No Redeemable Value Whatsoever
I would say that this is the latest example of the ineptitude of writers and directors in Hollywood who just -- for lack of a readily available metaphor -- just do not know how to structure a film. But, the first word that comes to mind after viewing this film is irresponsible.
FIRST BORN is either a failed attempt at a modern-day ROSEMARY'S BABY or the ANDREA YATES STORY. Since the writer of this dreck is a male, I would say that it was the former. Regardless, the writer has no idea how to structure a story. We don't get to know the protagonist as a person pre-pregnancy (and who bought stocky Shue as a ballet dancer?). Once she's knocked up, she's completely self-centered at best, at worst, grossly immature, unlikable and irresponsible. The husband is a convenient cliche', etc, etc. What is there to latch onto in this film? Who are we to champion in this tale except the poor baby?
What bothered me the most as a father is what jackass parent(s) allowed their newborn baby to appear in this movie? What mother just delivered a baby and figured it was time for he or she to get into pictures during the first few months of its life?
I could not concentrate on the film itself because of how the infant actor was handled. I don't know about anyone else, but my suspension of disbelief is instantly shattered when a large butcher knife and a four month-old infant share a scene together not once, but several times in a film.
The risks would have been worth it if the film hadn't been so inept. And it is. Inept. Embarrassing. Immature. Just crap. Crap. I guess Elisabeth needed to pay the rent.
And those who defend the ending of this film, how can you defend an ending that was given away and alluded to within the first ten minutes of the film? Who didn't know that the real infant would pay the consequences for a rag doll that shouldn't have been brought home in the first place? The pool scene? Come on. This movie was so straight-ahead stupid that ---- aww, forget it.
Just avoid watching this film.