it was intentional that all the green screen shots either had some of the green hue still on the actors or they have dark lines bridging from the way too low contrast foreground/actors to the way too high contrast background footage whch was clearly daytime footage darkened to look like night time?
and was the way there would be certain shots with a obvious mask between two things, like the stary sky, and one of them would move slightly for a few frames and have this jarring "the sky just moved" effect. that was an intentional style?
that all the scenes in the car were shot on a green screen even though they actually shot at the locations as well.
or how the background footage would in no way match the intended speed of the vehicle or respond to how the wheel was being turned, like when he is supposedly veering around but the riad footage from inside the car was driving straight andit would cut to an outside shot tof the car swerving all over the road. that was intentional?
when they darkened the whole scene to make it look like night, but then had really obvious brightness adjustement layers with harsh masks following the actors face around to counter the overall darkness adjustment, that was an intended style? not just the person didn't know what the heck they were doing
so this movie intended to look absolutely awful? like someone who taught themself after effects in a day did all the effects.
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