AWFUL


I had been dying to see this movie since I saw the trailer in 2006, so I was thrilled when it came on Netflix Instant-Watch.
It was so....awful. Just terrible.
The costumes were either drab or ridiculous, the cinematography vacillated between perfume commercial and typical indie "grittiness", and the editing was poor. I don't know if the whole movie was shot through a distorted lens or what, but everyone looked almost freak-show hideous. The makeup was terrible: Cruz looks younger and fresher now some 6 years after the movie was made. They just layered all this heavy makeup on her to play someone who was apparently much younger than herself.
The story was terribly told: no exposition, very little back story. The romance was worse, as there was absolutely NO reason that these two people would be in a relationship together. The main characters were thoroughly unlikable and poorly developed, with Brody's character being a neurotic Woody Allen-type and Cruz's being a flat-out abrasive bitch.
Such a let-down. No wonder it was shelved.

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Completely agree! I had this in my Netlix queue for over a year, ever since I visited the famous Las Ventas bullring and its museum in Madrid and became something of a casual aficionado. This film fails on all levels. Adrian Brody was cast soley because he bears a physical resemblance to the great Manolete (both have prominent noses). He mumbles and whispers his way through the film, emobodying little of the zest for life that the great toreros are known for. The plot concerns the relationship between Manolete and Lola (Penelope Cruz), to the exclusion of nearly everything else in Manolete's life. While Manolete was famous for being what most Spaniards regard as the finest torero of the modern age, little of his work in the ring is depicted. One can't help but see this movie in some way as anti-bullfight because its so dark and there's no attempt to even show or explain the rituals surrounding the bullfight.

I knew nothing about bullfighting prior to touring Madrid's famous ring and visiting the museum where the stuffed head of the very bull that killed Manolete is mounted on the wall and his blood-stained suit of lights is in a glass case. That was enough to pique my interest and I hoped this film would be entertaining. Unfortunately, the 1942 Tyrone Power/Rita Hayworth film "Blood and Sand" remains the last decent depiction of the colorful world of bullfighting.

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