URCHIN REVIEW


Urchin, though often bloody and violent, is not so much a horror film as it is a somewhat nightmarish urban fantasy.

It's set in a depressingly grungy underground world: the New York of losers, mad dreamers, and criminal opportunists. I didn't think it was going to be to my taste, but about twenty minutes into seeing it, I asked myself, "If you don't like it, how come you're still watching?"

The answer is, I found it impossible to turn away from. Writer and director John Harlacher has a potent imagination and invests his cauchemar with flashes of compassion and poignancy. Urchin's redemptive outcome is both unexpected and surprisingly moving.

Urchin reminded me of an odd science-fiction film, Pi, that I saw some years ago. Urchin is thoroughly different in style, mood and texture from Pi, but both are riveting experiences. I just couldn't stop watching either.

-- Marvin Kaye,
Editor, H. P. Lovecraft's Magazine of Horror






www.UrchinTheMovie.com

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"If nothing else, Urchin tells us that certain New York City subway stations need a bit more security."
http://www.nytimes.com/2007/02/17/movies/17urch.html?ex=1203570000&en=e4028295bd323170&ei=5083&amp
-- Neil Genzlinger, NEW YORK TIMES

"At its substantial worst, with wooden acting and a plot so impenetrable it verges on the parodic, it's unwatchable."
http://www.villagevoice.com/film/0709,wallace,75931,20.html
-- Julia Wallace, VILLAGE VOICE

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