Agression, well done

I would like to comment plainly that the 'agressive quality' as it developes in 'Seven Invisible Men' is rarely superb, and within this quality it levels with for example 'Taxi Driver' and 'Deliverance'.
'Seven Invisible Men', in contradistinction to 'Flandres' (which I've seen yesterday and found to be utter *beep* in (not only) this aspect) has a build up in which there seems no resistence to, or solution for the violent path that is developing. I find this kind of narrative very pleasing and soothing (as a fictional distraction from personal frustration).
I'd like to go in detail and share some more insight about this marvel but it seems useless without reply. The agression i.e. destruction aftermath ending shot however, I wouldn't bother to say to mere, thin and virtual air, was of capital GENIUS. Often did I see grassland roamed with cows, but after a complex recipe of placebo film emotionality such as triggered in this particular movie, to sheerly see it like a rotten surface covered with fruit flies, that was new.