Geez, all these people who are completely bewildered by Hartley!!! This is a post I did on a thread for "Amateur" quite awhile back. All together now...The deadpan, ironic acting with flipped out dialog is a Hartley trademark. Go see some other of his films and then come back to "Fay Grim" once you absorb all his quirks. But this cut and pasted post might give you some clues....
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Daveyellis, you're totally missing the point of what a Hal Hartley film is. First off, you never are sposed to take a Hartley film in a totally serious, literal way. You have to understand that practically every minute of any of his movies is complete nonsense. Yet it's nonsense in such a deadpan, straightfaced manor, that it melds into an inspired absurd vision that's as unique as anything you will ever see.
Think of a Hartley film as a subtle opposite of what Zucker and Abraham were doing in the '80s with their broad and obvious "Airplane" movies. Yet so subtle and delicate, it's impossible to pick up the almost subliminal gags right off the bat at first viewing. So they often leave newbys confused.
And understand that no one, not even hopeless Hartley freaks, ever "gets" what he's all about at first. You don't really get Hartley until you've seen one of his movies a few times. So check out "Henry Fool", "No Such Thing", "Simple Men" etc. Then once you start to detect a pattern of his numerous quirks, check out "Amateur" again. It will hit you eventually...
"There's no such thing as adventure, there's no such thing as romance. There's only trouble and desire" -"Simple Men" '92
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