MovieChat Forums > Razzle Dazzle: A Journey Into Dance (2007) Discussion > CRITICS BIASED AGAINST AUSTRALIAN MOVIES

CRITICS BIASED AGAINST AUSTRALIAN MOVIES


I can't believe the savage reviews this great movie got. The critics seem to rate Australian movies badly on principle. Imagine if Razzle Dazzle had been a big budget American comedy with an almost identical script the following cast:

Mr Jonathon (Ben Miller) - BEN STILLER
Justine (Kerry Armstrong) - LISA KUDROW
Paulette (Nadine Garner) - HEATHER GRAHAM
Miss Elizabeth (Jane Hall) - COBIE SMULDERS
Barbara (Denise Roberts) - JENNIFER COOLIDGE

What's the betting the movie would have been described as "the best comedy of the year", "a suberb satire" or "brilliant mockumentary"?

Does anyone else agree?

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The imdb reviews could be irrelevant, what with 5 out of 14 people finding one useful.

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Yeah i agree! and i bet if they used like Abagail Breslin or Dakota Fanning etc. this movie would do extremly well!!!

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Denise Richards is in this movie? : p

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My mistake - I have changed it to Roberts.

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I think you have a valid point. I think Aussie critics do unfairly bash Australian films more than they should(although some of the output is pure rubbish)

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The thing is, due to the use of cheaper photographic equipment, the visual quality of the majority of the film was sub-par compared with US films.
Even Best In Show or Drop Dead Gorgeous, which incorporate similar hand-hend-amateurish styles of 'behind the scenes' mockumentary filming have better visual tone and clarity.

Being a film student for three years now, I noticed a lot of scenes that would have come up better just with more detail on lighting and framing. ie. when action is happening off camera for a number of seconds with the audio of that action playing prior to us seeing who is talking/moving etc.

The casting for this was very good but it was obvious a lot of the cast were picked for dancing skill first and acting second. It would be unfair if Australian movies such as this were ranked alongside the larger budget productions from the US as their budget encapsulates the work of far more people in postproduction effects, audio and editing and so we shouldn't be awarded 'pity marks'... rather, such films are vehicles for actors and film creators to accrue cred and acquire bigger budgets over time as creditors see them as a reliable source of getting returns on their investment.

As far as Australian comedies go, this was the best in a long while, but still could have had more bite in the writing, pace and polish.

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