Dan, if you are the director, Thanks so much.
My wife and I are in our sixties, on the cusp of the people who lived in the Claremont. The film was inspired, yet true to the reality of those at the two poles of adulthood; Mrs. Palefry with her memories, and Ludovic, with the world before him, uncertain whether it will be an insurmountable challenge or inspiration to success.
The scene where the three women spontaneously joined in singing of "Autumnal Romance," took the risk of turning this serious film into a parody of a musical. It was a risk well taken, since those musicals are abstractions of a spirit that is quite real. My gang, after some hours of shooting the breeze at an outdoor cafe, occasionally burst into song for the pure joy of sharing the experience, we would dance too if we could.
Ludivic's singing the words, "For all we know," but to a different melody, was a stroke of brilliance, as it focused on the poetry, the touching mystery of these lyrics, released for the instant from the memorable music.
When a rare cinematic project like this is created, I don't know who to credit, since the delight, the transportation of the viewer into the life on screen, only takes place because every person in the chain of creation advanced the idea with perfection. And as in real life, where human connection is our most valued possession, we achieve this by caring enough to fit our needs to others, to be part of something bigger than self, be it an odd couple, or a group of old folks in a hotel.
If life is only a dream, you managed to capture the majestic ephemera usually lost on awakening on this film.
reply
share