MovieChat Forums > 42 (2013) Discussion > Spike Lee should have directed this

Spike Lee should have directed this


Does anyone else echo the same thoughts? He would've been great to tell the story of one of his idols, being from Brooklyn. I just feel his perspective might be more genuine than those of others

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I don't trust Spike Lee to just tell a straightforward story. I don't know the last good movie he made.

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With Spike it would end up being almost three hours long,with the point hammered home over and over.As one of the Hughes brothers said years ago,Spike Lee went to film school.Now he need to go to film ENDING school.
"1)There is a God,and 2)Im not him."

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I agree Spike should have directed this. I don't know what Spike did to blacklist himself from hollywood, but those wealthy powerful executives in Los Angeles hate him.

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I do agree! I was thinking ths SAME thing when I first saw the commerical and came to the movie page. Such a SHAME! I do remember reading that this was one of the movies that he wanted to direct. Those so-called wealthy powerful executives just wanted to keep Spike Lee in his so-called place because Spike is/was so vocal about everything and he really let them (Executives) have it during the filming of Malcolm X and his career has not been the same since.

So I guess they were teaching him a long lesson. Those are some EVIL PEOPLE in POWER in Hollywood and if you don't play their game and keep your damn mouth shut, they will STICK IT TO YOU!

BTW, what is with the nearly all White Cast. Where are the Black Actors in this darn movie if it is supposed to be about Jackie Robinson? Won't be paying any money to see this shyt!

The Hughes Brothers would have been great directing this as well. They have a keen eye for directing movies.

NINA MAE MCKINNEY IS MAGNIFICENT

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what is with the nearly all White Cast. Where are the Black Actors


It's not a story about black people. It s a story about ONE black man in a white man's world.

Otterprods, to keep those aquatic Mustelidae in line.

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good point. and did they forget all the black fans that were seperated from whites. some people should crack open a history book

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As much as I love Spike Lee's films, I don't think he had the subtlety to do this movie without it becoming preachy. Jackie was a quiet force to be reckoned with. Spike Lee's vision is more suited to a Malcolm X type film. I can't believe she even geared her freaking keyboard up to type that idiotic sentence "Where are all the black actors?" Seriously?! As a black woman it made me face palm to the highest degree.

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Right after making Malcolm X, there was talk of Spike following it up with a Jackie Robinson biopic starring Denzel Washington as Jackie, but it never got off the ground. I think Spike would have done the subject justice, and Denzel certainly would have been a stronger lead. I do think the 42 movie was great, but it just covered the era from 1945 to 47. I would like to see somebody the breadth of his life, including the bus incident that got him court martialed from the Army (there was a movie made about this already) and his post baseball years when he had become a civil rights icon, and the diabetes that robbed him of his eyesight and eventually, his life. Spike Lee's best chance to have made this movie would have been with Denzel 20 years ago, but it was not meant to be.

As to the question of Spike Lee's last great film, I think it was the very underrated Inside Man.

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It doesn't take someone evil to find Spike Lee an insufferable prick who overestimates his own talent. You can be vocal without being a horse's a$$, but Spike can't seem to help himself. If he's so brilliant, he should be able to make a decent movie without them as many independent filmmakers have.

As far as the nearly all-white cast, you do know that being the first black man allowed to play in MLB means you're surrounded by whites, right? And you're aware that that's what this movie's about?

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Some good points about the content of the movie. Maybe if Spike were the director more of the movie would have been set in Jackie's neighborhood and the games would be seen from wherever his supporters sat. It is indeed about the one black man introduced to a white system, which is what makes him the underdog and a great protagonist.

I had been rooting for Spike to get his Jackie Robinson film made. He wore the 42 in Do the Right Thing. It would have seemed fitting. But he made what might have been an ego and politics driven decision when he said no to a lower budget that was the condition of greenlighting his project. For a while it looked like Redford was directing it, and that's when we heard no more from Spike on the matter. Quietly this writer of Conspiracy Theory and Knight's Tale has become the director. Maybe they were all different Jackie Robinson projects and Spike's is unrelated. But of course if he shot his own script now maybe it would be redundant.

