Fist of all, I'm a kurd from Syrian Kurdistan, and I really love cinema. This is the reason because when a kurdish movie is released, I know I will like it so much (influenced emotionally). But then, when I turn see see the same films I begin to analyze them.
I think Ghobadi does the things well, because this is the function he has choosen. It's good show to occidental people the bad luck and the misery of an ethnos, the kurdish town in this case. Then, there are other functions, the entertainment, artistic, etc, more happy in general. This is the thing that the kurds filmakers don't show, maybe because all have a feeling in his heart that push them to show the misery of his people.
I think it would be interesting that kurds begin to make also films that shows the good face of Kurdistan Iraq. This way, people will know that this autonomous territory of Kurdistan (after Iraq war) is like a floating little paradise. I said all my friends that this summer I will go to Kurdistan Iraq (its one of my dreams), but this friend thinks that its so dangerous. This is the image that kurds must change, but Ghobadi has not choosen it. Its relapses on another filmaker, I hope soon, because the incipient kurdish cinema needs a plurythematic cinema, with varied generes, and no stand up on the crude drama...
But in the other hand, I admire Ghobadi's courage, making the film with around 20 bodyguards, and the result is magnific. Baybe he could show some more beautiful places, true, but he maintained film's tone very well, and I admire his election. I think all the kurds (and no kurds) should support the new kurdish cinema, and hope that the new filmakers play all the generes possibly, to make a strong kurdish cinema (and universal).
About the meaning of the title, I don't undestant, but I think that it refers that turtles also can blow up because of mines or the war (remember that this is an antiwar film).
Sorry by my english,
AZAD, Spain.
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