Director's relationship to LC?
I love LC but I was hugely disappointed in this film. It was shot clumsily, the interviews were awkward, every time LC spoke, always a treat, his words were drowned in bad ambient drone as if the director had to let us know how "cosmic" her film was. The cheesy model in red satin? And of course the hilariously failed attempt to be artsy with the endlessly repeated blurry red lights, which you just know the director wanted to have shimmer, but was so incompetent she just couldn't figure out how to do it. Worst of all was the pedantic boring nepotistic choice of performers, when instead there is a world of great artists who gladly, as fans of LC's music, who would have given us much more interesting creative risk-taking covers. The snobbier LC fans may like the obscurity of these performers, but LC is just that, a performer who wants his music heard, and this movie missed a prime opportunity to use better known and more diverse performers to bring a huge new audience to experience the joys and depths of LC's music and words.
So I have to ask, does anyone know if LC was boinking the director? He has creatively "supported" others of his affairs, thankfully usually more talented. It would explain how someone so clearly not up to the task got this job.
And c'mon, no "Bird on a Wire"?!
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Downloads of Ambient & Neo-classical Music : http://music.download.com/dj_dreamstream