In fairness, when he is a hired gun as a director (Inside Man) he can deliver a hit movie for the most Hollywood of bosses (Imagine Entertainment) or I think Clockers which involved Scorsese. In fairness to his early cinematographer Earnest Dickerson, we will never know what Spike's abilities were other than as a writer because the shooting was such a big part of his look.

Many people gripe that hit movies about race usually are about the good white people who helped out. Where would Django Freeman be without King Schultz ? Where would Amon Gothe's Jewish factory workers be without Oskar Schindler? Where would Cinque be without his lawyers Matthew McConaughey and Anthony Hopkins? But the fact is that progress is not often made of any substance without involvement of someone the "in" group of the time, in this case Branch Rickie (Harrison Ford). The message of maintaining dignity and not fighting back and instead focusing on the job is interesting in a time where we want immediate gratification and every taunt to be met with a punch in the face.


http://www.twitter.com/Jawsphobia





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You know, perhaps like yourself, I do get tired of these ridiculous comments implying that a film is racist because it doesn't have enough blacks in.

Well, equally, I want to see film with indigineous speaking Welsh folk and there's few about too. So perhaps everyone, everywhere is racist too!

As you say, it's a film about a single black guy in a dea of white men. There may be a clue to the casting there.

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Are the Welsh a race?



Sister, when I've raised hell, you'll know it!

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A race? No more a race than the Belgians, the French, the Canadians, the Portuguese or Argentine.

Do you mean nationality which, may or may not, have their own culture and language?

When it comes to human beings there are not that many races within that nomenclature and none, as far as I am aware, have the names of any country within the race names.

Would you care to clarify?

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First I want to say that Spike Lee is/was a talented director, he has made good movies, no one out there can say he hasn't. That said, recently few of his past films have bombed back to back and to say that Hollywood is racist because he didn't direct this movie is completely retarded.

In Hollywood its all about the MONEY, no white or black. If you make the studio money they will keep giving you work. As they say in Hollywood, you're only as good as your last picture. Spike Lee hasn't made profit for years now on his movies so that's why he hasn't gotten big films yet to direct.

And by your post, I would say you in fact seem racist by saying only a black director could make a movie about an icon black American. completely racist. And the reason there are alot of white characters in the movie is because, if you know the story and actually look in what the movie is about, you'll see that he was the FIRST black african-american to play in the Major Leagues so of course there would be alot of white people in the movie.

This day and age no one (most anyway) don't see black and white, heck we even voted in a black president (not because he is black but because he was the better candidate).

Stop with this false racist ideas, we aren't living in the 60s or before.

Btw '42' was a great movie, you should see if (but you said you won't because of too many white people in it, that in itself says everything we all need to know about you, you racist assh*le)

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BTW, what is with the nearly all White Cast. Where are the Black Actors in this darn movie if it is supposed to be about Jackie Robinson?



You don't really understand how a movie about the FIRST Black man in baseball is supposed to work, do you? Were they supposed to have a bunch of Black people on the team, or something?

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1) None of his movies make money

2) Spike is a douche

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Inside Man made more than $100Mil

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Assuming it was an average movie, it had a $30-40 million marketing budget, and that combined with its $45 million production budget made its box office haul of $185 million a disappointment. It sounds like the film still made ~$100 million, but when you consider theaters probably got about $40 million of that (if not more), then $60 million profit on an $85 million dollar movie isn't actually considered a big success, only a meager one.

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Spike Lee is an icon to millions of African-Americans.To them he is a voice to a medium that tends to be intolerant to the black cohort of America.

