Star of the film: the ZOOM LENS!
Forget Beau Bridges and Kim Delaney. The star of this film is the much-overused ZOOM LENS. In an irritating variation of the once-popular "shaky cam" style, this movie looks like it can't decide how to frame each shot. Cut to medium two-shot, zoom out...zoom back in...reframe... then, zoom out a bit, all in about six seconds. I found myself yelling, "Hold still!" a few times while watching this sequel to an only marginally-better "10.5" made-for-TV film.
New tagline: "If the tremors don't make you queasy, the camera work will!"