Cynical racist propaganda
Everything about this movie is fake.
For example, the "hijackers" are shown passing though X-ray security at Newark Airport, run by Argenbright Security and United Airlines.
One of them is later shown wearing a bomb-belt. There is absolutely no evidence anyone aboard Flight 93 wore such a bomb belt, and no explanation of how such a thing could be got through security. No such bomb-belt was found near Shanksville.
If it had got through security, United and Argenbright would be facing some enormous lawsuits from the families --- but of course, they aren't, and it did not. The film is a racist fake.
The cellphone calls are fiction. Such calls were impossible at six miles' cruising altitude in 2001. Only now are financially strained airlines spending the money to install pica-cell technology to make them possible.
No other cellphone calls were reported from the more than two hundred other passengers aboard three other airlines, who had a combined total of more than three hundred hours in which to decide to make a cellphone call home. The cellphone call reports from Flight 93 may well involve avoiding a billing paper-chase in the case of an independent inquiry (hold one now!).
The Todd Beamer "Let's Roll" remark was overheard, not by his loving pregnant wife, but at the heart of the huge Verizon corporation, which at that time had a $1.5 billion contract with the US government and the Pentagon to revise Washington DC high-level communications. Surprise, surprise, it later became an official recruitment slogan for the Iraq war.
The flight cockpit recording made nothing clear, as legend-builder Gere Longman admitted in his book Among The Heroes and in a New York Times article.
None of the reported phone calls from the flight mentioned a fourth hijacker and no one saw a fourth hijacker at the controls of the plane. There possibly WAS no fourth hijacker, unless you believe the fairy tale of FBI agents "finding" the pilot's passport near Shanksville, which is strictly for the consumption of credulous couch potatoes.
I'm afraid that with this picture and its cinema-release companion "Flight 93" some of the Hollywood crowd have revealed their racist, warmaking credentials. It would be sad if it weren't so pernicious.
Isn't it strange that none of this crowd felt the urge to make a movie about the IRA outrages that shook the UK in the 1970s, 80s and 90s? Only when the outrage purportedly involved Arabs and Muslims, a race and creed well-hated by certain of the Hollywood crowd and their financiers, did not just one but a string of movies come out about the event, based mainly on fiction. Could it have anything to do with persuading us all that Arabs are the enemy and must be bombed, maimed and busted up for the indefinite future?