MovieChat Forums > Mind Game (2005) Discussion > The Plot Explained (SPOILERS)

The Plot Explained (SPOILERS)


Wow, what a movie! Many people on this board seem to be a tad confused, so here's a brief summary that should help elucidate the story. It’s mostly a walkthrough of the events presented during the montage. This post is one big spoiler, so stop reading if you haven’t seen the movie yet.


The main thing to understand is that the real protagonist of the story is the Yakuza with the sunglasses. The film starts with him (I'll call him Yakuza) and Atsu waiting in the car. When they see Myon run by, Atsu gets out and chases her. She jumps into the train, and Atsu manages to get onto the same train so that he can follow her. This ends the first sequence.

Next, the montage of past events begins. This is a chronological run through of all of the events that lead up to the scene in the car that we just witnessed. I'm going to go by the reprise of the montage that comes at the end of the film, because it is more complete.

The first shot is of a bridge. This is the first memory of the baby in the 2nd shot, who will grow up to become the old man from the whale. We see him reach adulthood, where he chooses to lead a life of crime. (Metaphor can be seen in the church shot) We see him have a child (who grows up to become the Yakuza) and we see that he smuggles drugs in children's toys. He is then swallowed by the whale after a drug bust. His wife subsequently dies during the childbirth of Atsu.

We now see his first child, the yakuza, who has grown up. He meets a woman and they fall in love. This woman will become the mother of Myon and Yan. One night at the club, she sees Myon and Yan's father and chooses to go with him, essentially dumping the yakuza. This is what propels him towards becoming a yakuza. (it's unclear what his profession was prior to this) The yakuza spirals into a life of crime, and the woman gives birth to Yan and Myon. However, the father continues his womanizing ways, and pays little attention to his family. Nishi is also born.

Now the focus shifts to the childhood of Myon, Yan, and Nishi. Also interspersed is Atsu's lonely life, where we see him become a soccer player. He eventually fails at that endeavor. Subsequently, he meets the crime boss who recognizes him from his soccer exploits and hires him. We also see shots of Yan, Myon, and their mother cowering in a dark room, ignoring the ringing phone. Their father has racked up debts that they cannot pay. Ironically, those debts were loans from the crime bosses’ syndicate. We see Atsu, who now works for the yakuza with his brother, trying to collect on the loans.

Meanwhile, Myon’s mother is secretly meeting with the yakuza, since Myon’s father has essentially abandoned them. The yakuza now drives the car that the father used to drive, so we can assume they repossessed it as payment towards a portion of his debt. Eventually, Myon’s family moves in order to escape the bill collectors. They open up the Yakitori shop, and Myon’s father comes back to live with them since he has no other place to go. This is the point at which Nishi loses contact with Myon.

However, Myon’s mother maintains her relationship with the yakuza. He eventually gives her a train ticket to Tokyo, and tells her that the two of them should run away from all of their problems in Osaka. At the same time, Myon’s father steals Atsu’s girlfriend from him. She also takes his world cup tickets, which is why he is enraged and wants to track him down. This brings the viewer up to speed on all of the past events that lead to the first scene in the car.

The film then goes into the story of Nishi, Myon, and Yan. What the viewer needs to understand is that the first scene (Atsu chasing Myon onto the train) and the entire Nishi story that follows is the yakuza’s dream. He wakes up from his dream at the end of the film, and decides to run away with Myon’s mother rather than pursue his (and Atsu’s) revenge against Myon’s father. This is why “this story has never ended.” It is the beginning of a story, rather than the end. Really, the message should read “This story has not ended.” I would chalk the error up to poor grammar.


The reason that the yakuza has a change of heart is open to interpretation, but I believe that he simply considers the dream to be an epiphany. Nishi decides to actively choose how to live his life in the dream, and I think that the yakuza wishes to do the same. Rather than continue down his bloody path of crime, he elects to escape it all with the woman he loves. The dream serves as both a warning and an awakening for the yakuza. He realizes all of the possibilities that life has to offer, characterized by the “future” montage which we see right after Nishi jumps out of the whale’s mouth and into the sky. I think that the yakuza envisions Nishi as himself within the dream, but that’s a whole other post.

This became a lot longer that I was anticipating, but I think that it’s still relatively easy to understand. Hope this helps!

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wow i didnt see it that way at all....how did u figure all this out? play the beggining/end really slow?
how did you know it was the yakuza's dream? or that it was all a dream in the first place? i thought it was a real series of events not someones dream..

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wow, great post. i just watched this tonight for the first time and i was very confused by the begining and end with the yakuza in the car waiting for myon. this makes sense of him driving after her in the begining, but then driving away from her at the end in a brighter world, and how pretty much everything after the first car scene is surreal until the ending car scene when he wakes up. after reading this, all those little clips of the club scene, the train tickets, etc, make sense. thanks. mind game indeed. rated 9/10 before your post, 10/10 after.

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I sort of like "this story has never ended" more than "This story has not ended" as a lot of the details are sorta about the interconnectivity of the people who live in the world, and a number of the events in the montage are cultural and political events of the world as a whole. Also during the montage where they're flying out of the whales mouth, there's a scene of a packed apartment building that is traced back through construction, and then through the life of the architect. Basically, I think what the use of "This story has never ended" implies that "this story has not ended" doesn't is that we're not really hearing JUST the story of Nishi, nor JUST the story of the Yakuza, but in fact, what we're hearing is a fraction of the story of everything that exists in this world. It's not that the story didn't end because the film's end was the beginning of a new story, it's that the story DOESN'T end because there's always more people who are connected to the ones we learned about through the film, and there's more people who are connected to THOSE people. The world continues on (theoretically) forever.

