I think that by showing the rapist coming home to his family, the director tried show us that this is "the guy next door". We all think of murderers/rapists or other criminals as these monsters, but the fact is that most of the time they're people with ordinary lives who are somebody's neighbour or relative and who go through life as normal husbands/fathers/epmloyees, until they're caught. And they don't always get caught, as this film depicted.
I don't think it was meant tho show the rapist's unhappy marriage as the reason for his actions. It just showed him coming home to a normal life and him being a normal guy with his own life, and everything that comes with it.
As for the older cop who burnt the money: I think he would've turned his son-in-law in, if it weren't for the fact that his daughter had just told him about the pregnancy and that she wouldn't be able to live if her husband left her. His only chance of any kind of justice was to prevent his son-in-law from getting rich from this whole situation. That's why he didn't want to know the details; he already knew more than he could bear. I feel he resigned, not to give the son-in-law his position and thus more salary, but because he wouldn't feel worthy of the job after what he had "helped" to cover up.
I thought it was a clever and realistic movie, about our actions and the consequences they have, but mostly, about how all of our lives are entwined, even if we aren't aware of it or don't want it to be.
Just think: if the boyfriend hadn't sent the rapist to the wrong road, he wouldn't have found and raped Gabi and Cecilio wouldn't be dead. If Amos hadn't cut off the water, Cecilio wouldn't be walking down the road, the others wouldn't have mistakenly killed him.
If the daughter hadn't been pregnant and talked to her father, he might have turned his son-in-law in etc. etc.
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