"Red fish" has a specific symbolism in Iranian-Kurd culture.
History of Newroz and Its Celebrations
(Constitution of Cultural & Civil Society of Khorasani Kurds - 13 Mar 2012)
http://www.cskk.org/en/modules.php?name=News&file=article&sid= 10
"The table must also contain an incense-burner for aromas as of spring blossom scent, and a water-filled vessel in which alive red fish is placed to symbolize a happy life full of activity and movement and the red colour states the beauty of love and life."
Assuming that the "American" fishes presented to Satellite were superficially dyed reddish/ orangey (although I find it odd that the dye did not come off earlier, despite the fishes' long journey all the way from town), the scene of the dye coming off (rather reminiscent of blood spilled in water) shows that appearance is merely illusion.
For people existing precipitously on the margins of life & society, the scene symbolizes how illusionary & even impractical one's basic hopes & aspirations are -- be these for a happy life, peace & safety, a satisfactory job, or simply enough food to eat.
The pseudo
"red fish" trapped in the plastic bag further serves to:
1) Recall & emphasize the irony of an earlier scene whereby Agrin looked forebodingly at the murky pond, which Satellite claimed to host red fish but ultimately did not find despite diving into the water -- while the totally-unimpressed Agrin turned her back on Satellite, & walked away with her containers of water.
2) Foreshadow the final scene whereby Satellite (now bloodied & on crutches like Pashow) stood by the roadside, while the American troops rolled in & Pashow revealed how Hengov had prophecized that something would happen in 275 days.
In this scene, notice how the pensive Satellite -- despite his previous enthusiasm for all things American -- said nothing, looked unimpressed & turned his back upon the American troops, before finally walking away. Satellite realized that like the
"red fish" that he had been tricked by, peace & security are just illusions. The people of the badly-scarred landscape had already seen the exact same scene before when Saddam Hussein's troops rolled in & attacked the Kurds in the 1980s.
Last but not least, the film's conclusion hints at how Satellite had realized that Hengov's prophecies (Agrin:
"something bad always happens afterwards") are all saying just one thing:
Hoping for happiness is like chasing a fishy illusion. Instead, our so-called life is the same bloody suffering & heartbreak ... again and again and again and again.
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