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This is a signature so that people don't mistake the last line of my message as one.

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OP has missed the point completely.

The Story Has Never Ended.

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Wow, this is a really in depth and interesting interpretation of the movie that I really didn't have. Honestly, I find it disappointing. I kind of liked not understanding some parts, so that as I see it again and again (9 times now) I would get to understand a little more every time. It had an air of mystery and impossibility about it that made it so much better than every other movie. Now that its explained like this, it kind of loses some of that.

Though I largely missed the part about the old man's relationship to the Yakuza and Atsu, I feel that I understand the rest of the movie. I thought it was much more about how what may seem to be "paradise" can really be a cage, and the only real paradise is the normal world. When they were in the whale, they had everything they needed, food, entertainment, friends, love, but they realized it wasn't what they wanted, though they were technically forced to leave because of the whale dieing.

I think that your interpretation of the ending line makes sense as a typographical error, but I think it makes just as much sense as it is. the story is their lives, all that we have just witnessed could have happened, now it didn't, the story of life never ends. The story is the amazing opportunity people have to do and be whatever they want.

At least, thats what I want to tell myself, it probably has a good number of holes in the argument.

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Actually I quite agree with you slippy3. This is why I didnt pay much attention to what the original poster wrote when he/she spawned this thread (no offense). I think that this movie is a very good interpretation of the art of wanting to belong. I find it more appealing when I consider this movie as more of an artistic mirage rather than one that can be accurately and objectively explained.

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I tend to agree also. But i do think there is a pretty logical lineage to the story that was written and is shown with the montages. After re-watching it, the original post makes a lot of sense, but the fact that they are very fast montages means that you're not really supposed to get everything and you are meant to concentrate more on the self growth the characters experience inside the whale.

I thought this movie was amazing, the animation was fantastic and it's packed full of great innovative ideas, definitely become one of my all time favs :)

One thing I would like xplained, if possible, is why after looking at the dog collar did Myon realise that Yan was the one that needed to be cared for? I didn't see that connection with the dog flashback...

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Personally I like that every or most of the images shown have a meaning and a place in a "linear" narrative BUT I also like to be ignorant or not understanding everything completely. Maybe this doesn't make sense but what I'm trying to say is that all this elements add to the richness of the film.

In short I agree with the original poster and slippy3




You can think I'm wrong, but that's not reason to quit thinking.

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This movie wasn't confusing at all. The message is pretty damned clear: Don't be a spineless shut-in, go outside, socialize and *do stuff*. Any decision you make, no matter how minor, will matter in the long run.

You actually have a pretty decent grasp of the message, but I doubt the whole "IT WAS ALL A DREAM" thing is true. You also misunderstood the meaning of "the story never ended" - that clearly referred to the endless possibilities of life.

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OP is correct in everything except I think the final quote, "this story has never ended" works perfectly fine. I also think the idea of the cone headed soccer player being the brother of 'yakuza' may not be entirely certain.

It's all there folks, clear as day, in a logically progressive and objective manner. The whole movie was an epiphany. Even the disruptive nature of the old man flying out of the whale transitioning to the 'yakuza' sitting in the car follows this theory, which is to say, not a theory at all as it is indeed the scenes of events.

Every character has a trademark design to follow easily during the montage, from cone head, to sunken eyed mob boss, to Myon's green panties, to 'yakuzas' thin lips. Even secondary characters are recognized by the size of their nose (old man) and a pink watch ('yakuzas' mother, who dies and then 'yakuza' is seen wearing it at the beginning).

I came to the exact same conclusion before reading this post and analyzing every frame of the montage, so OP is not alone. Fantastic movie nevertheless.

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http://www.residentevil.com/5/kijuju/index.php?l=en&fbid=gKxiQG9Km Yt#/

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Very good interpretation. I basically agree about most of the points made.
The only one I'm still very uncertain about is the meaning of the scene where the old man visits the church.

In my opinion the scenes prior to and efter the church depict the old mans homosexual thoughts and struggle with them.
The scene where he sees nude women on a poster and thereafter pretends to be one. The scene where he sees prostitutes put on lipstick.
He then goes to church and learns that homosexuality is a sin and abandones his thoughts.

He begins his work as a drug pusher outside the burlesque club because he likes to look at the women.
One of the dancers at the club gives him a gift and he falls in love (probable bisexuality).

This would explain why he seems secretly in love with Nishi and his feminine mannerisms. Close to the end Myon and Yan are trying to convince him of telling Nishi this, but they run out of time.

I am not certain of this ofcourse, this is my personal interpretation, but I definitely think somewhere in the chronological scenes the old mans sexuality is explained.

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This would explain why he seems secretly in love with Nishi and his feminine mannerisms. Close to the end Myon and Yan are trying to convince him of telling Nishi this, but they run out of time.

True. It might not be the most important bit of the story, but it's there nonetheless and shouldn't be left out of the explanation of OP.

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