Exploitative (spoilers)
I wanted to enjoy this film, particularly since its final four minutes are praised by so many, however I found the contents to be exploitative and grotesque in the extreme and they didn't need to be.
The girl's rapist father 'saves' the day by vouching for her at the competition. He pollutes her redemption with his mere presence and contact with her teacher. I was already irritated with the film's incessant plucking of unresolved tragedy strings (suicide, WWII, murder, jail break, etc.) when the film displayed the height of bad taste by involving her suffering/tragedy in the performance I lost all respect for the story.
I felt that it was the worst attempt to emotionally exploit the audience and an insult to the supposed intelligence of the characters to drag them through larger-than-life catastrophe after catastrophe, needlessly. There are a lot of narrative options, why use these? The thing I came to resent is that although the music was beautiful, the supremely damaged characters just had their tragedies mount, never dissipate.
Anyone agree?