The secret of the universe is in this documentary!


I watched this when it turned up on UK TV, and it was a fascinating insight into the movie-making process. Such a dazzling array of talented individuals giving up their time for us - that's you and me - to allow ourselves to be showered with their collective wisdom.

One figure stood out, though. You can keep all your Spielbergs and Scorceses, but the true life-changing moment occurred when Mr Robert Cohen said something along the lines of "editing is the way into the movie" for the viewing public. He shifted his muscular frame slightly, and gazed wistfully into the depths of the right speaker on my TV. Then he gave the reason for this concept, and the planet wobbled on its axis.

"Wouldn't we all like to edit our own LIVES?"

I fell to the floor, prostrate with the sudden, painful truth that underlines all our feeble existences. I gaped up at Robert, silently begging him to administer the coup-de-grace and praying that he wouldn't tease us with such exquisite and dangerous knowledge and then withdraw it, leaving us in the dark as before, but with a humbling awareness of our own collective ignorance. I am sure the sound of Angels singing accompanied the streaming light from my TV as he gave us deliverance from doubt.

He paused, nodded slightly in a self-satisfied way, and continued:

"I think we would."

Thank you, Robert. Yes. Yes I do want to edit my own life. And up until that moment I had thought I was the only one! Now I know better, and I will devote my time to enlightening people about the possibilities of self-editing.

Right now, I am going to edit just over two hours of my life from my memory. That's the time it took to watch XxX, and Robert's contribution to this documentary. I'll just do the necessary mental exercises...


* THUD *

Now. What was I talking about?

"...and remember, DON'T eat the paintballs..."

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Amazing.

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I agree with you whole-heartedly. I had seen parts of this documentary, but never through its entirety. The night that I saw the whole film, I was in the middle of ironing my sheets during the Robert Cohen quote that you mention. As soon as he said that, I slapped the iron down on its stand and plopped down on my sofa. I sat there for about five minutes after he was done speaking before I went back to my chore.


____________________________________

"I've made a huge mistake."

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I recorded this on TV one time. Excellent doc on editing and filmmaking.

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[deleted]

Glad you are calm!

Man I totally forgot about that film! Robin Williams is in it right? Is it pretty good? I think I will go rent it this weekend.

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[deleted]

Thanks man! I'm not most people either. I will definitely check this out.

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Ha ha ha. I had a completely similar reaction when I saw that part of the Rob Cohen bit.

What a moron...

Cubic editing!? Wooooo!




"And that little one, is how papa gained freedom. Now, bonne nuit. Bonne nuit to you all."

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Yeah I had to roll my eyes too when he starting saying that.

I read Walter Murch's book on editing and he says the reason we as humans like editing in movies is because of our blinking patters. Think about that. Everytime you finish a tiny thought or need to do something else, you blink. So having film torn out from infront of our eyes like editing is, is actually not all that foreign or jarring to us.

I found this more interesting than Mr. triple X's theory on cubism, whatever that is.

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lol, I had the exact same reaction

This signature represents a symbol of my individuality and my belief in personal freedom.

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This is one of the best, both entertaining and enlightening, documentaries about cinema ever made.

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i agree eadwinn ... and it wasn't until i saw this documentary that i realized just how important editing is to the success and look and quality of a film ... it's been a while since i've seen this docu so not sure it it's in this one or another one, but i think Steven Spielberg makes the comment that they called his favorite editor Verna Fields, "Mother Cutter", which i'm sure was something of a rebauld play on words yet i'm sure it wasn't overlooked that she was the 'mother' of the film ... the director, camera operators, actors, etc, all gathered all the celluloid together and gave it to her for her to "birth it" ...

editors should get so much more credit than they do ... even cinematographers get far more credit than the editor of a film ... again if i'm not mistaken since it's been so long since viewing it, i think this is the docu that one of the editors for "The Godfather I" (there are two listed on imdb, William Reynolds and Peter Zinner so i'm not sure which one is saying this) but they are showing how the scene where the Hollywood exec finds the horse head in the bed and how the shot starts from outside the bedroom, outside the house and slowly the camera moves to the house and then into the bedroom and then the reveal, etc, which we're all familiar with i'm guessing ... so he shows it the first way he cut it with the music building up etc and how he wasn't quite satisfied with that and then made about a five to ten second move with the music, beginning it a bit sooner, and suddenly when the bedsheet is pulled back and the horse head is there the music is perfect along with the horrific screams of the hollywood mogul ... just that little bit and the scene was much more powerful ... it was an amazing example of the power of editing ...

this is a great film esp for people like me who love the behind-the-scenes stuff about films just as much as the films themselves

cormac zoso


"Can you hear me??!!"
-- J. Depp as HST

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I laughed out loud reading this thread, thanks for that.

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