Days of Heaven?
Yeah. That movie was made to be visually beautiful... and it failed.
Malick's 1998 The Thin Red Line is one of my all-time favorite films, period, marred only by ridiculous (credited) cameos by the likes of Cusack and Clooney who begged to be in the film and took massive pay cuts.
Days of Heaven is a "pretty" film, supposedly making use of the golden hour more than any other film. But this is what Malick was concentrating on. Not the acting. Acting is boring, the story is less than compelling, and the cinematography really *isn't* what every film student who hasn't seen Magnificent Ambersons claims it to be.
I enjoyed the film thoroughly, and for what it was. I referenced it in several papers in school. But do not expect the lay-viewer to appreciate Days of Heaven beyond its glowing fields of wheat and red lanterns.
Malick's second biggest mistake was taking the Thin Red Line formula and repeating it, almost to a tee, in The New World.
"I used to *curse* this birthmark!! But now, it will lead me to treasure!"
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