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Spike Lee could have made a movie about Jackie Robinson if he really wanted to. He's not some unknown filmmaker without any clout. A period epic, made non-union would cost about $20 million. He could have funded it himself, outside the Hollywood system with some of his buds helping him (i.e, Jordan, Barkley). It wouldn't have been easy but great filmmakers find ways to make their passion projects. Francis Ford Coppolla basically risked his entire fortune (made from the Godfather movies) to pay for Apocalypse Now. Orson Wells did the same thing. If Splke did indeed want to make a Jackie Robinson film, he can't blame "white Hollywood" for his inability to make it. I'm not saying it wouldn't have been any good. On the contrary, it probably could have great, However, he can only blame his own lack of guts for not trying.

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They hate Spike because Spike hates everyone who isn't black. He got mad at Clint Eastwood because there were no black soldiers in his WW2 film about the 5 white guys and 1 native American who raised the flag at Iwo Jima. Like really, the movie isn't about black people, so why whine. Spike just likes pointing the finger at every white guy and call them racist, when in reality that mentality makes him racist.

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There's another reason why there were no black soldiers in Flags and Letters: Flags was about the Marines and Corpsman who raised the flag (Soldiers are from the Army) while Letters deals with the Japanese side of the story.

--
Once upon a time, we had a love affair with fire.
http://athinkersblog.com/

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"They hate Spike because Spike hates everyone who isn't black." Wow! What a ignorant misguided statement. I guess that is why so many talented white actors want to work with him, huh. So they can bask in his hate.

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Agreed, Spike Lee should maybe not direct anything ever again, he should stick to making an ass of himself at Knicks games.

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Oh god no.....

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Pretty sure it's all a joke... I hope...

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Why? Because he's black? Wouldn't insisting on a black director be just as discriminatory as excluding black athletes from professional baseball? A director doesn't have to be the same race (religion, gender, etc.) as the main character in a film in order to be sensitive to the experiences the character has had.

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maybe he'll get to do the larry doby movie.



A day without sunshine is like, you know, night.

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Or, seeing as how this movie is about the desegregation of the major leagues and covers just about exactly two years in Jackie Robinson's life, Spike Lee can still do a full-on, actual Jackie Robinson biopic.


"Complex problems have simple, easy-to-understand wrong answers." - Murphy's Law

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I don't think the person who question was saying it because he is black. Spike Lee has spent decades trying to produce a Jackie Robinson story. Seriously ... decades! I actually looked up the movie after seeing the commercial to see if Spike Lee actually succeeded at his dream.

As the original poster said .... he's a HUGE Jackie Robinson fan and sometimes you will see references to the baseball great in his films. Just saying ... you brought up that point not the poster so before you point fingers ... point one at yourself.

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@Whistler

No,Spike should have directed it because he would be bringing an African-American perspective to it---there are cultural nuances and references that a white director would completely miss/leave out/or not even understand/appreciate/be privy to, particularly if they're never had any exposure to African-American culture to begin with. Just like Martin Scorsese brings his Italian-American perspective to his films about Italian-American New Yorkers and gangsters,which enliven his films and keep them from being just these boring-a** generic Hollywood everyperson stories. And,it's also refreshing for me as an African-American to see,because practically 99% of every American film I see is made almost without exception from a white middle-class perspective (unless it's an indie made by a director of color.or a white indie director, or an Asian or African film or non-European film,period.)

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I don't beleive Spike Lee would have wanted the project. Knowing how much Jackie Robinson had to go through with the racial slurs I feel Lee would have been umcomfortable with it. I would have given it to John Singleton.

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Oh, of course. 'Cause nobody but a BLACK person can understand another BLACK person or due justice to the story of a BLACK person.

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That is exactly what I meant when I agreed with the O.P.
I am also aware of the fact that Spike Lee wanted to do a film about Jackie Robinson so badly.
why the hell does it always have to be about race when it comes to a Black Person.
Just like Spike was passionate about Malcolm X, I thought he could do a good directing job.
As far as the Black Cast in the film. I was merely speaking about Jackie Robinson before he started playing Baseball for White Folks. Are we going to see Jackie Robinson's past otherwise its not worth seeing because we all know the story when he was accepted into the so-called National League.

