how does this relate to the drawing restraint series?
first of all, I want to say that I think you can enjoy or appreciate this kind of film without a comprehensive understanding of the artist's intent. to what barney intended everything to "mean" or what the significance of his directorial decisions were, we can only approximate. however, we can also gain something from the aesthetic and emotional response we get from perceiving the images on screen the way they are and through observation and analysis.
what I want to know is, what does this film have to do with the theme of the drawing restraint series? I have only fleeting knowledge of barney's work, but I've gathered that this series of works is about "facilities designed to defeat the facility of drawing." I can see some instances of self-restraint or self-imposed limitations, but I don't really get how everything in the film is supposed to relate to this.