I havent listened to the full songs,but can say from what all I have listened so far, that may b there is little use of the instrument called 'sarangi' which was the trademark of lakhnavi music in those days n was highly used in the previous film.Even if it is a different version,historical aspects shud have been dealt with honesty.
Moreover,Alka yagnik,she is a good singer n I like her very much,but sadly doesnt succeed in breathing an altogether different life into it.The 'ada' of Umrao is lost somewhere in her trademark style of performing to Anu Malik's music.The songs lack 'thahrav' n lakhnavi grace,the grace which urdu songs n poetry deserves.They sound more like the BW film.
Asha,on the other hand,changed herself little bit,n adjusted her style to Khayyam's music,n made the songs haunting.When we heard her in Umrao Jaan,that was never heard previously.And seldom after that.
I think the problem was Anu Malik as the choice for the composer.Though he is good in giving the trademark masala BW music,he just cud not give a fresh sound to the chaste urdu poetry.U can not think of a 'kotha' n courtesan instantaneously while listening to them,if u dont know that they r from this film.
The songs sound good in today's world,but listening to them with closed eyes,u can imagine them to fit in REFUGEE also,sply. 'dekha tujhe to',n Zubeida also...I mean these songs,can fit in any BW film.But Khayaam's music was made for only UMRAO JAAN.It had an entirely different air.That fragrance of a courtesan n kotha n lakhnvi tehzeeb is missing in this music.
No,the songs dont come close to the previous ones'.
And is it me only,who feels that the composition od the song,'dekha tujhe to' ,is strangly similar to the Suresh Wadekar song,'seene mein jalan',the only difference being that Anu has made his singers to sing at a higher note to ,may b,befool the audience.
And also,in the video of song 'salaam',Aish has done a step exactly similar to what Madz did in 'maar daala' in DEVDAS.The one where she bows,slaps gently on the floor n then goes back to the salaam gesture.Exactly similar to Madz.The diff. is,that Aish has made it more mechanical.
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