Not to be rude - I found it boring.
The elephant in the room at the London Mayor Gala Premiere at this years London Film Festival, was that Genova was one of dullest films anyone in the audience had ever seen. Though im clearly mapping my own feelings onto everyone in the auditorium, it was evident from the audience questions quite how little this film had impacted on them.
"were any of you affected personally by the subject matter of the film"
cue uninspiring responce from the two girls.
"how did you film it"
cue excited responce from colin firth - "michael made us go out and get the materials to cook a meal, like a real family"
Well hold the *beep* front page.
Im sorry but I thought the reason for this neutered questioning was quite simply that everyone else wanted to put up their hand and ask whether or not any of the contributors had watched the film and woken up a couple of hours later having dreamt happily about anything else.
The problem was the characters. Did anyone care about anyone in it? By the end I was willing the little girl to get run over. Please let something happen. Oh she sad about her mum dying. Oh its difficult for the dad to move on. Oh its difficult for the older daughter to forgive her sister for their mums death. Oh she's young and sexy and will take solace with some locals. And on and on like a bloody long sentence.
I really like the city of Genova - it has happy memories for me. Beutiful black and white everywhere - little alcoves and piazzas and rat infested alleys. It has character - Winterbottom is right. Why didn't he think of injecting some of that into his own?
This is my first post here - I hope some of you feel like responding.