You've got to be kidding. I just saw the film and I am completely BOWLED OVER by what an astonishing work of art this is. Every frame is so lovingly crafted, so masterfully executed, so brilliantly enacted that I cannot help but proclaim that Mr. Bhardwaj has, in essence, created a new style of filmmaking. Perhaps you prefer the wishy-washy no-brainer potboilers a la HAHK and KKHH. If so, then yes, Omkara will not possibly satisfy you. It is intelligent, emotional, complex, and to put it simply, sublime.
The performances are simply unmatched: Saif Ali Khan is ASTOUNDING in what is, in my opinion, a landmark performance. If only all of our good guys could be so bad so well. Vivek Oberoi gets his first lease of life after his brilliant debut in Company and Bipasha Basu surprises with a haughty cameo. Konkona Sen Sharma is the new talent to beat with a no-holds barred performance which rockets her to the top of India's leading talents. Ajay Devgan is almost criminally perfect as Omkara (hint to Shah Rukh Khan: this is *precisely* the way you should have played Devdas, and I mean PRECISELY); and last but certainly not least Kareena Kapoor delivers what can only be termed a transcendent performance as Dolly, supplanting any and all of the work done by any mainsntream Indian actress in the last five years. The Kapoor legacy lives- and how.
Omkara belongs to the same family of films as Satya, Company, and (obviously) Maqbool, but it is also unique in that it presents its own version of beauty: as helpless, foolish, and devastatingly powerful. Let me be the first to say it: Omkara is the best commercial Hindi film since Lagaan, and perhaps of the last decade. BRAVO.
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