NINA MAE MCKINNEY IS MAGNIFICENT

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ust like Spike was passionate about Malcolm X, I thought he could do a good directing job.

Maybe Malcolm X was one good movie, but have you seen the rest? You actually think Spike could do a good job?

And I don't care how badly he's wanted to do this film. If you act like a horse's ass then people aren't going to want to work with you. Maybe he'll learn that lesson. His pet projects will go to people who are actually okay to work with.


~~~~~~~
Please put some dashes above your sig line so I won't think it's part of your dumb post.

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I do think Spike Lee made more than one good movie. He's actually made a about four that are tops for me. and i think he makes beautiful interesting movies even when he fails. i also am a fan of the documentaries he's made, and I don't mind long movies. but i really would like to see his screenplay or know what his movie would have been. as much as i like brian helgulund, and the movie did give me emotional feelings, i felt this movie could have done more and even given it a bit more edge.

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no,I can't stand that punk ass Spike Lee and he hasn't made a good movie in a long time.

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It seriously could've been this film, now we'll never know. I wanted to see Spike direct this, I feel that it would've become a classic up there with Malcolm X, which I still is his best film (tied with Do The Right Thing).

"I am the ultimate badass, you do not wanna `*beep*` wit me!"- Hudson in Aliens.

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[deleted]

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Yeah he is an overrated director anyway so,I think the film wouldn't be as good with him directing it.

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Yeah, Spike Lee has burned too many bridges, but he might be able to regain some respect if "Olboy" turns out alright.

"Miracle at St. Anna" was one of the sloppiest, poorly written/directed movies I've ever seen. The problem is racism isn't as prevalent as it was during the 90's (when Lee thrived), so his constant reminders that white people suck has gotten old.

Then you have Lee's idiotic comments about Clint Eastwood where he was clearly mistaken but refused to admit it (there WERE black people in "Flags of Our Fathers". But there weren't alot because of SEGREGATION). The Trayvon Martin controversy had to be the most idiotic and cruel thing I've ever seen.

I was a little sad when I heard that Lee wasn't going to be directing this, but since then, I've become so sick of the man that I can't bring myself to care.

my reviews of martial arts and horror films
http://freewebs.com/martialhorror



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@MartialHorror

MIRACLE AT ST. ANNA wasn't even that bad---I will admit it did have its flaws--big time---but they didn't detract that much from the main story,and despite those same flaws,I still think it's one of Spike's best films. And racism is STILL thriving like it always has in this country---I don't know what makes you think it just suddenly up and magically disappeared just because we now have a black President----hell,there are still people who have NOT accepted the fact that he IS our President to this day,and never will,simply because he IS black,period.

As for the Clint Eastwood debacle, well,Spike DID have a point there---just because there was segregation back then didn't mean Eastwood had to leave the fact that there were black soldiers fighting out of the film. Hell, he made a pretty good film about World War II from the Japanese point of view (LETTERS FROM IWO JIMA) so why couldn't he have made one about those same black soldiers from their point of view,too? They still fought in the war like everybody else despite being segregated and being treated absolutely like s*** while doing it. The problem I've had with even current World War II films is they completely leave out the fact that not only black Americans fought in the Second World War, but so did Asian-Americans,Native Americans,and Hispanic-Americans (see Ken Burns' documentary THE WAR for all of the above) so that's why Spike made MIRACLE AT ST. ANNA in the first place, because,frankly, you rarely see that in films about World War II anymore.

