Nice Concept but Muddled Storytelling (WARNING - SPOILERS)
I attended the Arizona premier of "The Gene Generation" at Tucson's Loft Cinema, a gala event ably hosted by the good people at the non-profit independent Loft and attended by the film's cast and crew.
This concept piece had a nice idea but got lost due to poor story telling, along with under-developed characters. It was also far too derivative, liberally lifting visual concepts directly from such films as BladeRunner, Sin City and numerous other films.
The paper thin plot is of one Michelle, seductively played by Bai Ling, an assasin in the city of Olympia, which has been segregated from the rest of humanity due to a genetic incident at HaydenCorp (can you say "UnbrellaCorp"). The 3+ minutes of plot exposition at the beginning of the film, done in voice over by Christian (Alec Newman) a former scientist for HaydenCorp now also trapped in Olympia, did little to help establish a clear story arc. Michelle's job is to kill "gene hackers", people who try to obtain genetic material from others in order to get clearance to leave the city (a weird conglomeration of Gattaca and Casablanca plot elements). We only see her commit two such assasinations during the course of the film so we get no sense of whether she enjoys this or is in the least bit conflicted or even whether her targets are really bad guys. It isn't until much too late in the film that it is clear that she is trying to earn enough money to buy her and her younger brother Jackie (Perry Shen), who inexplicably does not share her accent, out of Olympia. Jackie, a degenerate gambler, has gotten on the wrong side of debt with local club/casino owner Randall (Daniel Zacappa) who plays the role in a Dennis Hopper-esque over the top performance. Jackie steals a genetic device from Christian in order to get funds to clear his debt, thus bringing the characters together in a terribly contrived story line. A romance develops between Michelle and Christian, the only point of which appears to be to allow for a gratuitous and enormously unerotic sex scene featuring Bai Ling's nipples, which I found to be terribly uncomfortable given that the star was sitting three rows behind me. Throw in a confusing cameo by Faye Dunaway (who appears to have been paid for a half day film shoot and voice over work), muddy sound (which in fairness may have been the theater), plot contrivances such has having Christian removed from the story by 36 hours of unconsciousness as a result of a simple round-house kick to the jaw, a genetic effect which has octopus tentacles sprout from people with no explained reason, overwrought punk club scenes look like they were filmed with a consumer grade digital video camera, and this film was a mess. Except for Jackie and his sidekick Mouse (Ethan Cohen) the characters lacked sufficient dimension to care about.
My 15-year old son, whom one would expect is the target audience for a film of this type, didn't even like it. A direct quote from him "It moved slower than 'There will be Blood', even the fight scenes were boring." Not a good sign.
I believe this film would benefit from less reliance on effects, more complete development of the principal characters and a complete sound re-edit before LionsGate trots it out to the local cine-odeon-mega plex, where they cannot depend upon the tattoed and pierced neo-punk goth scene kids to give it the benefit of the doubt. And lest anyone think that the last comment reflected any kind of prejudicial judgement of the film on the basis of the audience I have a liberal collection of tattoes and gauged ears myself.