effective film?


Ok, it is hard for me to put back my emotions about this film, as I experienced it as a ruthless torture for the spectator to sit through the entire film. However, I will try to be fair, even though I had to leave the cinema after 60 minutes.

The point of this film is quite clear. The chraracters and the environment are portrayed in a very effective way. The bleak lighting, the slow-paced editing and the static camera create an atmosphere of existential loss, senselesness, depression, rigidness and alientation, beatifully underlining the "storyline" of the main character and creating a strong empathy/sympathy with that world and its inhabitants. The carefully composed static camera shots and the lighting remind of Caravagio's paintings and convey a strange beauty from this bleak world. Also, I found it very interesting when the main character is outside, his dark features contrasting against the brightly-lit white buildings, evoking undertones of social and racial inequality. Interestingly, the sky in this day scenes was completely blacked-out, again, effectively underlining the emotional state of the character. So far, the style of the film (mise-en-scene and mise-en-shot) works very well. Now, the narrative is very loose and repetitve, which, again, effectively contributes to the overall mood of the film. However, I think the repetiveness is taken beyond limits. I don't mind repetition, as long as there is a point to it. Either, the repetition involves some minimal development or difference, or it lasts as long as to convey a point, but not to challenge the human attention span beyond measure. With this premisse, I think this film would have made an excellent and thought-provoking short film of 20 minutes, but the rest of the film was redundant. I have to admit I could not sit through the whole film, but I was told the way it ends, and I do not regret having left the theatre. I cannot understand why the film has been nominated in Cannes, unless it was a political decision. Maybe the jury felt it was time to have a Portuguese film in competition. In any case, I don't think the story offers any new insight. It has been told countless times before with better scripts and better actors. The only thing I found interesting was the style, but, as I mentioned, 20 minutes would have been more than enough to tell the story of this man.

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You should have stayed until the end. You missed everything else.

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You didn't miss a thing

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well, i´m a bit shocked with your lack of information. This isn't, obviously, the first portuguese film in competition at Cannes where Pedro Costa has even won awards. Since the biginning of his career he has been a regular in some of the most important film festivals in the world, like Venice or Locarno, as so many other portuguese films and directors.

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Being accepted by festivals has NOTHING to do with the quality of a film. The selection of the jury is always political.

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the power of this film and of In Vanda's Room (those are the two films i have seen) lies also in the meaning and layers beyond the film space and time. you should see In Vanda's Room and then maybe you might find Colossal Youth more effective and also see why a 20 minute version of Colossal Youth would never make sense.

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