MovieChat Forums > Conversations with God (2006) Discussion > Woman in Barnes + Noble near the end of...

Woman in Barnes + Noble near the end of the film (spoilers)


I had a real problem with the scene near the end where the woman comes up to Neale and tells him the story of her dead adopted son. I didn't like Neale's response to her about, "Your son died to keep your promise, his real mother died a few years ago, and your son died so he could meet her."

I just felt so shocked and unsatisfied by that response. The movie was going so well, but this moment totally ruined the film for me. I felt so cheated.

First of all, I thought that was a bad reason for her son to die, if that were really the case. Secondly, how does Neale know that the biological mother died?

I think the movie would have been so much better if Neale had simply given the woman a different way of viewing her son's death instead of just giving her an "excuse." Or, this scene should never have been in the movie in the first place.

I don't know how much of the movie is fact and how much of it is fiction, but if that scene with the woman with the dead adopted son really happened, I suppose that's reason enough to keep it in the film.

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I hated that scene, it makes him look like a phony cult leader type. Having an answer to every question is not as courageous as to simply admit that sometimes life sucks and *beep* happens, there is no deeper meaning to it and it's the way this world is made, we all have to deal with it.

Of course, telling the truth will not sell as many books as just inventing a nice story with a happy ending and lying to the readers how everything will always be fine eventually and there is a deeper meaning in every tragic event that you can understand if you read his books.

You think I'm wrong? He could find an answer to why the son died in this example. What will he say to a child dying of cancer? To the babies starving in Africa? To the holocaust? Genocide in the Kongo? and so on... he sells a simplistic world view that is easier to swallow than the sad and ambiguous and often horrible reality.

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