been forced to watch communistic productions, that like the movie.I'm interested to know more about that era, but not through that perspective.

Anyway, I enjoyed "Cum mi-am petrecut sfarsitul lumii" and I'm curious about what happened to Eva.However, I'm not sure about a sequel, they usually turn out lame.

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I was an actor in this film (see main thread regarding the film here on IMDb) and I can say whole heartedly that no sequel, prequel, whatever will ever be made by the crew in this movie. Not even a quarter of it. And here's a quick answer: Mitulescu & co. burned much of the props in the film, a decision that should be read as follows: while we've shot this film because we were missing some memories from our childhood and adolescence, when the film's done, we should leave them all behind already. Some of those props were things that accompanied the director and some other people in the crew althrough their childhood, now really hard to replace (not hard, but pointless).
New love movies sure will come outta their hands, but all set in another time, other places.

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