In a remarkably similar discussion thread a poster has declared the same cinematography to be Oscar-worthy. Given that the movie is set almost entirely at night, in a poorly-lit bar, I thought the filmmakers' lighting choices were sensible. The jumpy, rapid editing and use of handheld cameras were an effective means of presenting scenes that might be too gory, too objectionable, or just too obvious. The use of high-definition cameras at inappropriate times seems deliberate, part of the comedic interpretation of the film. On the whole, I thought it was not Oscar-worthy. But I did not think it detracted from the film.
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