And yeah, Spike has been trying to get the Jackie Robinson story made for years, and he thought he might get the chance since THE INSIDE MAN was a big hit for him, but somehow that didn't happen. Hell, his last film, RED HOOK SUMMER,barely got much hype at all, which is a shame considering his track records. Yes, his films tend to be somewhat sloppy flat unless he's making a big statement about a subject he really gives a damn about (THE 25th HOUR being the rare exception) but when's he's at the top of his game, he can kick his best out of the park with the best of everyone's else's filmwise. It does suck that he's not directing this--as a longtime fan of his work (and his bluntness about the realities of the film business,particularly about the racism still embedded in it) I would have been looking forward to that. Hopefully OLDBOY will give him the push back up he needs to still turn out his version of the story if he still wants to do it by then.

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There weren't ANY American Soldiers in Flags and Letters because they were Marines and Navy. The United States Army had nothing to do with Iwo Jima. And, in case you didn't notice, there was the one main Native American in Flags, Ira Hays (who really existed). As for there being no films that deal with other groups, have you seen the movie Windtalkers? That dealt with the Navajo. Then there's American Pastime that deals with the Japanese Internment Camps here in the states, Red Tails that deals with the Tuskegee Airmen, and even Tora Tora Tora that deals with both the American and Japanese side of Pearl Harbor.

So it's not hard to find a movie out there that deals with a subject if you care to look. Hell, I didn't even have to do an internet search. As for why Eastwood didn't make more, why should he? Ol' Spike once said that Eastwood should never have directed Bird because it wasn't a white person's story to tell.

--
Once upon a time, we had a love affair with fire.
http://athinkersblog.com/

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@pankoeken

Quit exaggerating----FYI, if you'd bothered to read up on what really happened (which you clearly didn't) the e-mail with the couple's address was sent to Spike and a bunch of other folks---he didn't create it himself--and he sent it out. As soon as he found out what a mistake he's made, he apologized to the couple and admitted that he'd *beep* up. If you hate him, you hate him,,fine---but don't make up and exaggerate a situation all out of proportion just because you do. THE INSIDE MAN was, in fact, a huge hit for him, and there were plans for a sequel,but they fell through, unfortunately. And, no he isn't evil, he's just a flawed human being who made a stupid mistake and admitted to it. So quit aking a mountain out of a molehill,please.

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Ignorant racist much?

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I have an idea: Before everyone gets their knickers in a twist about whether a black dirctor should have directed this, or why there aren't enough black actors in this, or why certain actors weren't cast, how about everyone going to see the film first!

It amazes me how people are so quick to condemn and criticize before having an educated opinion.

And BTW, why the hell does Spike Lee have to be the only one to direct a film based on a notable black person? There are many directors out there (other black directors even) who can tell their stories just as weel, if not better, than Spike Lee.

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http://www.imdb.com/name/nm0298807/?ref_=sr_1

There is another great black director out there.I have read and heard his latest movie Olympus Has Fallen is a very good film.

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No, Spike Lee would have ruined this.

As per usual, pretty much every white person would be a complete scumbag and it would be far too long.

Another poster asked what Spike Lee did to blacklist himself from Hollywood; my guess it's his constant hysterical reactionary idiocy, like essentially calling Clint Eastwood a racist and a slave owner.

His last major movie was a bomb and he's also just a tiresome racist loudmouth.

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Inside Man and He Got Game are the only Spike Lee movies I can watch anymore. He annoys me to my core but occasionally makes some good stuff. That being said I am very happy he didn't direct this film because he would ruined it for sure.

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Spike Lee was interested in doing a film on Jackie Robinson life about 15 years ago but couldn't get the funding he needed to make this picture. It would of been interesting to see him make this movie coming off his well made Malcolm X film he did with Denzel Washington. I'm sure it would of been at least 3 hours long covering all aspects of his life not just his introduction to Major League baseball with the Brooklyn Dodgers.

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Spike Lee’s Jackie Robinson film would have been a major downer, aiming to tell the icon’s complete story

https://awfulannouncing.com/films/spike-lee-jackie-robinson-film-would-have-been-major-downer.html

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