True. I wish people on IMDb would take the time to read over what they've written, if only just ONCE.
But to the point of, "What made them great in the first place...[etc.]" comment, I think that's actually a valid point in this case. Whether you think Fisher's remake is good or bad, the original Caligari was a HUGELY groundbreaking film in terms of its style and art direction. And since Fisher hewed so closely to the original (even going so far as to digitally recreate the original sets), many who see this remake are bound to question why it was made in the first place. Those who like it are going to see it as a loving tribute, but those who dislike it are going to see it as necrophilia.
I agree with you that there are tried and true formulas in many genres that are going to be used over and over, and that they will stand or fall based on how well they are executed. For instance, the basic story of Shane--a reluctant hero with a dark past who is forced to "go back to war" to protect innocent people whom he's grown to care about--has been used a least a hundred times, maybe even a thousand. But, as I said, I don't think that the original Cabinet of Dr Caligari falls into this category ... it's anything but formulaic.
The more stylistically and visually groundbreaking a film, the more difficult it is to remake. For instance, in the '80s, most people probably didn't even realize that No Way Out, Narrow Margin, Against All Odds, and D.O.A. were remakes, but if someone had tried to remake Citizen Kane ... well, you get the idea. How do you improve upon perfection?
Anyway, off-topic, since you brought up the Anthony Mann/Jimmy Stewart westerns, which do you think is the best? I love a number of Mann's noirs (esp. T-Men, He Walked by Night, and Raw Deal), but I wasn't crazy about the one western of his that I saw, Winchester 73. It wasn't bad, just not as good as I was expecting...
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